Audio is arguably the most important facet of any film or video production. There is a saying that goes: “Audio is 70% of what you see,” which means that sound makes up more of the experience than the visuals do. So while we may spend a lot of time planning for what our shot looks like, it’s even more important that we mic it properly for the best audio recording possible.
As many of you I'm sure, I have boxes full of various grip gear: magic arms, C-clamps, A-clamps, ball heads, Studs, and more. I love grip gear. I absolutely love the versatility and functionality each piece has both in its dedicated uses or how you can always come up with new and imaginative ways to solve any problem. There are a ton of items out there made specifically for photography and cinematography but some of my favorite lesser-known grip supports are Ram Mounts. Cheesycam.com seems to feel the same way in one of their newest videos.
The imminent release of the Panasonic GH5 has caused quite a stir within indie filmmaking circles with it's powerful array of video recording tools built in, notably 10-bit 4:2:2 4k recording. Sadly, Panasonic will once again activate the V-Log L color profile recording capabilities as an additional purchase. So is it worth the additional cost?
We as photographers capture light. It's the fastest thing we know in space and time, and we try make it still to enjoy and share with others. It's the one thing we as photographers use every time we press the shutter button. To change from looking at photography for inspiration we can follow Chase Jarvis's advice and look at a Swedish Furniture design company IKEA to show us how they think about and use light, and about how we use it and how we don't.
If you are a shooter or video producer, you know that there are many things that go into creating great video. Sure, using the right gear is key. Composition and lighting are key. But after the video is shot, shot selection, pacing, and color correction have to be considered for the edit. Then there are graphics. Titles, lower thirds, transitions, and the like have to be designed and animated. There are tons of parts that go into making one complete, great-looking video. And it’s hard to master every aspect of video production – not to mention the fact that time and budget constraints make things even harder.
Camera sliders are often one of the first accessories that independent filmmakers purchase, just after a tripod and microphone. The simplicity in their design and valuable ability to create subtle motion instantly add production value. Cinevate recently updated its Duzi slider to its fourth version, and I got a chance to review one this past week.
DSLR Guide, created by Simon Cade, is one of my go-to resources for all things film and cinema. With almost a half-million subscribers and over 21 million views, his channel is an awesome resource for anyone interested in becoming a film maker, particularly those who are DIY-savvy or on a budget.
There are two types of motions in video that look similar, but are accomplished in different ways, each having a unique effect on the audience. One of them incorporates moving the camera on a track. The other uses the optical zoom of the lens. In this video tutorial you will learn what's the difference between those techniques and when to use them.
Shooting a beauty video is not quite the same as shooting beauty portraits. While in still photography there is a single frame, in video you can use the power of the moving image to tell a superior story. Here are three cool techniques that help to create this beauty video clip all in camera.
I've always had this issue with regards to the sound design of video and how to actually get something that is usable for the video you are working on. It's either getting audio from a stock library, having a friend compose something, or making it yourself. And the latter is really very time-consuming, and I'd rather focus on the stuff I enjoy and am good at, like shooting photos or video. Once I watched the latest video by Film Riot, it seems like the problem of finding audio might be over.
If you've ever dabbled in time-lapse photography, you know what an incredible amount of effort goes into making a very short video. From the prep work, to setup, shooting, and editing, you're often looking at a couple of hours for a few seconds worth of video. Well, Morten Rustad invests a bit more time than that: roughly 20,000 kms traveled, 200,000 photos on 20 terabytes of hard drives, and two years of time invested. The result is an incredible seven-minute video that puts Norway's beauty on full display.
Have you ever seen those amazing shots that show a subject holding its place in the frame while the background falls away or becomes extremely compressed? This is called a "dolly-zoom," and you've likely seen an example in films such as "Jaws" and "Goodfellas." While we don't typically use a dolly-zoom when filming interviews, we can learn a lot from studying what happens to an image at different focal lengths. In this video and article, I'll discuss the visual effects created when choosing a wide versus telephoto lens for documentary-style interview productions.