Lighting isn't easy, a world-class-perfectly-lit studio portrait happens with a lot of instinct and experience. A strong grasp of lighting comes with experimentation and practice. Those that know my aesthetic know I'm a huge fan of one light photography. With that said, every image I produce I try and maintain the look of one light, even though it very well be lit with six lights. If I'm shooting for a hair, the hair needs to be well lit. If I'm shooting for makeup, the light needs to fill the face and really show detail. The same applies to product photography or fashion. I always give the client what they need, but always retain my dramatic lighting style.
Back in 2004 I was given the Nikon D100 digital camera for Christmas and I started making money with the camera within a few months. I fell into wedding photography and within 2 years I was making almost 100% of my income shooting them. In the last 10 years I never learned how to process a RAW file (effectively) or use Lightroom until last week.
Last week, we featured an interview with the awesomely talented retoucher and photographer Marina Dean-Francis. This week, she's shared a video with Fstoppers showing her retouching on a hair and beauty image. Although the video has been sped up tremendously, it's not hard to see that there aren't many quick tricks in play here. It's no secret that maybe the greatest skill in retouching is patience.
Pay close enough attention, and there are some very useful tips in this video - my personal favorite comes in around the 2:30 mark and is a great way to add highlights on hair. Lasso...
Inspiration spurs creativity and it is often you find a photograph or artist that influences your practice. In this Photoshop tutorial Ben Secret helps you recreate the look and feel of an image by matching contrast, tone and saturation. With these brilliant tips get a handle on colour and tone through imitation, but then have fun adding your own unique style.
Regret is the worst feeling in the world but as humans, we feel it. There are times we all look back at, kicking ourselves thinking "if only I had known… I would've done it differently." I remember telling myself if I was ever given the opportunity to be heard, I'd collect a list of tips to share with others so they don't have to feel the frustration that often comes along with regret.
All this week at the RGG EDU studio in St. Louis, Michael Woloszynowicz has been hard at work showing off his techniques for an upcoming tutorial series on creating fashion and editorial photography. Today at 11am CST, myself along with the rest of the video crew will be streaming his model test look demonstrations live from the studio.
I’m always one to preach the importance of prevention and preparation before walking into a photo shoot, but there are some things you just can’t prepare for. The more you shoot the more you come to find that gear will tend to fall apart after a excessive number of uses... and abuses.
Last year Mercedes-Benz USA (@MBUSA) ran a very successful social media campaign using Instagram and some of its top influencers to spread the word about the new CLA which you can read about here. Now, they are at it again with a new approach on the much anticipated Mercedes GLA. What better way to advertise than to hit social media with some absolutely stunning adventure photos?
After spending a fair amount of time looking through the best images that the Fstoppers community has to offer, it's pretty easy to see what sets them apart. Not only are the shots themselves exceptional, but the post processing is world class (Julia Kuzmenko McKim and Michael Woloszynowicz, Photoshop extraordinaires, hold a few of our top spots). Photographers often take on their own post work either because of budget or wanting to maintain their full creative vision. Sometimes, even great photographers call on the retouching gods to lace their images with a bit of perfection. Marina Dean-Francis is one such retoucher (and photographer) with that incredible power.
It's hard to look at our photography with objective eyes. We know how much planning went into the shoot. We know how complicated the shoot was. We know how many hours in Photoshop we spent. The sad truth is, none of that matters. Your image should speak for itself. Let me help you rate your photography fairly.
Buying expensive gear and mastering lighting and technique play an important role in photography but ultimately, these things are secondary in achieving a solid portrait when facial expressions are factored in. No matter the genre of photography, whether it's fashion, weddings or family portraits, connecting to the subject is far more important than any other detail in shooting portraits. When portraying a personality or specific mood, there is a necessity to connect and extract emotions and moods.
Inverse Square Law of Light is something we all hear and know about, but don't always know how it really affects our photography. We always hear the math and the science behind it, but there is nothing like seeing it in a visual way to fully understand it. For people like me who find it hard to deal with math equations, those 2 great videos by photographer Karl Taylor will show you the important basics about the law you should know.
Miss Aniela creates photographic magic. She inhabits a dream world and uses her photographs as a visual means to realize the whimsical, highly creative visions that she dreams up. Her new commissions for Nikon’s D810 flagship launch blur the boundaries between fantasy and reality even more than usual as none of them utilize Photoshop, only relying on some technical post work in Nikon’s NX-D RAW image software.