Gear

SmallRig has recently unveiled the RC 220B Pro LED Video Light, marking a significant evolution in its COB lighting lineup. Promising professional-grade performance in a lightweight, compact package, the RC 220B Pro is positioned to be the go-to light for video creators of all levels. I’ve had the opportunity to put it through its paces in real-world production environments to see how it stacks up.

Not all standard zoom lenses are created equal, even when they cover similar focal ranges. Fuji has refreshed its lineup with two new lenses, while Sigma’s popular budget-friendly option remains in the mix. Whether you need the best sharpness, the fastest autofocus, or the most compact option, here's a good guide to what's best for your needs.

There are a thousand and one different wireless microphone options on the market, and these two options from Godox aim to cater to a range of users. But since the brand is better known for lighting gear, are they any good?

Tamron may be eyeing an ambitious new lens: a 200–800mm ultra-telephoto zoom for mirrorless cameras. A recently published patent in Japan reveals optical designs for a Tamron 200-800mm f/6.7 lens, as well as a companion 200-600mm f/5.6 design​.

I'm not quite sure what the fascination is with young folks and 2000s-era point-and-shoot cameras, but it seems like everyone is snapping these up in droves.

The Andoer 18-megapixel digital camera is one of the cheapest cameras you can buy on Amazon, but is it even worth the 23 bucks? If you've ever wondered just how bad a budget camera can get—or if there’s any way to make it work—you’re in for a ride.

Canon is looking into resin (plastic) lens elements as a way to make professional camera lenses lighter, according to a newly uncovered patent. The patent outlines designs for zoom lenses that use plastic optical elements to cut down on weight, potentially revolutionizing the build of heavy telephoto lenses.

You’ve been a photographer for many years, and you’re curious about making videos. After all, your camera likely has some amazing video capabilities. But moving to video is daunting; there’s so much more involved than still photography. Here are a few thoughts to help you get started.

Some cameras are built for power, others for portability. Micro Four Thirds cameras aim to balance both, offering a lightweight system without sacrificing performance. But with full frame cameras becoming more affordable and APS-C sensors improving, is Micro Four Thirds still worth it?

Picking the right aperture is a balancing act. Too wide, and you risk losing sharpness in the background. Too narrow, and diffraction can soften your entire image. Knowing how to find the right setting for maximum clarity can make a huge difference in your landscape photography.

In the first big announcement since Nikon’s acquisition of RED Digital Cinema, the company now offers new options that open up the platform for a world of innovation.

Furthering its commitment to professional filmmakers, Nikon today announced the new Z 28-135mm f/4 PZ power zoom lens, made specifically for film and video production.

Choosing the right telephoto zoom lens can be a challenge, especially when balancing price, performance, and usability. If you're considering a Canon lens in the 100-500mm range, you have multiple options, each with its own strengths and trade-offs. Knowing which one best suits your needs is crucial.

These opinions might ruffle feathers, but they're rooted in years of shooting, testing, and loving cameras of all shapes and sizes. From color science to craftsmanship, lens lore to mirrorless revolutions – nothing is off-limits. Disagree? Good. Fight me.

Canon has released many legendary lenses over the years, but some models remain obscure. One of the rarest is the EF 50-200mm f/3.5-4.5 L, an autofocus L-series lens from 1988. If you’ve never heard of it, you’re not alone. It’s so rare that even finding information on it can be difficult, but that makes testing one all the more interesting.

Size, weight, and cost can make finding the right super-telephoto lens a challenge. A lens that balances reach, image quality, and portability is rare, but this one might be just right.

Scotland’s rugged landscapes and dramatic weather make it a dream location for landscape photography. The challenge is capturing that beauty in a way that does it justice. The right gear helps.

Given that finding a Fuji X100VI is ultra rare and the Leica Q3 is reserved only for those with very deep pockets, surely there’s a gap in the market. None of the big three manufacturers seems interested, but why not?

