You’ve reached a point with your work at which shooting friends and family doesn’t quite cut it. Your curiosity to challenge yourself and move forward is piqued, and you have a good sense of established skills that make you think seeking out agency-represented models is your best move. The question is: Where do you go from here and how do you even start?
I was completely blown away when I came across Diane Villadsen's project “Old Friends,” a high-fashion, conceptual take on aging. To celebrate the process all of us will go through eventually, why not do it in a unique way through photography and fashion? I got in touch with Villadsen to find out more about her inspiration for the shoot.
There's a lot said about film versus digital, and a lot of it tends to be one extreme or the other, but like most things in life, the truth lies somewhere in the middle. This great video takes a very balanced and honest look at the merits and drawbacks of each when used in a fashion shoot.
At first, you could wonder how a hairstylist found inspiration in deep sea creatures and avatar to make a collection. But then, when you see the actual looks and how a talented photographer such as David Sheldrick can make the most out every element to create masterpieces out of it, you actually start to hate yourself for not thinking of it earlier! This is probably the most stunning project I’ve seen in months, and I’m blown away by how much talent there is in these frames.
When the idea for “Trans Atlantic” came up between me, Isma, and the crew from Pekat Photography, we quickly fell in love with the concept and decided to make it a joint effort. Since slavery is a sensitive topic, we decided to do our best to approach the topic from a more academic and historical reference point. We hoped our joint effort would offer a new, fresh narrative told in a three-part series that would be presented without bias, social commentary, or cultural or historical analysis.
I believe that upon our journey in whatever craft you choose, we encounter people who not only inspire, but assist in pushing us to grow more, and photographer Lucas Passmore has been exactly that for me. Initially, from the Midwest, Lucas is a fashion photographer living in Los Angeles. His regards for the history of photography, ability to capture a moment, and willingness to give back to those new to the photography community made him the perfect person to highlight in my first interview.
To be a successful photographer, you don't have to be physically stronger, faster, or tougher. It's not like pro sports where it's normal for the number of men to overpower women. So why are women still facing so much systematic sexism and harassment in the photography industry?
So you have a great photoshoot idea that's been burning a hole in the back of your brain. As amazing as it sounds to you, you continue to push it back. Finding the task of planning and executing said shoot has been daunting to say the least. I'm someone who as a beginner found this to be a problem that held me back more times than once. However, I'm here to say that by developing a process of sorts, this obstacle can become a thing of the past.
This year has been marked by a single hashtag: #MeToo. From Hollywood to the Oval Office, it seems that accusers are finding their voices and taking a stand for themselves and countless others who haven’t been able to speak out. Naturally, awareness of sexual harassment is coming to light in all industries, and the photography industry is no different.
Fashion Photographer Alexi Lubomirski recently sat down with Kyle Hagler, president of NEXT models, for an intimate and candid chat about the modeling industry and what photographers can do to succeed. Hagler offered an array of fantastic advice that almost any photographer can draw on. Solely focusing on abstract aspects of what makes a great photographer, he is able to provide advice that resonates in a unique way.
Whether you're shooting a high-fashion model, a mom to be, or a high school senior, the clothes always matter. I'm a sucker for over-the-top drama in my own work but am not always able to find a stylist to help me out with these shoots. Even if you don't have a need to do this yourself, give it a go from time to time. It will improve your work from behind the camera too, as photographing people is usually involving fashion in one way or another. In addition to keeping up with the latest trends, you might even start to confidently help your clients out when they ask for your opinion about what they're nervously wearing.