Fashion

Von Wong's Message for Success

Von Wong's Message for Success

Recently I found myself going through Facebook when I came across one of Benjamin Von Wong's videos. After watching the video by Empty Duck Digital, I felt like he hit the nail right on the head with his response to people's common questions of “What preset do you use? What equipment do you use to make that happen?” Like he states, people are always searching for the fastest and easiest steps to speed up their workflow. I understand why, but at the same time, most of it can’t be done. “Time and hard work” are his answers, and I completely agree.

Photoshop: How I Use Gradient Maps and Blending Modes for Color Work

Photoshop: How I Use Gradient Maps and Blending Modes for Color Work

Adobe Photoshop is a visual cacophony of tools, tools, and more tools. There is seldom just one way to accomplish the look you are after, and beginners endlessly scour YouTube seeking the end-all answers to their questions only to find 27 different ways to, say, "add contrast". It can all be a bit confusing until you remember one key thing: There is no right and wrong. If you get the result you like, and those viewing your work seem to like it, then you've succeeded. To that end, I wanted to review one [of the dozens of possible] ways I utilize Gradient Maps for my color work in Photoshop.

Documentary on the Most Famous Fashion Photographer Alive: Mario Testino

Documentary on the Most Famous Fashion Photographer Alive: Mario Testino

Mario Testino is without a doubt one of the most famous fashion and portrait photographers currently alive. He has worked for the biggest magazines and brands in the world, including Vogue, GQ, Vanity Fair, Calvin Klein, and Burberry. Over his 35 years of experience in the industry, he more than certainly shot some of the sexiest, most important, and most famous people on earth. In this article, take a glance at his work, but also his life, through a documentary created by the BBC.

Organizing a Photoshoot Without a Professional Team

Organizing a Photoshoot Without a Professional Team

When I first started photography at 15 years old, I didn’t know anything about organizing a team. I would bribe my younger sister into being my model for the afternoon, pulling clothing from her wardrobe and doing the makeup (really badly) myself. I was worlds away from the average fashion photography set, which typically involves a team of agency represented models, a professional make up artist, hair stylist, set designer, wardrobe stylist, and assistants. This is how I conducted my photoshoots for years, and after a while I realized that I needed to expand.

Nino Batista's Capture One Pro Retouch Challenge

Nino Batista's Capture One Pro Retouch Challenge

I'm back with yet another editing contest, but this one has a twist you'll either love or hate. As I was recently in San Francisco teaching alongside Dave Gallagher, CEO of Capture Integration, for our course on CreativeLive, it occurred to me that almost no one (at least) that I knew personally edited solely in Capture One. That is, taking an image to completion using nothing but Capture One, which would mean not using the sacred Adobe Photoshop in any way. Challenge accepted?

The Pain of Shooting Film and Why It's Worth It

The Pain of Shooting Film and Why It's Worth It

When you're shooting film, especially large format film, you have a lot of time to think. When your hands are in a bag and you're loading or unloading many sheets of film, the mind tends to wander and probably the subject that crosses my mind the most is "why?" Shooting digitally would be so much faster. I could be out having a beer somewhere! I could be editing some images in Photoshop from an editorial gig that I've been putting off. Hell, I could be practicing my juggling skills (or learning to juggle). So, why am I instead up to my elbows in this bag, enduring the necessary tedium of film life? Here are some common doubts I have and the reasons I push past them!

Finding Your Style as a Fashion Photographer

Finding Your Style as a Fashion Photographer

Style is one of the most important aspects of fashion photography. Having a consistent portfolio of images that reflects who you are and your creative vision is really important when it comes to clients viewing your work. Many fashion photographers, including myself, have struggled with making their work stand out from the crowd. Here are a few tips from what I have learned about finding your style and visual voice as a photographer.

Three Ways to Use a Beauty Dish

Three Ways to Use a Beauty Dish

A beauty dish can be extremely versatile if you learn how to control the way it modifies light. Most photographers simply use beauty dishes to light the face, but you can use it to light full length photos if you know how to position the light correctly. In this video, I’ll demonstrate three ways to use a beauty dish for beauty and fashion photography.

Kendall Jenner Is Now a 'Fashion Photographer' - Is This Where Our Industry Is Heading?

Kendall Jenner Is Now a 'Fashion Photographer' - Is This Where Our Industry Is Heading?

Following suit with the likes of the Brooklyn Beckhams of the world, it should come as no surprise that one of the Kardashians (technically) is taking a stab at the other side of the lens (that isn’t a well lit, angled, and photoshopped selfie). Kendall Jenner’s work photographing Kaia Gerber, daughter of Cindy Crawford, has been featured for the UK-based Love Magazine. But the question that underlies in Jenner’s debut as a "fashion photographer" is what direction the photography industry as we know it is heading?

First Look at DigiBees, New Digital Strobes from Paul C. Buff

First Look at DigiBees, New Digital Strobes from Paul C. Buff

The iconic AlienBee has been one of the most popular strobe units ever since their debut in 2001, and for good reason. Developed to be the perfect balance of price and quality (which is something that's tricky to pull off in the world of gear) their reputation spread quickly. Sure, you can always spend many, many, many thousands of dollars on studio lights in order attain top quality equipment, but it's never been easy purchasing a strobe rig when more restrained budgets are a concern. Enter Paul C. Buff.

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