Adobe Stock has been around for a short while now, featuring useful, deep integration into Creative Cloud products, as well as a more traditional online portal through which to purchase content. Through a blog post on its website, Adobe recently announced these platforms will now benefit from native 4K video content in addition to the photos and standard high-definition videos previously offered.
Drones are great, but they also pose a huge threat to general safety and national security if in the hands of the wrong people. The Secret Service has even said they don't yet have an effective method of defending against drones, although they recently began testing drone flights in their own backyard to defend against them. While some turn to strictly technological methods of bringing drones to the ground, the Dutch police are evaluating the effectiveness of a new program that trains eagles to grab drones from the sky with their talons.
Big movies mean big budgets, which usually mean big visual effects. The Moving Picture Company (better known as MPC) recently released another one of those mesmerizing VFX breakdown videos for their most recent feature film, “The Martian.” The breakdown reveals some aspects of the film and of Matt Damon's performance that were both challenging and impressive, like the fact that the helmets worn in the film didn't feature physical windscreens. Those were added later with matching reflections to the scenery.
"There were people beside me that had never seen a launch before and they said, 'Oh wow, isn't that cool!' Well, I knew right then this was a disaster," Photojournalist Red Huber remarks in this video interview, in which he talks about his history covering the shuttle program, forming personal relationships with the astronauts, and the events and mood of that fateful day.
You may have come across his videos on Vimeo or YouTube, or even stumbled upon his captivating landscape and astro work on popular sites like 500px. Photographer and Videographer, Michael Shainblum, has revealed his latest work after his recent hiatus in videography. And he did not disappoint.
Adobe launched a new YouTube series through their Lightroom channel to give Lightroom users some extra tips on features they may not have come across yet. While some highlighted features such as viewing masking for the sharpening tool are a little better known, others are more tucked away and might come as a surprise, like this feature that allows you to update the overall effect of a local adjustment with multiple sliders in effect.
Jay P. Morgan with The Slanted Lens has released a new video that demonstrates how he and his team were able to precisely capture the exact moment they wanted, using the laser mode on the MIOPS trigger system. Morgan breaks down the tricks for getting just the right shot, without having to rapid-fire a bunch of extra, useless images.
How many of us picked up our first camera because it was a way to make a buck? For most videographers, the hustle of media production work gradually evolved from a passion for filming into a business formula based on our strengths, reputation, and market necessity, but fun was the kickstarter.
Watch as Josh Connolly tests out the slow motion explosion he bought off Amazon Prime (ya, you heard me) and then learn how to create your very own. OK, they won't actually teach you how to blow things up, but they will entertain you while walking you through the process they used to create a slow-motion explosion effect. So, even though you may go to Film Riot to learn filmmaking techniques and how to create kick-ass visual effects, you'll go back for the sketches.
We first saw the trailer for "The Boy with a Camera for a Face" some three years ago. And while it may seem like director and writer Spencer Brown took his good old time, (at least for those of us who were waiting with bated breath), you'll be glad he did. The resulting satirical fairy tale, narrated by Steven Berkoff, is beautiful, humorous, and grim and speaks to how we live our lives in today's media-driven society.
A long time ago, our ancestors drew paintings with their hands in caves; later, they used papyrus paper, then canvas, all the way up to glass plates, film, and digital pixels. The means might have evolved, but mankind has always had the same instinctive need: storytelling.
We all know it's a little bit more competitive for females to "make it" in the photography and film industries. Yes, it is. The gender gap is real, and I'm not being a feminazi. There are studies about this — science. Even women who are the main characters in films don't get paid as much as their male counterparts (Jennifer Lawrence in the Hunger Games, anyone?). It's even worse for women who are behind the screen, the creators of these big projects. The team over at Vimeo isn't having it anymore, so they are doing something about it.
It’s safe to say that this camera doesn’t suck, and in the hands of someone like Tim Kemple, who’s at the top of their game, the results are pretty incredible. I got the chance to chat with Tim about his thoughts on using the new Phase One XF 100MP camera, including what happened when he flew it on a drone over a waterfall.
This short film is a great piece of satire, aimed at some of the stereotypical characters and views found on an indie film set. Couple that with a concept that is ridiculous, yet believable enough to be true, and you've got gold. This humorous short takes you behind the scenes of a film shot using only the Toyota Prius backup camera.
Reporters Without Borders has released a wonderful video that demonstrates the importance of having impartial and unbiased coverage of war and conflicts. In the video they juxtapose images and video footage which popular media presents, with that of independent photojournalists, for a stark contrast that effectively displays the different messages both are trying to get across.