The iPhone 7 Plus Fashion Photoshoot: Blondes, Brunettes, and Bokeh

What happens when you throw together a shoot with two fashion models, one photographer, and an iPhone? We went ahead and found out for ourselves. As a professional photographer, the most popular question I receive on a daily basis is, "What camera and lens do you shoot with?" I also hear "My camera isn't good. What camera and lens should I buy?" When asked that question, I always make sure to emphasize that great light trumps great gear every time. That inspired me to do put down the D810 and practice what I preach. And what better way than to break in my iPhone 7 Plus?

The Shoot


Sure, the new iPhone 7 Plus is great and geared with its new, revolutionary portrait mode. The main point I'd like to drive home with this shoot is this that the camera doesn't matter. Let me repeat: the camera doesn't matter as much as the quality of light presented on your subject. 

​Location and Light

For the natural light location, we found a vacant porch that had a wooden overhang that produced nice, soft light. With the overhang, the light would hit our subject's evenly without the need for any strobes, modifiers, or reflectors. We used 100-percent natural light. 


Professional fashion models, Maria and Nhi, were kind enough to take part in this shoot. You may have come across Maria in past articles, since we have worked together previously.

The Results

Going into the shoot, I knew that we were going to come out with great photos. We had beautiful light as well as beautiful subjects. I could have used a disposable camera like Kenneth Bone and came out with great photos.

Shot with iPhone 7 Plus. Light retouching in Adobe Photoshop CC.

This was my first time trying out the new Portrait Mode offered in Apple's iOS 10.1 exclusively for the Apple iPhone 7 Plus, and boy, was I impressed with it. It created a very DSLR-like bokeh effect coupled with great quality photos in the shade. Let's take a look straight out of the camera:

As I mentioned earlier, I was quite impressed with the bokeh effect created, although it isn't perfect. Take a look again at the right side of Maria's hair, you can see that the effect gets a little soft and odd. But if you take it for what it is, a smartphone, it is quite an impressive feature Apple has put out for their new phone. Let's take another look:

Shot with iPhone 7 Plus. Retouched in Adobe Photoshop CC.

Shot with iPhone 7 Plus, cropped.

As you can see, there are flaws with the bokeh mode if you take a look where Nhi's arm is in the photo above. It looks odd where there appear to be feathering issues with the pattern of the door. 


I'm as guilty as most photographers are when is comes to G.A.S. (gear acquisition syndrome), but at the end of the day, the quality of the photographs we produce all come down to the photographer, the light, the subject, and then the gear. Let's stop putting the carriage in front of the horse when working on our craft.

With that said, what do you think of the new iPhone 7 Plus photos I've shared with you? Share your thoughts!

Log in to post comments


Previous comments

Fake bokeh is fake. My nexus 6p (actually, even my old nexus 5) has been doing this computational "bokehization" for a couple of years now. And it always looks fake. But the normies won't see it, just like in the beginning they spammed amaro and hudson on instagram, and thought they were the bomb. It's gonna get funny.

The next gen iPhone will use LINX array cam technology (which apple acquired few years ago), and will be able to actually make a very noticeable difference in terms of general image quality, and bokeh simulation, and of course get rid of the camera bump at the back. This one is a baby step towards that, but using Apple's own temporary solution to bridge the next step in camera tech (LINX). I do not know if I can post a link to the LINX tech paper but will try anyways. Can be found here —

Michael Devaney's picture

Nick, this is great!

I love bokeh, but I'm not happy with the $1000 price tag of the iPhone 7 plus. However there's an app called Portrait Blur which acheives the same effect for OLDER iPhones with just one camera. It's FREE and really cool IMHO. Just search for Portrait Blur in the App store.

Here's their App store screenshot along with a photo of my son, taken with an iPhone 6.

Justabeginner photographer's picture

I have much respect for this test but you're contradicting yourself. First you said everyone could have come out with pictures like that if they had beautiful models with perfect make up and the perfect location with the perfect lighting conditions and then at the end you said it's not the gear it's the photographer. I started photography a little over 2 months ago and if you look at my profile picture the editing is really ok for the short time I've been doing this but it's just my wife and not a professional model. She doesn't know how to put on make up professionally nor does she know how to pose and I don't either. Of course if you have beautiful models even an iPhone picture will look stunning, UNEDITED. Gear does matter! Think about it this way: You don't need to be a race car driver to drive faster than everybody else with a car that has 500HP more than everybody else but if you let a real skilled driver take over he will be even faster with the 500HP car. This whole 'it's only the photographer' thing is so annoying. It's a desperate attempt to make it seem like only certain people can be good photographers and they must be extraordinarily talented. Photography is like any other craft that you can learn and master. It's not like singing where you have to have a great voice for. The great voice are our tools (PS, LR, modifiers, cameras etc.) so we just need to practice to use that 'voice'.

Nick Pecori's picture

I think you may be contradicting yourself in your own comment, and attempting to put words in my article. Nowhere in the article did I write the word 'perfect'.

It's up to the director (which is the photographer in this case) to put a subject in the right location, at the best time, and finding the most flattering light. Notice how I didn't mention the camera? The camera doesn't really matter if the location isn't complimenting the subject, that the time of day is incorrect, and that the light at the location is flat.

In this case, I paid attention to those three factors first. And then happened to use a phone that rendered just as good results as a Nikon or Canon would.

Maria did her own makeup for the shoot, she is not a professional makeup artist by any stretch. So I wouldn't assume that it was 'the perfect makeup'.

Professional racecar drivers don't start their racing careers in racecars, they start in smaller cars or go-karts so they can develop their skillset.