Viltrox Redesigned Its 35mm f/1.2 LAB (N) and We Can See Why It Makes Sense: A Close-Look Review

Fstoppers Original

Why fix what isn't broken? Well, Viltrox seems to have a good subtle reason as to why it did with the 35mm f/1.2 LAB (N) that photographers might appreciate.

Last year, Viltrox launched one of its most unique lenses, and it was received with a lot of positive reactions. The Viltrox 35mm f/1.2 LAB is a straightforward large-aperture prime that came in a large and relatively bulky form. However, with that came the optics that became the standard of the Viltrox LAB series that could perform even in significantly low-light situations.

The Redesigned Viltrox 35mm f/1.2 LAB (N)

Sony camera with attached lens and separate telephoto lens displayed on warm orange surface

Almost a year since the release, Viltrox introduced a variant of the lens that has the same build and optical structure. However, it has been stripped of the LED screen that used to be a focus and/or aperture indicator. In addition, while the initial version had a multifunctional or programmable proximal ring that was by default an aperture ring, Viltrox replaced it with a permanent aperture ring when the screen was removed. This is probably because the screen was necessary to know the function that the ring was on, or probably because most users (including myself) didn't see the need to use the ring for any other function.

Mirrorless camera with telephoto lens mounted on wooden desk in studio setting

Those two points aside, the Viltrox 35mm f/1.2 LAB (N) comes in the same 89.2 x 121.8 mm form, the same 910-gram all-metal build, the same Quad HyperVCM Motors, and essentially the same performance. Its specs include:

  • Angle of view: 64.2 degrees at 35mm full frame
  • Aperture range: f/1.2 to f/16
  • Minimum focus distance: 0.34 m

User Experience: What Remained and What Changed

White dog sitting on patterned pavement in busy urban street market scene

Though certain features have changed because of the removal of the display and the redesign of the ring, for most users, there would probably be no change in the user experience whatsoever. While having the screen was neat, it wasn't entirely necessary and, to a small extent, consumes battery life.

Woman walking on waterfront promenade framed by architectural foreground, urban skyline beyond

In my first review of the initial version of this lens, I mentioned that the overall form and bulk could be a downside for some; however, when using this with more intentionality, one would realize that the weight can very well be worth the benefits of such a lens. Realistically, there's probably no way to make such a lens significantly smaller without sacrificing image quality.

Person in blue jacket walking past white building with rope barrier

On a personal note, once I got comfortable with carrying the lens paired with the camera body, it was quite empowering to have such range in depth of field and in low light despite having a fixed focal length. Using it on aperture priority and controlling the exposure from just the aperture ring (and sometimes the exposure compensation dial) was a convenient way to use it. While the focusing was relatively quick and snappy, focusing on fast-moving objects when wide open can have its challenges because of the depth of field that it has to work with. Regardless, it is clear that this is a special lens with specific use cases that would be up to the user's creativity to maximize. In the right hands, it can be a very powerful tool for photography.

Cyclist riding fixed-gear bike against colorful corrugated metal fence backdrop

What I Liked

  • Redesigned functionality
  • Great optical performance
  • Large f/1.2 aperture


What Can Be Improved

  • Focusing speed at large apertures

Nicco Valenzuela is a professional architecture photographer from Quezon City, Philippines. Nicco shoots skyscrapers and cityscapes professionally as an architectural photographer and Landscape and travel photographs as a hobby.

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