Fashion

Save Yourself Hours - The Most Effective Way To Clean Backgrounds In Photoshop

Save Yourself Hours - The Most Effective Way To Clean Backgrounds In Photoshop

If you’ve shot in any studio, then you know the rules. Larger studios may require the use of protective booties on a freshly painted cyc wall or some practice the unsaid "no shoes" rule when stepping onto background paper. But, unfortunately, that just doesn’t happen and if the subject is jumping or moving look after look that background is going to get dirty. We all know the pain of re-touching that dirt.

How to Shape Light Using a Parabolic Reflector

How to Shape Light Using a Parabolic Reflector

In this video, Karl Taylor and Urs Recher experiment with and demonstrate the uses of a Parabolic reflector. Using a model who is wearing white against a white background, they produce a number of portraits demonstrating how to shape the Para light to separate the model from the background. The versatility of this practice is quite astounding as the photographer is able to stand in front of the light and have it still perfectly illuminate the model and is a simple one light set up.

The Studio Essential - How To Construct High-Quality V-Flats And Why

The Studio Essential - How To Construct High-Quality V-Flats And Why

Ever since I started diving into studio photography the term “V-Flat” has been a big mystery to me. Google and YouTube have been the quintessential resource for photography knowledge and for whatever reason there isn't much detailed information on how to construct a V-Flat or what purpose they actually serve. It took time to sift through the noise of nonsensical DIY fabrication and even more time to unfold the enigma of this studio essential.

Master Your Smartphone Camera by Joao Carlos

Master Your Smartphone Camera by Joao Carlos

Yes this is a big ad for Sandisk and yes it's an uncut webinar that is an hour long but if you are in post production and want to fill the air with something other than the sound of your teeth grinding and knee bouncing, then there are some great tidbits of information riddled through out this video.

Smartphone cameras are the new master tool for capturing the moment. In this webinar, world-renowned photographer Joao Carlos shares what you need to know

Michael Grecco Teaches How To Photograph A Sexy Swimsuit Dramatic Portrait

Michael Grecco Teaches How To Photograph A Sexy Swimsuit Dramatic Portrait

During our 2014 Fstoppers Workshops in the Bahamas students had the privilege of watching 10 successful photographers share their top photographic techniques. Commercial and celebrity portrait photographer Michael Grecco taught classes on environmental portraiture and sexy swimwear photography, so of course we thought it would be awesome to tag along as Michael explained some of the tips that make his portraits so unique.

New High-End Remote Trigger Released By Ubertronix

New High-End Remote Trigger Released By Ubertronix

If you think you've got a quick trigger finger, then you haven't used the new Strike Finder Touch (SFT) by Ubertronix. This sleek remote trigger boasts the ability to trigger your camera shutter in less than 1 millisecond. The device has 5 different modes: Time Lapse, Lightning (or high speed flash), laser, sound and motion. All you need is 4 AAA batteries, your camera, and a great subject to get started.

17 Simple Tips To Help You Better Control And Master Natural Light

17 Simple Tips To Help You Better Control And Master Natural Light

Most of us love natural light and feel comfortable shooting with it – but how well do you really know how to utilize it effectively and to control it with precision? I just spent the day with Erik Valind, a New York City-based lifestyle photographer in his 'Controling Natural Light' workshop. Here are 17 simple ways to help get great results from better understanding and utliizing natural light.

Beyond The Key - Building A Subtle Light Setup

Beyond The Key - Building A Subtle Light Setup

Lighting isn't easy, a world-class-perfectly-lit studio portrait happens with a lot of instinct and experience. A strong grasp of lighting comes with experimentation and practice. Those that know my aesthetic know I'm a huge fan of one light photography. With that said, every image I produce I try and maintain the look of one light, even though it very well be lit with six lights. If I'm shooting for a hair, the hair needs to be well lit. If I'm shooting for makeup, the light needs to fill the face and really show detail. The same applies to product photography or fashion. I always give the client what they need, but always retain my dramatic lighting style.

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