As the end of the year looms, we begin to look back and reflect on the previous year and think about aspirations for 2014. What will make this coming year successful for you? Getting paid to live and work as a photographer? Producing creative, fulfilling work? Being published? Teaching and helping other photographers? One photographer I've worked with this year did all of these and in this interview, she shares her insights on what success is for her - and importantly, what this could mean for you and your career in 2014.
I have been teaching retouching and photography for a couple of years, and I found that even my advanced students often didn't know some basic tools or techniques. Those gaps in knowledge are to be expected among self-taught photographers and retouchers, of course. However, I have just returned from my trip to Italy where the amazing Italian Photoshop guru and Wacom evangelist Marianna Santoni organized a series of educational events, in which I taught Beauty photography and retouching.
For the opening of the new Tate Britain art gallery, Miles Aldridge set out to reimagine the painting 'Merry-Go-Round' by Mark Gertler. The painting was originally created in 1916 while photography was still pretty much in infancy and hardly considered an artistic medium by many. Aldridge's approach was to take elements of the painting and create a series of photographs that hold the true form of the original while still delivering something definitively Miles Aldridge.
When you look at the new cover to WSJ's magazine you might suddenly be hit with a sense of Déjà vu. Certainly you've seen it before, but can't exactly remember from where. Don't worry you're not alone, it's because the new cover seems to be a spin to Vogue's August 2013 editorial spread photographed by Craig McDean . The kicker? The WSJ cover and spread was shot by none other than our favorite plaid wearing, controversial photographer Terry Richardson.
Be it with a camera or with a gun, a girl who shoots is unquestionably sexy. So what's that make talented commercial fashion photographer Dixie Dixon as she takes on the role of Director of photography for Magpul's 2014 Calendar? Hot, no doubt, but more importantly she adds professionalism and class to a genre that is traditionaly little more than string bikinis and thongs. Dixie's sophistication and style is a refreshing departure from a genre typically shot far too often through the male lens.
Amy Lynn is a 24 year old photographer from Nebraska who wanted to do an institutionalized themed shoot for a long time. Right before Halloween, she decided to finally make it happen by heading to local thrift shops in search of the right materials to match her vision. The BTS video captures the whole process and the final results are more than awesome.
UK retailer Debenhams is on a mission to prove that we don't need to be sold a Photoshop fantasy every time we shop for clothing. Save the perfect smiles and slim figures for their competitors; Debenhams is opting to use average every day people to appeal to the masses. Is this a breath of fresh air, or a clever marketing ploy?
This is it. By now, You will have been inspired, honed your ideas, found the perfect location and booked your talent. You will have taken that little bit of inspiration and nurtured it into a full fledged shoot. If you are anything like me, you will have tossed out far more ideas than you kept and you will have spent hours upon hours solidifying the few that stuck with you. It is safe to say that the hard part is over.
The photography world lost one of its legends on Thursday with the death of fashion photographer Deborah Turbeville. She was 81. Turbeville lived in Manhattan, until her death, which resulted from her battle with lung cancer. Known as the "anti-Hemlut Newton," Deborah Turbeville's sense of femininity, combined with her penchant for darkness, made her one of the influential greats.
Recently, American plus size model, Tara Lynn, graced the cover of Elle Spain's November issue. You can see that she did an amazing job from the cover shoot. However, every time the term "plus size" is used, I see more and more people become upset. Do you think the term should be banned or is it necessary for differentiation purposes?
The [Framed] Network recently teamed up with photographers Brooke Shaden and Lindsay Adler for a very interesting show - "The Concept". In this show, they give Lindsay and Brooke the same missions, and they together have to decide on the concept and location. Both Lindsay and Brooke are leading names in the industry and both are amazing photographers, so it's very interesting to see how each one of them tackles the concept in a very different way. Both results are epic yet so different.
How many times you had to come up with ideas for creative portraits and got stuck for days with the same boring ideas? I can guess it happened many times. Sometimes anything cool or creative can seem too complicated to execute and sometimes you think you need a whole team of professionals to help with with creating it. Here is one super simple idea that is very easy to shoot, and the results are always interesting and creative. I'm talking about paint. A lot of it.
After 2 years of planning we are extremely excited to announce Fstoppers Workshop Atlantis, our first ever live workshop event. We have 10 incredible instructors and we will be limiting the size of the event to around 200 students. The best part is the location; we are throwing this event at Atlantis Resort in the Bahamas.
If you couldn't make it to the Photo Plus Expo in New York (PPE) which kicks off today, you don't have to miss out on everything. Not only will our own Zach Sutton be reporting from the show floor, but Sigma is providing a live stream from their booth that they are calling "Sigma Safari," featuring hands-on shooting experiences starring professional models transformed into safari animals.
I'm fortunate to get to do a lot of travel with my work. However it can also be a bit of a hassle because I can't really use the same workflow I do at home. I have a very specific and efficient way I handle, capture and deliver work when I am at home, but when I travel, things change quite a bit. Most out of necessity. One of the biggest components to that is my travel workflow.