Every landscape photographer will someday run into a situation when the bright light of the sun causes flares. Especially when using filters; the extra glass can increase reflections that results in the dreaded spots in a picture. However, there is a way to get rid of them, in most occasions.
When it comes to working with models (whether it be aspiring or established), there is one trait that I value above all others. If you're thinking that I'm going to say cheek bones, freckles, or a specific hair color you're way, way off.
Landscape photography is hardly of any benefit to society, nature, or the world in general. For most people, the commercial value is quite low as well. So why would you do it?
Lifestyle photography means different things to different types of photographers. Some might say photojournalism is the truest form of lifestyle photography. A portrait or wedding photographer would describe it as putting their subjects in real life situations and capturing almost candid moments. I shoot commercial and editorial work so more often than not I create scenes using models and props that feel like real life events but weren't. No matter how you look at it though, lifestyle photography is about telling stories.
A few weeks ago, I beat Lee Morris in our Puerto Rico Landscape Challenge. With that victory, many of our readers said my edit in Photoshop was simply too over the top. Today, I try to re-edit my photo to see if I can create something a bit more realistic.
Shooting events with a ton of people can always be a bit overwhelming at times. There are thing constantly happening all around you, pulling your attention in every direction. Add to this being in another country and at an event such as the Holi festival, and you have a recipe for mass mental chaos. In order to combat this, I went to India with a pretty deliberate plan on how I wanted to shoot.
In digital photography, the type of shoot that you are doing often dictates whether you shoot in JPEG or raw format. Both options have their own set of advantages and drawbacks.
Lightroom and Photoshop are generally considered to be tools for standard (still) photography, but simple video tasks can be handled entirely within your photographer’s Lightroom and Photoshop subscription package (no need for Adobe Premiere Pro), and without any third-party add-on tools. In particular, the pair of programs handles time-lapse videos quite nicely.
Ever wanted to correct a mistake with your exposure or try a cool post-processing technique, only to find that the results weren’t all that you’d hoped? Image data may have inadvertently been lost in your workflow. These five steps can help ensure you have the best chance for technical greatness!
A month ago I flew to North Carolina and was the Director of a 5 person crew for a week-long video shoot at a multi-million dollar corporate facility. Then just last week, I spent 4 days in Albuquerque as a Production Assistant, shooting behind the scenes images and getting lunch for the crew. My ego almost stopped me from taking that gig, but I’m glad it didn't. Here’s why.
Photography is a microcosm for the real world, and in many ways, it mirrors it. Here are my top five rules for life that I've transferred to photography.
Perhaps this article is a risk to my career by virtue of being too honest, but it's a subject I have wanted to discuss publicly for some time. In the era where social media is the backbone of perception, it's all too easy to feel you can never measure up. This isn't new information and in fact, it's a rather well-trodden path. Even armed with the knowledge, however, I still feel I walk in to the trap of taking the world that is presented to me as the only facts worth knowing. I want to sacrifice my self-consciousness to do my bit to rectify this.
There are times when achieving a balanced exposure across your entire image is ideal, ensuring that you don't lose the details in your shadows and highlights. But, some of the most interesting images do not follow that rule whatsoever, and you should try shooting that way too.
I’ve bought and sold a lot of photography gear over the years, between system switches and jumping into mirrorless. Some cameras I remember quite fondly and others not so much (it wasn’t me, Canon 7D Mark II, it was definitely you). What about cameras I loved though. Were they good, or am I looking through rose-tinted glasses?
Most clients today look at a digital portfolio rather than a printed book. Granted, the higher up the ladder you go, the more it leads toward print, but for the vast majority of us trying to make a living from photography, digital is king. Here are some tips on how to get bookings from your website.
With great photography comes great responsibility. Taking photos can be fun, yet challenging at times, especially when you hit a creative rut. Remember, you don't need the most expensive camera or years of experience to have fun and create amazing images.
"Is that Photoshopped?" We've all heard it; we might have even said it at one time. But the reality is that it's a ridiculous question in the first place because "Photoshop" is not a verb. Perhaps those asking the question are simply asking the wrong question, because quite frankly, it shouldn't matter whether Photoshop was used or not.
Have you ever seen a photo of a unique place, but could never find exactly where it was located? For years, Justin Majeczky was aware of the existence of the Fly Geyser, but only after research and some smooth talking was he able to locate and document this unique phenomena.
