More Posts in: Architectural Photography
A seeds eater
Nothing more.
Athens photos
A few shots from the winter of 2025. The last one was inside of the Acropolis Museum. (Unfortunately, I could get everyone to walk exactly where I wanted them to. hahaha)
New version of Bluristic available
For iPhone users - a new version of Bluristic has dropped (v1.8) which offers new features and significant improvements in stability & useability.
Focus Stacking ~ New to Me
I am interested in learning Macro/Closeup photography and understanding that Focus Bracketing is a good part of the process, I thought I would give focus stacking a try.
Vintage Lens
Another visit to our garden using a vintage lens (Canon FD 50mm f/1.4) on my Canon R5. NOTE: With this lens the minimum focusing distance is 18" at which point you have 1/4" depth of field.
6 Comments
My only comment is on the interior photo. I'd at least try to clone out the TV screen on the right hand side. And if you do, don't forget about the reflection on the floor. :)
A big factor in architectural photography is attention to details in perspective and the angle you choose. Straight vertical lines are generally great, but just as important are a square perspective when shooting straight-on.
Your interior shot would look more intentional (and symmetrical) if you moved a couple feet to the right and shot straight down the black tiles on the floor, straight into the mirror. For the exterior across the street, the equivalent would be shooting square to the facade, so the horizontal lines would be totally straight.
Angled shots are fine of course, but in both of these you're just a few degrees off of square. I think you'll find that images feel much more grounded and look more intentional (or formal) when these straight-on shots are truly straight on.
If you're looking to get some really great education in this space I would highly recommend Mike Kelley's architecture video series here on FStoppers, it covers the basics like this and much much more.
Gustav thanks for your feedback.. Are you using TS lenses?
About 90% of my work is shot on the Canon 24mm TS II lens (on a full frame camera). I use the 17mm TS when I'm in tight spaces or otherwise need a very wide view. Vignettes and faraway exteriors generally use a 24-70 or 70-200 lens.
Have you used any of the TS lenses? I was a bit skeptical at first, and the expense is significant. However the 24mm TS II lens is the sharpest lens I've ever used, and the shift function saves so much time and otherwise helps make great arch images.
I agree with Gustav. If you can't afford a TS lens right off try a site where you can rent the glass, or as they say borrow the lenses. there are a couple of sites that let you do this.
Study Mike Kelley, Scott Hargis, Wayne Capilli (Interface Visual), Sam Chen (Aloha photo) and Ling Ge, and especially Barry MacKenzie (London, Ontario, CA)