When you look at a photo, what are you looking at? Composition? Lighting? Color grading? With your knowledge and expertise, you look at certain things with more intent than others, but are you seeing the whole picture?
As a British person, I have an innate talent for moaning, queuing, and observing humour about our ever-changing weather. One spring morning last month, while wiping the snow off my sunglasses and mopping the sweat off my brow with my thermal gloves, I began to ponder the first of this talent trifecta. One rich vein of moan material is mistakes, and being conscious of my miserable inner monologue, I attempted to shift the focus to something more useful.
Debate among photographers about the best camera will rage unabated until the end is nigh. And there will likely never be universal agreement. Despite that, the best camera you will ever have is not a Canon, a Sony, a Nikon, or even a Hasselblad.
I’m occasionally asked to recommend a camera to get into astrophotography. Of course, my first answer is to use the camera and lenses you already have. Beyond that, it’s difficult to recommend a specific brand and model because I don’t have every camera at my disposal, and we are blessed (cursed?) with a continuous stream of new and improved cameras. Here are some thoughts.
Every year, without fail, I’ll get a handful of emails and Facebook messages from friends and family asking me how to use the new camera they got for Christmas. While I’m always happy to help, I have to assume there are other people out there that may not have a photographer friend to reach out to. So with that, here is a quick list of things you should do with that new camera.
During the previous years, many of my photographer friends and colleagues switched over to Sony, often for good reasons. I also considered a switchover, but I never did. Now, I am grateful I never did.
The Internet is full of articles and videos telling you what technique will revolutionize the way you add sharpness to your images, but almost none of them tell you the most crucial step to take before sharpening, no matter the technique. In this article, I’ll show you this simple yet essential action to make your sharpening genuinely efficient.
When it comes to raw converters and photo library managers, our choice of products has recently become more limited with the demise of Apple’s Aperture. My impression in the past was that one’s choice is largely based on features and ease of use with little difference in image quality between them. That opinion was quickly changed when I started digging into Phase One’s Capture One Pro 7.
I have met a lot of photographers who are using an Olympus camera. They are often very enthusiastic about their gear. A lot of their functions cannot be found in other cameras, which makes Olympus quite unique. If these cameras are so unique, why aren’t these more popular? I tried an Olympus for a few weeks to find out.
People continue to ask me the same question over and over, "How do I quickly grow my following on Instagram?" I will continue to tell them there is no easy way to go about this, but I have found one way in recent months that has been building my following much faster than I expected. Here are a few ways I am finding great follower growth, as well as a rise in engagement. Trust me, hold tight while I go through a few ways you as a professional can get ahead of some of these young guns with iPhones.
I get it. f/1.4, f/1.2, and even f/0.95 are way more exciting and drool-worthy than f/1.8, but in an era of forever-bloating lens designs, perhaps f/1.8 is exactly what we need more of. Here are some of the reasons why I would love to see more f/1.8 lenses from various manufacturers.
Vogue Magazine recently released a list of 10 things the modern wedding can do without. Along with rings and the first dance, Vogue wants you to say "I don't" to hiring a professional photographer because a wedding is about "true love" and a photographer "detracts from that." Excuse me?
Patrick Hall sits down with macro photographer Andres Moline to discuss 15 of the top-rated macro shots on the Fstoppers community.
We've talked about this before on Fstoppers, but there still seems to be some debate about lens compression. Let's dive a little deeper into perspective distortion.
Are you looking to buy a new camera this year? Perhaps you are hoping that the holiday season will bring you a fantastic new camera as a gift. I bet you already know which camera you would like to have next. But what is wrong with your current camera?
My career as an elitist prime glass snob has come to an end after real-world professional work using an unexpected lens choice showed me the error of my ways.
With a world full of options, why might you choose a cinema camera instead of opting for a mirrorless camera for video productions?
Do medium format cameras have a specific look? Do Micro 4/3 camera take horrible still photos? You tell me.
I have been very vocal about phones never being able to replace cameras for professional work. But, as photographers, we also indulge in casual photography of things that simply look good. I looked for a camera for such work for the past two years now, and now I found one. It is the unlikely star: iPhone 14 Pro.
During the pandemic, I did some gear juggling. I'm a little embarrassed to admit I changed systems twice in the space of 12 months and even more so about the reasons I made the second switch – but I learned some surprising lessons along the way.
Please stop tagging the exact location of your outdoor photographs.
One of the most trying experiences I've had since becoming a photographer has been coming to terms with the fact that there are places in our county where, quite simply, we are not allowed to take photos. Now, I’m not talking about setting up hundred-person movie sets complete with production vans and craft services tables, nor do I mean shooting on private property, sacred land, and/or Area 51-type secret military bases...
While the ports on modern laptops are enough for most users, photographers and filmmakers have much higher connectivity demands than the average person. A portable hub can be a lifesaver for a creative on the go. In this review, we take a look at the Anker 555 USB-C 8-in-1 Hub and if it can provide both the ports and performance a demanding workflow requires.
Full-frame cameras are superior to the crop sensor ones. There's no doubt. Most of the professional photographers out there are making a living with full-frame bodies and thus those cameras are considered professional. What if you shoot with smaller sensor cameras? Let me share my own story.
Have you ever considered using a phone for a professional project? I hadn’t but I was pleasantly surprised by what the vivo X70 Pro+ phone was capable of. Sure, it has all the technical specs with an imaging system co-engineered with ZEISS and their color correction technology built-in, but what was it like to shoot with?
Until recently, the last time I shot an entire roll of film was on a Canon EOS 5, sometime in the mid-2000s. Last month, I put a roll of black-and-white film through my mother’s old Olympus Trip 35, and the results sparked some strong emotions.
Many photographers struggle with creating a pure white background in camera, but it is an essential skill that all of us must master. The good news is that it’s relatively easy to do with the right setup. In this article and the accompanying video, I detail my method for creating a pleasing white background on camera.
A few years ago, a lot of photographers were a bit frustrated by Canon's seeming lack of desire to push the technological envelope and often arbitrary handicapping of camera feature sets. Fast-forward to 2020, and suddenly, Canon is an entirely different company.
A few years ago, Adobe moved to a subscription model for their Creative Suite, a decision that was fraught with controversy, particularly since many creatives felt it was a money grab. If you prefer to work with software that is either free or that only requires a one-time payment, here are some great alternatives.
The Fujifilm X-Pro1 has become something of a cult classic. Released in March of 2012, the camera was an immediate hit with photographers due to its aesthetics and outstanding image quality. I picked one up used a few years ago, and it quickly became my favorite take-along camera. As it nears one decade on the market, here are 10 reasons to love the X-Pro1 — 10 years later.
You've photographed a commercial client, they select several images, but want all the unedited versions for a symbolic price. Obviously, you did a good job at shooting, but what about the negotiations in that case?
Photographers typically spend a lot of time thinking about color, everything from editing in Photoshop, calibrating a screen, or lighting with gels and filters, to deciding on wardrobe, set design, and locations. There is no escaping the importance of color in this profession, and yet the way we see and describe color is not so simple. Color vision games can be a great way to test your perception of the world around you and compare that to fellow photographers.
If you haven't noticed from my previous articles, I love Lightroom Classic. Lightroom has many powerful features that are easy to access, and I love its digital asset management capabilities. However, some powerful features are hiding in Lightroom that you might not know are there.
As creatives, we are often focused on just that: creating works that help us relate to ourselves, others, or the world around us. Unfortunately for some, this means that creating takes precedence over some other tasks.
I’ve had a long flirtation with mirrorless cameras of all stripes, from the earliest Panasonic to Fujifilm to Olympus. I’m usually quite happy with and shoot them all frequently, but at the end of the day, it’s always a full-frame DSLR that reminds me why none of those have ever become my main squeeze.
In recent years, camera technology has been evolving at an extremely fast pace. There are many players with a plethora of options on the market at any given time, so just how do we choose a camera for photography in 2018?
This is a brief overview of why you need filters for landscape photography, comparing the different types of systems you may encounter, and breaking down which setup is right for you.
Birds are notoriously difficult to photograph, because they're flighty (pun intended) and far away. Fixed focal length telephoto lenses are great at cropping in close to your feathered friends, but the decent, sharp lenses are incredibly expensive. They also restrict your composition, which is why the Nikkor 80-400mm lens may just be the best bird photography lens in the world.
When Canon announced the RF mount for its new range of mirrorless full-frame cameras, we knew we might be in for a treat when it came to innovative lens designs. Fast zooms and razor-sharp primes have pushed boundaries, but the f/11 DO super telephoto glass revealed this week has come as a real surprise. What are these lenses for, and who is going to buy them?
When it comes to shooting implied nudes, it is not as easy as simply stripping down as one might think. Soft posing, flattering light, and the trust from client to photographer is essential to capture that perfect look. Having a solid portfolio of this genre is essential to bring in new potential clients who can form a bond with your work. So how does one start out shooting implied looks if you do not already have a portfolio to show potential clients?
Photographing weddings can be tough for a lot of people, and the area I find most of my assistants struggling is at the reception. Many times throughout a wedding you can rely on natural light, but what is going to make or break your reception images is your ability to master artificial lighting. In this free excerpt from the full Fstoppers wedding tutorial, we share four of our most used lighting setups so you can take the guess work out of properly lighting a wedding venue.
Even if you are a landscape photographer who has mastered the art of taking and editing photos, knows how to plan and compose a shot, and creates good images on a constant basis, you might reach a point at which you feel stuck with your photography. In this article, I share one way of breaking through this barrier to take your photography to the next level.
2020 has seen some remarkably good cameras released and perhaps a dud or two. Which was the best? Here is my pick.
Nude photography is a very complex subject, one that can be viewed from thousands and thousands of points of view. The final product can range from what most would consider straight-up porn to what many would think to be fine art. But why do people on both sides of the camera do it?
Movies are one of my favorite things, so of course, movies about photography are even better. Here are 10 movies every photographer should watch.
Apple’s MacBook Air isn’t long for this world. When Apple announced its new lineup of MacBook Pros in October, absent from the update party was the MacBook Air. In fact, Apple quietly removed the 11-inch model from the website around the same time, leaving only the 13 inch to soldier on for the time being. It's not a good sign for photographers invested in the Apple ecosystem (that’s a lot of us) looking for a road-warrior laptop.
Boudoir clients range not only in background but also shapes and sizes. She may be a model or the stay at home mom that wants to feel like a model. Knowing your client and how to pose for flattering looks as well as creating a lasting experience is what one boudoir photographer is about to explain.
If you are a lifestyle photographer one of your jobs is to make your images look natural- not stiff, not awkward, and definitely not staged. Your audience should see your images as moments that were going to happen regardless of whether or not you were there to capture it. The imagery that Roxy uses in their advertising is a spot-on example of this. Their photographic brand is made up of images of surfer girls living their carefree, summer lifestyle. Each image is a moment.
The recent press about an upcoming Nikon camera — denoted the "N2014" — highlighted a government registration filing that suggests it will be "equipped with Wi-Fi, Bluetooth, and Global Navigation Satellite System (GNSS)." This has been a positive media development for Nikon as, if correct, it would make them the first camera manufacturer to integrate GNSS into one of their products. Is the camera industry being disingenuous by their slow adoption of existing technologies?
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