Your headache from over-drinking (either in celebration or in deep depression) may be wearing off, but for those that had to photograph Super Bowl 50, that headache began days before the big day. The preparation for covering the game took its toll on those that enable us look back on it this week. Fstoppers caught up with ESPN photographer Andrew Hancock to get a look into the gear, setup, and planning to cover the most important event of America’s favorite sport.
Photography is tough. There's no doubt about that. The gear and the numbers are the easy parts. These can be practiced, learned, and applied over time. Creativity is at the core of what we do as photographers and that's the tricky part. Jose Rosado's article here on Fstoppers talks about bridging the creative gap and pushing through challenges. Today, we're going to talk about something a little more introspective. Receptiveness.
We all have that time of year when lethargy seems to run rampant by pulling our desire to keep creating great photos to the ground. For Vancouver, where I live, that time is right about now. Vancouver was carved out of the middle of a rainforest, which means we have a rather aggressive rainy season. It is pretty common to go weeks without even seeing a hint of sun. During this time, the motivation to shoot seems to wash away. As photographers, we need to take this time to toss several new logs on the fire and re-ignite that passion that is threatening to slip away.
In this article I will share with you some SEO tips for those of you who are using WordPress as their content management system. For visual learners I have created a quick video tutorial that will walk you through the steps in this article.
Attempts to network with fellow photographers often fall short. Many of us act as professional “gatekeepers," defensively sharing little or no information.
Breathing life into your photographs can make the difference between an average shot and a masterpiece. But how can we bring life into a flat piece of paper? Depth is all you need.
Smartphone cameras nowadays are extremely capable. But are you making the most out of yours?
Photographers love gear, so we tend to get somewhat upset when gear goes missing. Not only is gear quite expensive, but it often worms its way into our hearts. Our gear often becomes a pride and joy. As a result we want to avoid losing gear as much as humanly possible. Here are some of my favorite strategies for making sure that all my gear comes home with me after every shoot.
There has been a concept in self-improvement that has been quietly growing for me, but one book I read in 2020 caused the eruption of the idea, and it has changed the way I approach photography, as well as every other area of my life.
Being behind the camera for a boudoir session can be just as exhilarating for the photographer as it is for the client. You are capturing the confidence being displayed right before your eyes. Add in another subject and the room becomes intoxicating when you think about the final images you will be editing. However, understanding how to gain that moody light or that intensity needed for a couples boudoir shoot is just what one photographer explains to us all.
The weather outside is heinous. Seemingly perpetual rain batters the windows as we fire up the computer. The northern autumn is definitely on our doorstep and one of the first signs of this change of seasons is the increasing number of mushrooms in the forest. We’ve bagged 69 shots of just one composition previously and this is a great time to post-process them. Let’s get into Lightroom before more fungi start to come up after the showers have passed. Let your imagination run wild with the post-processing of glowing mushrooms that are straight out of a fantasy film. Here is how I process my own little fantasy world.
When you hear "Sony Alpha" and "battery life" in the same sentence, it tends to be followed with a groan or sigh, because if one article has covered it, a dozen have covered it and made a big deal about how quickly the small batteries in the Alpha cameras run out. For me, 90 percent of my time with my Sony a7S II is spent doing video work, frequently during fast-paced events or sequences or racing the clock with lighting conditions. There's nothing more frustrating than being mid-shot and seeing that dreaded "Battery Exhausted" display pop up on your screen after draining your last battery after a long day of production. So, what options do you have to help extend the life of your battery?
Fuji sits in an odd place in the camera industry — beloved by camera enthusiasts for their retro styling and image quality, they continue to develop desirable cameras, but have never managed to break in to the realms of the top three manufacturers. Is this perceived failing actually a part of their game plan?
I've got a simple question for you: is there a photo that you're chasing right now? An image that you're dying to get right? Your white whale (hooray “Moby Dick” references); something that you can see in your mind, you can picture it, almost feel how you want it to look. Whatever the genre, you know exactly what you're looking for in the mood, the vibe, and the scene. The chase and that drive can be something very useful to a photographer. It can inspire and motivate us to keep going, to keep improving, and keep working towards whatever image that we're chasing after.
The Sony a1 has arrived and the Nikon Z 9 was recently been announced, so it's now Canon's turn to make an announcement about its forthcoming top-end camera, the R3. Last month, I compared Canon's then top-end R5 to Sony's and Nikon's offerings, commenting on the different strategic approaches of the three companies. Now that the R3 has arrived, what does it say about Canon's approach to the burgeoning mirrorless market, and what are the portents for Sony and Nikon?