Last week, I received an email from Saramonic. They wanted to sponsor a video featuring their new Ultra Mic System. But unlike every sponsored video request I've ever gotten, they didn't want control over the video, they asked for a fair and honest review, comparing their product to two of the industry leaders: DJI and Rode.

Fujifilm’s XF 16-55mm f/2.8 R LM WR II lens updates one of the most popular zoom lenses in the X-mount lineup. With its versatile focal range, constant f/2.8 aperture, and improved design, it’s built for those who need flexibility without sacrificing image quality. The big question: is it worth upgrading if you already own the original?

A tiny digital camera made for kids has unexpectedly become a hit with adults who want a simple, screen-free shooting experience. But what if it could be more than just a toy? One creator decided to take this little camera and push it to its limits, transforming it into something completely different—and way more fun.

Canon’s RF 35mm f/1.4 L VCM lens is an intriguing option for anyone invested in the RF system, especially those who shoot both photos and video. It brings some unique features, a high-quality build, and Canon’s latest autofocus technology. But with a price tag of $1,500, it’s important to weigh its strengths and weaknesses before making a decision.

Nikon is exploring an innovative lens concept that could make portrait and wedding photographers drool.

I've never had the highest opinion of Hasselblad. 10-15 years ago I saw two of them completely fail on set. I saw them struggle with autofocus even in a bright environment. I've seen my cheap DSLR take better-looking images in low light.

The Viltrox AF 135mm f/1.8 LAB FE lens is a budget-friendly telephoto prime that competes with much more expensive options from Sony, Canon, and Nikon. It’s part of Viltrox’s LAB series, which aims to push optical performance to new heights without costing a ton.

A camera’s real value isn’t just in specs—it’s in how it fits your work. High-resolution sensors, dynamic range, and autofocus systems matter, but usability, workflow, and price matter just as much. The best camera for you isn’t always the latest model; it’s the one that balances performance and practicality.

The OM-3 from OM System is here, and finally, it shows photographers that, yes, someone is alive and designing new camera bodies at the company.

If you own a Leica Q3 or Fuji X100 series camera, you’ll fit into one of two camps: those who love the simple, old-school design of the cameras and are happy to use them as is, or those who don’t like the lack of grip. Up until now, there have been very few options to help those wanting a more comfortable solution when holding their little retro-styled cameras. But fear not, PolarPro has just launched a few products to solve this issue. And one of those options is rather sexy too!

OM System just announced their new camera and a raft of new lens versions. The new camera is an exciting addition to their stable and will be aimed at a completely different type of photographer. Street and urban wildlife photographers and photographic artists, check out the OM-3.

Sony has announced an update to its Creators’ Cloud platform, bringing new features to its Creators’ App. The latest version, 2.6.0, allows users to automatically transfer images and videos directly from select Sony cameras to Google Drive or Adobe Lightroom, simplifying cloud-based workflows for photographers and videographers.

The Fujifilm XF 16-50mm f/2.8-4.8 R LM WR is the company’s latest standard zoom lens, replacing the aging XF 18-55mm f/2.8-4 OIS. With updates in optical performance, autofocus, and weather resistance, it’s positioned as the new kit lens for select Fujifilm cameras. The removal of optical image stabilization and a shorter telephoto reach, however, raise some important considerations.

Nikon’s line of prime lenses just got a lot stronger with a professional lens that promises to be a staple in many a photographer’s kit for years to come: the brand-new NIKKOR Z 35mm f/1.2 S.

Nikon has just announced an update to its popular line of superzoom cameras with the Nikon COOLPIX P1100.

Early adopters of the Fujifilm GFX system, many of whom migrated from Canon and Nikon, have long awaited a native tilt-shift solution to meet their professional needs.

There aren’t many photographers who own all three cameras, so this isn’t a side-by-side comparison you’ll see too often. Forget the megapixels for a moment and find out which of these three heavyweight cameras gives the most pleasing results.