Modern lenses are perfectly sharp and crisp. But perfection is overrated and can be rather boring. I have a solution to add some character back into my photography and videos.

There's something special about taking a picture on film. That said, film also lent itself to a lot of error: a botched exposure, missed focus and light leaks could all serve to ruin an otherwise lovely image. There are few things more frustrating then getting a roll back from the lab with an error note on the envelope. Occasionally the results were a novelty, perhaps adding interest to an otherwise boring image but all too often light leak was nothing but a bother. So why would anyone want to replicate it in Lightroom?

Looking for a photo-editing alternative to Adobe's Lightroom CC that won't break the bank? Today, I test-drive Alien Skin's new Exposure X4 editing suite for the first time.

Growing up in the family's studios and labs, I learned a thing or two about mounting and framing prints, and I also ruined a lot of them in the process. In this video, I'll demonstrate a version of my process so you can skip the lab and mount your own prints, fresh from your home or studio printer.

I will soon be releasing a start-to-finish retouching tutorial video here at Fstoppers on my most recent fashion editorial photoshoot. But before I do, I wanted to start warming our readers up with a complete gear list. In this article, I share with you everything I used on my shoot, the breakdown of costs, and where to find all the gear and extras: from the Profoto Strobe all the way down to the gaffer tape.

Oscar Wilde said, “there is no sin except stupidity.” Add narcissism to the mix, and stupid selfies killed 259 people around the world over the last six years.

Fstoppers Original: The Studio Wakeboard Shoot from FStoppers on Vimeo.

Lightroom is about 13 years old now, and over the last few major releases, Adobe has added a number of tools you’d previously need Photoshop for. While it’s great to see new features like color grading, luminosity masking, and more make their way to the program, their implementation still leaves them falling far short of just using Photoshop. Here’s why I couldn't ever use Lightroom without Photoshop.

Everyone wants to win the lottery. In this day and age winning the lottery can mean many things, one of which is hitting it big on social media. Creating a body of work, an brand image, and a following so massive it creates clout behind your name so high, it is easily seen by everyone as the best in the business. For photographers and creative alike, achieving something like that can easily be seen as difficult, but in reality for some it was outrageously easy and can still be done thanks to Instagram.

The drive south from Akureyri had been eventful, to say the least, but the snow subsided and we managed to stop briefly and get some minimal shots every now and again. As color began once again to show in the landscape we began to feel more hopeful as we headed towards Vestrahorn.

Anyone who has picked up a magazine with photographic content is well aware of the amount of retouching and massaging that goes into many of the photos displayed in advertisements or in editorial features. But at what point does the 'retouching' go too far?

Recently Lee published a comparison between the images from several different-sized cameras and there was no apparent difference. What's the point of buying a camera with a larger sensor then?

One of the most spectacular natural phenomenons to photograph, this year’s Horsetail Fall “firefall” event at Yosemite National Park is host of a new pilot program that will require one of a limited number of permits in order to access closed roads leading to the best vantage points.