Controlling light is one of the most difficult challenges a photographer must master. Even if you have years of experience under your belt, it can still be difficult to decide which light modifier to use with your strobes or if you should even be using strobes at all. In this video and article, I'm going to share with you five of my favorite light modifiers and how they can produce drastically different results.
A few years ago, Adobe introduced an alternate way of processing images that could help reduce artifacts. In the intervening years, much of the benefits have faded away, until now. Can this technique find a new use in processing images from non-Bayer sensors?
There are a couple of ways for models to get into an agency, including hiring a photographer to take photos of them and using those to show an agency their range. This requires the photographer to work quickly and efficiently to get as many different looks as possible in a compressed amount of time to save them money.
Now I know there have been countless articles posted about why retouching is important, or why it’s downright frowned upon. But imagine, as a photographer, being able to free up so much more time by outsourcing the editing to a trusted retoucher.
Perhaps a better question to ask is: “Why am I a photographer?” In recent months, I feel like I've completely lost touch with why I became a photographer. Don’t get me wrong, I absolutely love what I do, but sometimes I forget why. When I was first starting out as a photographer and all of my shoots were “just for fun,” it was easy to see why I enjoyed it. After all, there were no consequences if I screwed something up, and I looked at photography as more of an escape from reality than a job.
When I moved to Sony, part of the appeal was the smaller body. However, the idea of being able to replace my big, heavy wide-angle zoom with something light and fast seemed impossible. Last month, Tamron released its 17-28mm f/2.8, and I just spent three days using it to photograph a parkour event in central London. Ahead of a thorough review, here are my first impressions.
Before the invention of photography, historical events were depicted in elaborate paintings. Then in the early 19th century, photography came along. But it wasn’t until the 1930s when color photography was used. It’s amazing how good colorization work on a historical image can change your view of certain events. Before I saw the images coming out of Dynamichrome — a company that colorizes historical black and white photography — I did not feel the same connection. With the addition of color, the subjects in the images come to life.
Testing lighting is usually for those photographers who are a bit more on the “nerd" side of photography, but we always need to know if we have the ability to work through or overcome a lighting situation. I did a quick dive into testing two lighting brands most people either use or are familiar with, and discovered some interesting information for those looking at any of these lighting options.
As a professional photographer, the issue of over-editing is a topic that holds significant importance in our work. In this case, the term over-editing refers to the excessive use of post-processing tools and techniques, often resulting in images that deviate from the natural and authentic representation of the subject. While we cannot deny that the process of editing is an essential aspect of photography, overprocessing images can sometimes compromise the integrity of the image and do more harm than necessary. Here are several reasons why one should refrain from over-editing their images.
A 38-year-old woman plunged to her death at a well-known Instagram photo spot in Australia on Saturday. As sad and regrettable as this is, the real question is why do people keep risking life and limb for a photo?
As outdoor recreation areas become more crowded, the adverse effects on the landscape become more evident. Landscape photographers can help set the example by practicing Nature First Principles while we are out in nature photographing these beautiful scenes.
When it comes to light modifiers, there are hundreds if not thousands of options: soft boxes, beauty dishes, grids, umbrellas, etc. After all is said and done, I truly think that I have finally found the perfect modifier.
Original, innovative photography is hard to find. However, Ethan Beckler has excelled. He leads the way in macro photography, pushing camera and lens technology beyond normal limits and creating astounding art at the same time. With great generosity, he shares his techniques with us.
Now that Canon has recently announced the EOS RP, is the next Nikon Z camera on its way? And if it is, where will it fall in the Nikon Z lineup of cameras? If rumors are correct, the next Nikon Z camera will most likely be aimed at an entry-level full-frame user. Perhaps called the Nikon Z5?
As many of you may know if you follow me on social media, I teach workshops and give lecture on photography and retouching all over the United States. Through prepping each workshop, I sharpen my knowledge and become fluent in the material I’m teaching. However, without fail, I always learn a million new things when teaching each workshop.
Street photography is a realm of photography that carries enormous weight. A genre derived from some of the world's photographic pioneers — the big names. The generations taking cameras to the front lines of war, documenting death, destruction, humility, and the human spirit, and bringing it home to document the everyday. It’s a genre of photography like no other, and here’s why you should be shooting it.
