For one reason or another, this has been the week of all weeks for those anxiously awaiting firmware updates. While some are rather mild updates to fix various bugs (which is still important, granted), other updates like the one for Leica's T camera boost things like autofocus speed twofold. Fresh updates! Come and get 'em!
I don't have specific numbers. I don't even have vague numbers. But I wouldn't be surprised if someone told me Adobe's mobile photo editing apps have seen a huge success. The biggest reason: they're free. And the second: they really work, which makes the first reason even better. Today, Adobe updated two of these apps, Photoshop Mix and Photoshop Fix, with support for split view in iOS 9, for the screen size of the iPad Pro, and for the pressure and tilt sensitivity of the Apple Pencil for use on the iPad Pro.
You had me at f/0.95. When I saw Fiction Brand's tribute to my favorite lens in the whole world, the $10,000 Leica Noctilux-M 50mm f/0.95 ASPH, I knew I had to have one. But once I got my foot in the door, I realized there's more to this brand than just a novelty tee shirt as I reviewed their camera strap, hat, and pocket SD shirt.
For the past few weeks I've been able to play with the new DJI Inspire 1 Pro drone and X5 Micro Four Thirds camera and gimbal. The entire system is amazing but I have to admit that I thought it was a bit overkill for the average drone user... That is until I saw this video and realized the X5 works with the Osmo.
Simply put, cameras are tools. It is up to the artist to create the image. Digital photography is everywhere nowadays. Point-and-shoots and iPhones are capable of some amazing things, and consumer level DSLRs are cheap enough to bring a high level of image quality to the masses. What separates soccer moms from professional photographers is the deep understanding that professionals have of their art and their gear. Anybody can learn the relationship of aperture, ISO, and shutter speed, but the application of it and the understanding of the side effects that those bring transcends any technological advancements. DigitalRev has plenty of proof on that concept. At the same time, if your camera is downright annoying to use, what use is it at all? That is where my issues with Sony began.
AIG's recent move to begin insuring unmanned aerial vehicles (UAVs) marked the beginning of the first large, national insurance company to get ahead of (or catch up with) the "drone movement." Like this season's migration of Canadian geese, everyone seems to be flocking in droves, clearly intent on getting to the online shopping outlets and local electronics stores that sell the latest drones. But few actually know about how to use their newly affordable crafts safely and without risking their entire life's savings. A quick phone call with the Hill & Usher insurance agency led us to a few clues about where to start.
GoPro announced last month that it is working on bringing a drone to market in early 2016, and the go-to action-cam company just released the first video taken from their drone. Thankfully, the footage looks incredibly stable — so stable that some shots look incredibly similar to something that would come from a track-mounted or cable-mounted rig on the ground. Of course, the slight slow-motion nature of the shots help mitigate the perception of any small movements throughout the flights, but the footage is surprisingly smooth nonetheless.
Each week we get contacted by a range of manufacturers asking us to review their products. Once I had someone ask me to review a bag of lavender. When I explained that Fstoppers is a photography website, they said that even photographers like lavender and I should review it. Obviously I didn't review it but next time this happens I will review the lavender, and today I've reviewed the Parrot Jumping Drone.
To be clear, STARVIS is a new sensor whose technology is mostly meant for applications in scientific, industrial, and security spaces. And Sony won't give out any "normal" number with respect to ISO yet, either. Part of that might be because actual ISO is difficult to determine, since the back-lit CMOS sensor places its photodiodes in front of other hardware components that, conventionally, would block a substantial portion of light information. But as unclear as the exact results are, here, the latest advancements in ultra-sensitive sensor trickery point to a new level of attainability.
You, me, and the rest of them, we've all wondered why people are so infatuated with lightning-fast memory cards. Sure, it's great to bump up the speed so your camera can shoot relatively quickly and to enable fast transfers to the computer or backup drives. But at the end of the day, most of us have settled our minds on the idea that we really don't need more than 90MB/s cards. 100MB/s is that sweet spot that seems to be the limit of necessity (and reasonable prices). But a new video shows us why new formats, like the XQD card, and the faster speeds that come with it are actually useful in a real-world scenario (for some people).
One of the first things I heard when I sat down at a large white table with Light CTO and Co-Founder Dr. Rajiv Laroia and VP of Marketing Bradley Lautenbach was that, when it comes to lenses, plastic is better than glass. Scratching my head for a bit, while searching for some logic, but keeping an open mind (I did ask for a meeting with the guy who decided to put 16 lenses in a small box and call it the future of photography), the meeting proceeded to somewhat blow my mind… if it’s all true.
Today marks the end of a full week at Photo Plus Expo in New York City. In the mayhem that comes with such a large expo, one of the stand out presentations for me was hearing Gregory Heisler speak at the Canon booth on Saturday. I've had the privilege of hearing Greg speak many times and even the chance to interview Greg at Gulf Photo Plus, and each time his presentations absolutely blow me away. In this extended video from BH Photo, Greg discusses how the Canon 50mp 5DsR camera holds up against medium format and large film cameras of the past.
The classic straw grid for speedlights; it might be one of the most attempted DIY photography projects. It's a popular project because it works well, it is cheap, and it is incredibly easy to make, but one clever photographer has found an even simpler way to make on of these popular modifiers. Check out this easy to follow video for step by step instructions.
Our friends at B&H have put together a tremendous list of instant savings in celebration of PhotoPlus Expo! Even if you couldn't attend this year, there are still great offers to be had from home. Many of our favorite pieces of gear and software are included in the promotion.