Photographer Magic Owen was offered the opportunity by HUNGER Magazine to set her own brief for a shoot at the gorgeous venue, Castle Ashby. Having been given the chance to shoot in a location that magical with such creative freedom, Owen decided to create a modernized Wonderland style shoot.
It is widely acknowledged that necessity is the mother of invention. DIY and jury-rigged lighting setups are all the rage these days. The phrase "gear doesn't matter" has become a mantra. Why are photographers so loathe to admit that gear can matter? Sometimes not having the right gear is what stands between you and your concept.
If you've ever used luminosity masks, you know how perfect they can be for creating specific looks, effects and styles, and are also hugely purposeful for specific utility processes in your workflow. There are many ways to go about creating luminosity masks, but have you considered simply using the Gradient Map adjustment layer for this?
I shoot for a clothing boutique and we shoot outside at the same area weekly. To say I have overused the available locations is an understatement. Sometimes I find myself on the side of the road, next to a rundown building I’ve shot at 20 times already, and think to myself, how in the world can I make this different? I’ll bet most of us have been there at some point.
Many people have asked me over time why most of my headshots are taken in portrait orientation and so tight? I used to joke around, saying I shot that way because I am a Virgo and my style of shooting is very much “in the box”. I then realized I could simply sum up three main reasons for why I shoot in portrait.
After reading thoughts on Victoria's Secret getting negative feedback for their choice of models, I have some thoughts on the matter as well and how it affects our cultural view of models and of course, the style that we photographers shoot. There're some critics who feel that Victoria's Secret should include plus-size or transgender models in their fashion show.