The depiction of women across the media is something currently facing a lot of scrutiny. Now, a prolific former fashion photographer, Jennifer Moss, has spoken out on the issue, addressing how she feels women are often fetishized like “corpses” during photoshoots.
We often draw inspiration from several mediums; art, music, and film to name a few. These inspirations are blended together and found within our work. This article digs deeper into what may give our work moody undertones and makes us feel exactly how we feel when looking at it.
You book a commercial job and the client wants a beautiful face to grace their next ad. The client relies on you, the photographer to help with the process of hiring the model. The crew you hire rely on you to select the right candidate for their needs. That's great, right? Get the most radiant face, possibly the one with the highest social media numbers for that extra bump and you're set! Is that how it works?
How many times have we had moments where we wished we had brought our camera with us? Luckily, the technology is advancing fast and far, and our smartphones are becoming more capable of substituting our cameras, at least as a back up for those one-off moments that cannot be always revisited. Wedding Photographers Marko and Vanja, who didn't have their gear with them, luckily had a Samsung Galaxy A5 when all the stars aligned to give them the perfect photo opportunity.
So much of photography is built on social relationships. Models, makeup artists, hair stylists, designers, and assistants all play a crucial role in contributing to the creation of an image. At the center of the photographer's work is the model, yet photographers may find it difficult to reach out to modeling agencies for collaboration. This article will describe some best practices to start and maintain relationships with modeling agencies and their models that may enable you to further develop your portfolio.
What appears to be a long-kept secret to the general public, apparently has been a common knowledge for those who have worked in the fashion industry. The times are changing and as such Carolyn Kramer, who was an agent for fashion giant Elite Model Management, is finally speaking out about the horrific behavior that blatantly went on both behind the scenes as well as on sets.
You’ve reached a point with your work at which shooting friends and family doesn’t quite cut it. Your curiosity to challenge yourself and move forward is piqued, and you have a good sense of established skills that make you think seeking out agency-represented models is your best move. The question is: Where do you go from here and how do you even start?
I was completely blown away when I came across Diane Villadsen's project “Old Friends,” a high-fashion, conceptual take on aging. To celebrate the process all of us will go through eventually, why not do it in a unique way through photography and fashion? I got in touch with Villadsen to find out more about her inspiration for the shoot.
There's a lot said about film versus digital, and a lot of it tends to be one extreme or the other, but like most things in life, the truth lies somewhere in the middle. This great video takes a very balanced and honest look at the merits and drawbacks of each when used in a fashion shoot.
At first, you could wonder how a hairstylist found inspiration in deep sea creatures and avatar to make a collection. But then, when you see the actual looks and how a talented photographer such as David Sheldrick can make the most out every element to create masterpieces out of it, you actually start to hate yourself for not thinking of it earlier! This is probably the most stunning project I’ve seen in months, and I’m blown away by how much talent there is in these frames.
When the idea for “Trans Atlantic” came up between me, Isma, and the crew from Pekat Photography, we quickly fell in love with the concept and decided to make it a joint effort. Since slavery is a sensitive topic, we decided to do our best to approach the topic from a more academic and historical reference point. We hoped our joint effort would offer a new, fresh narrative told in a three-part series that would be presented without bias, social commentary, or cultural or historical analysis.