So many photographers dream of shooting the Pirelli Calendar, but so few make it. German Photographer Peter Lindbergh shot the 2017 edition, and he’s probably someone we can all learn from. There must be a reason as to why he is working with all the big names in the cinema and modeling industry. For those like me, who love watching other photographers at work to learn, you must watch this hour-long behind the scenes video of his work for Pirelli.
Back in July 2016, Kendall Jenner made her editorial debut as a photographer with a 10-page spread in Love magazine. In an attempt to prove her worth in the industry, she's now returned to the print publication with a monster 72-page spread as well as various covers. Has she done it justice?
I'm back today with another utility Action for you all to download, for free, and see how it works for you. It deals with luminosity mask level control of what I often call the Big Three of image control: highlights, mids, and shadows. It's the most common use of luminosity masks, so, why not streamline it into an Action?
Adobe is known as being the creator of Photoshop. Then, they went and bought Macromedia in 2005 which changed the game a lot for the creative industry. Since then, apps were bundled, we’ve moved to a subscription model with Creative Cloud, and all the apps now work together intuitively. I have a great respect for the company that makes the software I use every day. But there are certain workflows that I think can improve.
Does the world of advertising suffer from a lack of diversity? One photographer certainly thinks so, and to highlight the issue, has faithfully recreated some of the best known advertising campaigns of recent years to imagine what they would look like with a black model instead of the white models predominately used within the industry. Entitled "Black Mirror," the project is the work of Los Angeles-based photographer Raffael Dickreuter and his girlfriend, model Deddeh Howard. Dickreuter believes it was being part of an interracial couple which first opened his eyes to the lack of diversity in the photography of many of the world’s leading brands.
The 2017 edition of the Pirelli Calendar has finally been revealed in Paris, and in the words of Al Green, it is simply beautiful. Shot by German Photographer Peter Lindbergh, it features actresses Robin Wright, Nicole Kidman, Uma Thurman, and Lupita Nyong’o amongst others. It has been titled “Emotional.” Expect to see nakedness in a different way, because the calendar of this year was all about “stripping down to the very soul of the sitters” without shedding all their clothes.
It’s simply impossible to ignore the change our industry is undergoing. The wide availability of industry-standard equipment has seen an uprise of people pursuing photography as a career. Photographers are battling against many threats to their careers; increasingly, celebrities who are trying their luck behind the camera. Be it models, socialites, or the rich and famous, people who are not renown for their photographic skills are increasingly booking jobs ahead of established professionals. So are those of us who work behind the lens full-time being made redundant? Can anyone be a photographer these days? It’s time to discuss.
Fstoppers is happy to announce the next round of Critique the Community. We invite everyone to submit your best editorial and fashion images to be critiqued by Clay Cook. Please follow the guidelines for submissions below to ensure eligibility for your image to be chosen. We will be accepting submissions through Friday night, November 18 and will be offering feedback to a total of 20 pictures.
Short version of the story: I love issuing challenges to the awesome readers of Fstoppers, but I also have this wild schedule of mine that changes at a moment's notice this year. So, without wasting more of your time, I'll just say "my bad" and get right to the Capture One Pro EIP Challenge winner.
Peruvian fashion and portrait photographer Mario Testino recently gave a tour of his museum in Lima, Peru to Hamish Bowles, the editor for the American edition of Vogue magazine. Testino appears to have recorded this short video tour on a just a cell phone, but he briefly takes you through each room of his museum, MATE, which first opened in 2012, but was just recently renovated, and he shared the newly restored museum with the public last week.
Stumbling upon a recent article reminded me that this is a question I wanted to ask here on Fstoppers. In my expertise and knowledge there is an absolute need for filters in certain industries of photography and if you're attempting a certain look. For instance a few friends of mine that also work for my wedding photography company do some off road coverage, for them I'd say it's pretty crucial to have a filter on their lenses to protect as much as possible as high speed off road vehicles and dirtbikes fly past them with the potential of tossing a few hundred rocks their way daily.
If you’re interested in shooting production sets, like with fashion photography, you’re going to need to build a team beyond yourself. The truth of the matter is that your success will depend on who you know and what they can do for you. As blatant as that sounds, it’s the nitty-gritty truth about building a team.
As an aspiring photographer, it eventually becomes obvious that likes on Facebook or comments such as “Beautiful work Kiddo!” from your mother aren’t exactly providing an objective evaluation of your talent. Constructive feedback from others in your field is something that everyone can benefit from at times, even as a professional. The problem is, most of us don’t take criticism very well especially when it comes to something we’ve poured our heart into and may actually love on a personal level.
Even though she doesn't have a professional portfolio website, her name is widely known. Annie Leibovitz has done yet another nice shoot. This time it is for a Lincoln Continental campaign. Her style is very distinctive — both working with the subjects, lighting, and post processing. Although her lighting is simple, many photographers find it hard to achieve such a look. There are details that are not obvious if we look only from the technical side of her work.