In part 1 I covered the process of building the best panoramas with little distortion by finding the no parallax spot in your lens. In part 2 we add in our model and use curves and levels to colorize the sky in Photoshop. In addition, this tutorial builds on utilizing the combination of plugins and Photoshop to target specific tones of your image, which is a great technique when building a dramatic environment.
In part 2 we focus on color and bringing the photo to life with tones through Photoshop and a plugin from Nik software. Here is the final image:
Stay tuned for Part 3 where I will use another set of bracketed images to create the following photo with lens flare: