Fstoppers Original Articles

Canon’s recently released financial results don’t bode well for the Japanese manufacturer, nor the market more broadly. As much as the executives want to blame camera phones, the truth is that the industry is finally adjusting to a huge marketing con and a total inability to react to social technology. If you want to know why, it's time to examine my Mom's fridge.

This remarkable image of a polar bear peering into the viewfinder of a Nikon D850 by photographer Roie Galitz was one of the winners of the ROAM Awards. What does it take to get an image like this, and when it comes to polar bears, how close is too close?

Photographers love gear. After all, playing with advanced cameras and lenses can be a lot of fun. But if you could only shoot with one lens, what would it be?

The mirrorless camera was an innocuous enough invention that stemmed from Olympus' early innovation, but is it Sony that has managed to change the camera market for good and upset the CaNikon apple cart?

For landscape photographers, a tripod is essential tool for creating those amazing photos showing the movement of rivers and streams. When the dynamic range of a composition is in the double digits, a sturdy tripod will help to blend bracketed images in post. Also, for those who want to create incredibly large panoramas or nighttime imagery, the tool kit begins with an excellent tripod. Zion National Park has become even more restrictive for 2018 and removed the ability for photographers in workshops from using any tripods on any trails within the park.

A few weeks ago, I started drafting a list of everything that Sony needs to fix on the a7 III. Then suddenly, in a move that caught everyone off guard, Sony announced the a7R IV. Have many elements on my list been resolved by this new generation of camera, or has the rush for an insane number of megapixels meant that certain details are being ignored?

It might seem with the focus upon the remarkable achievements of the latest smartphone cameras that traditional camera manufacturers have realized they are playing catch-up and trying to chase down the proverbial boat. The truth is that they've already missed it.

There is a lot of advice on what gear you should buy in 2022. But, if you look beyond the marketing of companies, is there gear that you probably don’t need in 2022? The answer is, yes, there is a lot of gear you don’t need. Here are my top picks on what you should not get.

Unless you've been living under a rock, you've probably seen or heard just about everything about the Canon EOS R5. However, even with the multitude of videos I've watched and articles I've read, I didn't realize a few things about the R5.

I’m a huge fan of Annie Leibovitz and the imagery she has captured over the past few decades. Being a self-taught photographer, I looked to her work time and time again for inspiration and motivation. Over the course of a year, I scoured the internet for information on her lighting setups, equipment and methodology. But, the more I dove in, the less concerned I became about equipment and the more I felt the need to simplify my style.

I have long felt that perhaps too many photographers prioritize bokeh and blur more than they should, but now I am a hypocrite, because I fell in love with an f/0.95 lens.

In the first year or so of learning how to edit images, photographers are completely bombarded by information regarding the dos and don’ts for what makes a good photo. This is one area of post-processing that continues to be misinterpreted.

Currently, one of the most discussed topics in our photographic community is if DSLR cameras are already dead. The Digital Single Lens Reflex cameras were indisputably the preferred ones until the mirrorless cameras step ahead into the game and showed how good they could be.

Bokeh, it’s something that we all love, whether we like to admit it or not. It seems like every other client I work with asks me to "make the background blurry" or tells me "I want everything behind me to be out of focus." The obvious solution would be to shoot wide open, but the truth is, having your aperture wide open can actually have a negative impact on the quality of your image.

An award-winning photojournalist stands accused of faking a series of images documenting hit men carrying out acts of violence in Honduras. It is alleged that Swiss/Italian photographer Michele Crameri staged several shots of men wielding guns and threatening to kill people, following revelations from the Honduran fixer who helped him gain access to local gang members.

It's 2024 and you're still shooting with a full-frame DSLR? Me too. Here is why I feel no pressure to switch from my DSLR camera body to a mirrorless system any time soon.

There are many reasons for a professional photographer or video editor to shell out thousands of dollars for Apple's new Pro Display XDR monitor. But only Apple would be arrogant enough to think anyone — professional or otherwise — should shell out $1,000 for a stand to go with it.

So you say that you’re a landscape photographer and the appeal of new gear affects you like every other photographer? I’ve got just the suggestion for you.

In today's digital age, there are numerous apps available that can significantly enhance your landscape photography experience. In this article, I want to take a look at the six apps that have proven invaluable for my own landscape photography.

Ever since the Canon 5D Mark II, it seems as though Canon has been dragging their feet when it comes to innovating. Their new announcements and releases tend to be met with quite a strong negative response, and although this may not be an overall consensus, it's prominent enough.

Canon’s tepid 4000D isn’t released in this country yet, but the fact that it even exists is a sad commentary on where camera manufacturers are today.

With sensor prices dropping and given that mirrorless finally has some competition at the top end, it’s time for Nikon and Canon to treat its customers to something classic: a pocket-sized camera featuring a full frame sensor and a fast, fixed prime lens.

Photoshop and I go way back. I had the first version in 1990, and it has served me well as a photo editor for both my landscape and deep sky work. Over the last couple of years, though, every time I use Photoshop or Lightroom in their Creative Cloud versions I can't help thinking something is wrong.

You shoot perfect pictures. But are they the photographic equivalent of fast food? Maybe it’s time to consider changing the way you shoot and reject sausage machine images.

I've always been a Windows desktop user, but until this point I've never built my own desktop from scratch. I finally decided to teach myself how to build the ultimate PC for video and photo editing and I'm bringing you along for the ride.

I call it the 3-in-1 Headshot Method. As a professional photographer it is imperative that you are able to adapt to your surrounds and the needs of your clients. I run into a situation quite a bit where my client doesn't know exactly what they want out of their headshot session so it’s my job to give them multiple options. In many cases my clients are very busy and they may only have a few minutes to get the shots they need so that doesn't give me the time to tear down my set and build a whole new one just for one look. Anytime I find myself in a situation like that I try to use my 3-in-1 headshot method which allows me to shoot three very different looks with just two lights and one grey background. Check out this video where I go through my process step by step.

There are fads that come into fashion that then become passé and others that become overused clichés. Some things we do are just unethical. Here's what should be abandoned this year, and drone owners won’t be pleased.

I have been doing photography for about 10 years. In that time I have moved from hobbiest film shooter to professional commercial photographer. This is what helped me make the leap.

As photographers we're in a fortunate era where we have more tools at our disposal than ever before. That said, there's one well known one I have used consistently for years, that many photographers neglect.

About 15 years ago, the first DSLR was introduced. The Nikon D1 showed consumers that digital was the future, and was quickly superseded by the Canon 1D. Sporting just 2.7 megapixels (and 4.15 megapixels for the Canon D1), the technology wasn't quite there to make the DSLR groundbreaking. 15 years later, the DSLR has become the staple for photographers everywhere. So where will we be in say, another 15 years?

Imagine a world where words can create images. Now imagine what that would do for the art world and photography. Well, it's here and it's not going to go away.

To paraphrase the great Mark Twain, reports of the death of the DSLR have been greatly exaggerated. With Nikon announcing the release of the new D780, in the midst of the mirrorless wave, some people might think this move crazy, but from a business standpoint, it might just be genius.

Some things are too good to be true. But every now and again, the world offers you an opportunity to feel like you got the lucky ticket for two on an all-expenses paid vacation to Disneyland. This isn’t quite that good, but I don’t know many people who would say, “No,” to a free iPhone, let alone one that can make you money. Here’s how you can have cash left over after upgrading to an iPhone 7…

I asked in a Dutch photography community how they feel about black and white photography for landscapes. It seems it's not generally accepted, and many strange reasons are given why black and white shouldn’t be used. I’d like to share a few of those reasons that caught me by surprise.

Imagine heading to a photo shoot and noticing afterward that most images you took are partially out of focus. You are sure you set the focus right, and the depth of field in the photos is also sufficient. The problem might be a decentered lens.

Half of the lenses I bought in the past 15 years were decentered. At first, I didn't know of that problem. The first wide angle lens I got from Canon required focus-stacking all the time. Since I mostly shot landscapes, it wasn't clear to me that this was due to a problem with the lens and not because of the topography of the...

With Instagram gradually rolling out the removal of the number of likes an image gets being visible, a lot of reactions have surfaced: confusion, animosity, and for some — like me — excitement.

One of the most difficult aspects of professional photography is dealing with business. This will help.

Have you ever been randomly invited to become a brand ambassador? Are you amazed that people fall for this scam? Here's how it works.

There are thousands of apps out there to expand your mobile photography capabilities, but what about apps that augment your abilities when you're holding a DSLR? Here are five of my favorite apps to enhance your productivity.

It's a huge risk to not ask the right questions before giving a prospective client a price. Not only does it make you look like an amateur, but you could end up agreeing to a job which really isn't worth the time or money. Here's what you should be asking when someone wants to know how much it will cost to hire you.

Most of us love natural light and feel comfortable shooting with it – but how well do you really know how to utilize it effectively and to control it with precision? I just spent the day with Erik Valind, a New York City-based lifestyle photographer in his 'Controling Natural Light' workshop. Here are 17 simple ways to help get great results from better understanding and utliizing natural light.

Everyone has a pocket or two in their camera bag filled with odds and ends that they might find useful. If you’re the type of photographer that travels a lot or is often on-location you’ve probably developed a list of non-photographic items for various scenarios, based on your own experiences. Here is a list of all the things that can be found in my camera bags.

I've never been a huge fan of photo editing in Lightroom. In the past, I used it to organize my photos and for basic raw processing. But since the introduction of the new masking feature, I do a large part of my post-processing in Lightroom. Here, I share two videos, in which I show how I use Lightroom masks.

In this article, I show you an awesome Lightroom editing technique you can use to add atmosphere to your photos. If you take this method to the extreme, you can even turn a normal day into a foggy scene. It works well for woodland photos.

Every photographer would love to shoot at the lowest ISO their camera allows all the time to maintain the highest possible levels of detail and dynamic range. But sometimes, that just isn't possible; in fact, sometimes, you have to pump up the ISO quite high to get the shot. Do not be afraid to do that.

Many camera companies have tried and failed to introduce new, innovative technology to the camera market, but since the jump to mirrorless, have they finally figured out where things are heading?

According to an internal memo published by sUAS News, the U.S. Army is asking to terminate the use of all DJI products, including cameras and software “due to increased awareness of cyber vulnerabilities associated with DJI products.” This unusual request leaves a lot of unanswered questions such as the nature of the threats and the reason behind of this global ban. What is really going on?

I love trends. But what I love more is making fun of them. Be it a trend in lighting, or a trend in aperture choice, or a trend in post-processing, here are some that we should've moved on from a long time ago.

Since moving to the Creative Cloud software-as-a-service model, Adobe has been providing several feature updates per year to its software. But these features have come at a cost of ever-increasing system requirements, begging the question: Is it worth it?

Last week, I asked Fstoppers readers what their plans were for the inevitable moment when Canon and Nikon release professional-level full frame mirrorless cameras. I was genuinely surprised not only by how many readers responded, but where their opinions fell. Here are the results.