When each of us picks up our camera, whether it be for the first time or the ten-thousandth time, our finished work is a product of everything which has inspired us. Everything we've seen, everything we've done, everything we've learned and grown from can be seen in our work in at least some small part. That's why, I believe, it's important to not only look back at our work on a regular basis with an eye critical to how technically proficient we've become, but to look back at our work from an influence-based standpoint to see how much of ourselves we can find into our work.
Yesterday was the 2014 MET Gala which is one of the most important fashion events of the year. This $25,000 a plate charitable event draws some of the most prolific and legendary names in the fashion industry so it is not surprising to hear that fashion photographer Mario Testino would be present at the event. This year he was not just in attendance, however, he was also the event's photographer!
I always tether. Whether it's for a client or fashion editorial, the CamRanger has played a very important role in capturing rock solid images. But, before the wonderful technology of wireless tethering came into the picture, I always tethered to a workstation. However, that came with the annoyance of a long tether cable dangling off your camera. I always felt the sense of being trapped or held back from moving freely, I was always concerned and it was always a distraction.
About four years ago - or about a month or so after I picked up a camera and decided I was a photographer - I thought it would be in my best interest to start up a Facebook Fan Page (as they were called back then). I assumed that because a few friends were liking the random collection of photos that I was posting to my personal Facebook page, strangers - and eventually clients - would find my Fan Page, like it, and then money and fame would come rolling in.
Although it would seem like common sense, proper motivation is key toward not only getting things done, but getting things done well. This is true in any creative field and this is especially true, it seems, in the over-saturated everybody-with-a-camera-is-a-photographer world we live in.
I’m a bit of a dreamer. I’m also a huge aviation geek, and I often catch myself browsing the web at 2am looking up articles on aviation and aviation history. So when I found Anthony Toth and learned more about his life’s work, I knew that I had my next personal photography project in mind. As I'm mostly an architectural photographer, I got bored of waiting around for an airline to hire me to photograph their next ad campaign, so I decided to hire myself into my dream gig.
Yes, Terry Richardson is making the headlines AGAIN. But this time, he seems to have outdone himself from the last few times we have wrote about him. According to Jezebel.com, model Emma Appleton shared a screenshot of a message from Terry Richardson which was offering her a chance to have a featured Vogue shoot in exchange for sex.
Zoom, focus, spray and pray. That seems to be the M.O. of many photographers who shoot runway. I admit, I was one of those photographers. The one who scours through thousands of images at the end of the night, wishing they had shot more strategically. And, after two hours of culling, flagging three images per look, they’d be lucky if only one was tack sharp. After many shows, I’d criticize my every move and would long for a time machine to do it all over again.
A while ago I wrote an article summarizing some of the key tools which are required when shooting apparel for commercial clients. That article served it's purpose to demonstrate the vast number of supporting tools we use on a daily basis, but the magic really happens when we roll out the lights. Today I would like to show you some of the considerations you need to take when lighting clothing for your clients.
Even the best photographers need inspiration. 500px is a beautiful playground for some of the best photographers in the industry, and also one of the most powerful tools for motivation. There’s no sifting through rubbish to find quality work in your feed, which is often a problem with various social media platforms, like Facebook. Here's a list of photographers and their mind-blowing work in 4 different genres you MUST be following.
Getting it right in camera is one of the most important steps to achieving a great photograph, but color grading is what can really take your work to entirely new level. It has taken me nearly 2 years to find the right process and perfect combination to obtain the right look. And, over the course of my time writing for Fstoppers, I've been asked dozens of times about the coloring and process behind my imagery. Well, I've finally broken it all down in one quick tutorial.
Australian supermodel and Victoria Secret Angel, Miranda Kerr, exposes all for British GQ's May issue. Accompanying the provocative nude images of Kerr, is an interview where she discusses love, sex, and potentially experimenting with another woman-ooh steamy. I'm sure you're wondering what could be better than a naked supermodel saying things like "The more sex I have, the more defined my arms and stomach get.” Well, I'll tell you: Australian pranksters called The Bondi Hipsters mimicking the photo shoot frame by frame.
In the competitive world of social media experiments it seems companies are coming up with all sorts of tactics to build brand loyalty and interaction. Fashion designer Marc Jacobs is no stranger to the social media game. Earlier this year Marc Jacobs launched a pop-up shop that would trade free gifts in exchange for your tweets, likes, follows, and instagram pictures. Now Marc Jacobs is back with a new proposition. Tag your picture with the handle #CastMeMarc and you could be the new face of Marc by Marc Jacobs.
As photographers we face challenges day in and day out, but one of the toughest facets of the job is posing our subject. Regardless of experience, when a model steps in front of your lens for the first time he or she will expect some direction. It’s up to you to give that proper guidance, otherwise your images will just come up short.
Merely two years ago, Stanislav picked up his first camera: a Lumix G3 for $600. From that point forward his inspirational journey began. The majority of his mind-blowing work was taken in his attic using friends as models. Now he is known as Sean Archer - a natural light photographer who specializes in female portraits. His work is proof that it’s not about gear. It’s about the photographer; it's about the vision of the artist.