If you’re curious about learning how to shoot video with your DSLR, or wanting to improve the video you shoot, this might be right up your alley. New York fashion and portrait photographers and videographers, Lindsay Adler and Jeff Rojas, are about to kick off a 3 day workshop called ‘Keep It Simple – Video for Photographers’ on Creative Live focused on helping photographers make the jump into shooting great video simply and efficiently.
Need a costume for Halloween but don't think you can knock one out of the park DIY style? Ossain Brown created a collection of terrifying vintage photographs of costumes of the past. These costumes are mostly homemade and have a back woods horror more spine tingling than the Deliverance banjo. Honestly, what are nightmares made of if not a child in a burlap sack mask...Warning: images not for the feint of heart.
Just last week we opened the Fstoppers Store. At the moment we are working to get our hands on the best digital photography content on the web but in the future we will also be adding physical products. I'm excited to say that today we have just Added Lindsay Adler's fashion tutorial "Designing An Image" to the store and it is available for instant download.
Cameron Davis is a photographer, cinematographer and creative director based in New York. Growing up in Southern California, Cameron has developed a style that blends East Coast with West Coast, adding in flavors of London and Paris. Focusing primarily on shooting editorial fashion imagery, Cameron's work has been published in treats!, GQ Italia, Fault and S Magazine.
If you’ve ever wondered how much time a good make up artist can really save you in post on your stills images, you might want to take a look at the absolutely stunning before and after shots in this article. Believe it or not, no Photoshop was used in the making of any of these images, this is all done the old fashioned way - straight out of camera.
In the competitive landscape of fashion photography, Charles LUCIMA stands out with fashion-editorial images and videos that have graced magazines and televisions around the world. We caught up with Charles after his three-day, Destination MARS workshop and right before shooting a new line of cosmetics.
After reading the comments on the Miley and Terry article I wrote the other day, it made me realize how many people are in the dark about Terry Richardson's talent. I am a huge fan of Terry, mostly because he has an 'I don't give a damn' attitude but he turns out some pretty glorious images when you aren't paying attention. Most people when they hear the name Terry Richardson they think creepy, old, incredibly lucky photographer who gets to see a lot of boobs. But in reality he is highly talented and brought in millions last year for doing much more than mediocre white wall shots.
Paul Phung is a fashion photographer based in London, but to call what he does just 'fashion' is a gross oversimplification. Paul has the gift of being able to photograph a feeling. He can capture emotions on film. His images dance all over the line that vaguely separates fashion images from fine art. It's no wonder his work has been featured in magazines such as Dazed and Confused, Intern and Nasty.
We've all seen behind-the-scenes videos before right? Most are quick little tidbits showing how much fun a shoot is and how amazing the life of a photographer is. Some of them even give you some amazing insight into the techniques used by some of the top pros working today. Well, this is NOT that kind of BTS video. This 16 hour (yes, you read that right) marathon of a video is by far the BEST BTS that I've found that really shows you what the elite in the fashion world actually do to make those amazing editorials we all love.
I've got a fun little DIY light modifier for you today. I call it the High Fashion Specular Reflector or "shiny board" for short. In my travels, I have to carry a LOT of gear. Especially when the trip is on my own dime and I don't have a budget to rent the cool toys I want to have. I came up with the idea for this reflector through experimentation and just obnoxious luck. I wanted to create a very hard light (in addition to the sun) to use on my model while on location.
Urban Hippie is an award winning fashion-short film that is also a Vimeo staff pick. I was immediately engaged by the visuals that depict a girl's journey into her imagination. There is so much energy and life in the video that it's a must watch. The way each moment was shot was meticulous and every frame could be a photograph of its own. It recent won the the best experimental film at the LA Cinema Festival and the best visual effects award at the La Jolla Fashion Film Festival.
Kesler Tran is a photographer based out of Los Angeles and New York specializing in fashion, editorial and beauty. Of the three, one will probably find his beauty work resonating the strongest; it teems from every pore of his images. His eye for light and shape, as complex and trained as it is, seems effortless when one browses through the images on his tumblr. With the sheer amount of content, it's also hard to imagine him ever taking a break. Thankfully, he took one for us.
Steve Fischer is a Los Angeles based fashion photographer specializing in shooting women for the fashion, high fashion, lingerie, swimwear and beauty markets. Steve started shooting about 15 years ago, taking a minor hiatus to write and produce television commercials. Not too long ago, he was in a car accident that nearly killed him and left him physically unable to shoot for several years. He returned to his love of fashion photography about four years ago and is here to stay.
Whether we shoot stills, video or both, better utilizing light is probably the single quickest and most effective way to boost the quality of our work. I recently came across the beautiful work of cinematographer and DP Matthias Koenigswieser. If you love to shoot natural or ambient light and want to see just how beautiful applying lighting to achieve a natural light look can be, you’re in for a treat.
When I first started shooting, I would spend absolutely no time planning my shots. I would focus tons of time and energy into every other aspect (location, wardrobe, mood, etc) but in some weird turn of events, it must have slipped my mind that the end goal is "The Shot." How that slipped my mind still baffles me. Instead of putting in the effort to plan what my actual finished images would look like, I found a model, found a location and showed up on shoot day with a plan to wing it.