The Nikon 58mm 1.4 and The now famed Sigma Art 50mm 1.4 are two lenses that arguably have a lot in common and at the same time polar opposites. The fact of the matter is the Sigma series which is marketed under the “art” moniker has received its praise because of technical proficiency while the release of the Nikon 58mm fell flat due to misguided expectations.
For years, Elinchrom users have been complaining about the aging Skyport. A few months ago, the Swiss flash manufacturer finally released the brand new Skyport HS, and it is a great product. However, not everyone needs its advanced features. Some photographers couldn’t care less about technical stuff and only want their transmitter to do the job it is designed for: triggering the flash remotely. Well, that’s why the Skyport Plus was recently released.
We are living in an era that everyone complains about their bulky camera gear and how hard it is to carry it all day. Many photographers are now switching to mirrorless cameras for this reason. But hey, there is another solution for that: You can minimize your lenses and other gear, rather than changing your main camera body. That's what I did.
If you own a DSLR and like to shoot with fast lenses, you're likely acquainted with the procedure known as "autofocus microadjustment." The process is a bit tedious and annoying, but highly useful for those of us who savor that razor-thin depth of field. Thankfully, owners of new Nikon bodies now have the option of having their cameras perform the procedure automatically for them.
Late last year, I wrote here about choosing your next lens for photography. In the comments, I was asked to write a similar guide about cameras. So today, we will be discussing the important factors in choosing a new camera body, or if you are just getting into the world of interchangeable lens systems, your first camera body.
Anyone that has used a gimbal without a support harness for longer than a few hours knows that it can get exhausting, and stretching the use longer can be downright painful. Now, many people will say: "hey, why don't you get a Support Vest to take the weight?" That is a viable option. However, with those systems, you're frequently locked into a height, and you don't have the opportunity to change from a low level shot to a high level shot. Even shooting freehand, you're only able to get as high as your arms will reach.
Camera straps are about as ubiquitous as cameras themselves. If it weren't for the dreadfully uncomfortable ones that come with most cameras, you'd think they're pretty hard to get wrong. Most third party ones are at least adequate, or better, so what can someone do to stand out? We've spent the past month with four custom hand-made-to-order leather straps, in the form of a wrist strap, two neck straps, and even a unique TLR strap from the Deadcameras lineup. Do they have what it takes to stand out in an endless sea of straps? Let's find out.
"What lens should I buy?" It is the question I have seen countless times over the years in so many forums. It's the question I get from friends — the never-ending question. There is only one problem: the lens you should buy really all depends on you! What lens do you love? How do you like to photograph? Where do you photograph? Do you have space to back up so you can use a long lens? What do you like?
Yes I said it. I can hear the outraged shrieks of equipment addicted photographers, but hear me out. In February, I went to Capetown for a month to please my trigger finger and shot eight stories in the same location using just natural light. South Africa is a renowned location for occidental productions. When it is snowing in Europe and in the States, it is summer season there. During that time the only weather complication can arise from wind with the upside being constant blue skies. During my stay, I got unpredictable rain and clouds. When I was done throwing tantrums at the black skies and banging my head against a wall questioning my decision of spending hard earned bucks to fly to the southern tip of Africa, I capitulated and went with the flow. And learned a lot in the process. Getting out of my comfort zone reminded me about the core of photography: my vision.
For a few years, the names in the game of digital video technologies have remained pretty constant, especially in the professional or prosumer category. It’s not often you have a company jump onto the scene swinging, promising to release what could be one of the most versatile systems to hit the market in a while; this is exactly what Craft Camera has done. Purchasing isn’t available yet but they are taking reservations now and shipping out the first units off the line as early as December.
Recently, a gear company you may be familiar with, Tether Tools, released their new Case Relay Power System (CPS). This contraption allows you to shoot continuously without any interruption or having to keep recharging batteries. So, I decided to put it to the test and travel almost 100 miles away with just the power system and no batteries.
A new 12-bay storage solution by LaCie, four- and eight-bay systems by CalDigit, and four-, six-, and eight-bay systems by Promise announced Monday at NAB 2016, all support Thunderbolt 3, even before Apple has a single device that supports the protocol. That shouldn't be the case after Apple computer announcements expected this summer (or perhaps through a refresh any moment); and some PCs already have Thunderbolt 3 support. But with mass adoption already around the corner, these three companies are showing they're ready to take on the transition to the new standard.