First things first, personal work is incredibly important. Client work often pays the bills but the most fundamental personal development you’re going to experience is when you take your vision and execute it. I would say that applies to just about anyone and certainly to photographers.
I’m a big believer that you don’t need expensive equipment and a complicated lighting set up to create beautiful images. Some of my favorite images were captured with a really simple lighting setup and with little or no lighting equipment at all. Sometimes too much emphasis is often put on equipment and we can easily get caught up in complicated lighting and expensive gear.
Photographer and artist Tyler Shields has announced in a short video that "celebrity photography is dead." No stranger to divisive statements, Shields is exploring the discussion around the democratization of photography and the implications of a new generation of celebrity photographers creating images of themselves and others.
Whether you believe the approaches are passé, amazing, or just reasonably useful, frequency separation persists in the photography industry still, and has for years. Here's how to use a new method I created that expands control over all three main ranges: highs, mids, and lows.
The in-between stages of fashion photography can be knowing which ideas for stories serve best as test shoots and which are worth pushing forward as a full editorial. Do the benefits of a cohesive editorial outweigh the efforts required to make it? This article breaks down the steps required from idea to execution.
The depiction of women across the media is something currently facing a lot of scrutiny. Now, a prolific former fashion photographer, Jennifer Moss, has spoken out on the issue, addressing how she feels women are often fetishized like “corpses” during photoshoots.
We often draw inspiration from several mediums; art, music, and film to name a few. These inspirations are blended together and found within our work. This article digs deeper into what may give our work moody undertones and makes us feel exactly how we feel when looking at it.