I can assure you that this isn't another boring tutorial on how not to overdo eyes with Photoshop. Searching for the perfect method has come to an end. Before diving into the simple method, it’s crucial to understand everything about the human eye and how it reacts to light.
A few months ago I wrote about Pixsy, a new online service, which promised to automate the process of dealing with copyright infringement. I have since been invited by the folks at Pixsy to give their Beta software a run through. After a few weeks of testing I am ready to share my opinions on this unique service!
Brand new to Photoshop? Literally got hooked up on Adobe Creative Cloud last week? If so, more than likely you're fumbling around trying to make sense of the damn thing, and are looking for some help. Online videos about Photoshop techniques number in the hundreds of thousands, and it's quite likely you've watched at least half of those by now. If you've had trouble finding video tutorials for you, the bare bones beginner, then my Beginners Basics Series videos are for you, and I welcome you to check out Lesson #2: Layer Masks.
When it comes to compositing, more often than not it's the little things that take an image from good to great. In this tutorial I show you how to pull off a simple yet very effective way to create those small embers and sparks that are all the rage in Hollywood action movie posters. Adding details like sparks, debris, fog, dust, etc. to your composites can change the overall mood of your composites and give them that epic feel you are looking for!
It is no secret that a picture will rarely look the same on every media. Even from one screen to another there can be a huge difference! Blacks that might look like pure black on your laptop might be a very dark grey on your phone. Having so many media support and manufacturers makes it really hard for a photographer or a retouching to have a picture that will look great despite of it.
Photoshops Layers. You gotta know 'em. Without knowledge of Layers, you are not going to go anywhere in Photoshop, and I mean literally nowhere. I can't think of a more foundational function in the program than Layers. So if you're just starting out, this video series is ideal for you beginners because it discusses the basic use of Layers in just 5 minutes. Sure, Layers can get much more involved and complicated, but if you don't understand them at all, maybe this will get you started.
I get a lot of questions about retouching. More specifically, what I do in retouching. But if there is one consistent theme in the questions I get, it's "Do you ever have any information or lessons for total beginners?" For years now, the answer has been "Not yet" but starting today, and going over the next few weeks, I will be uploading a free YouTube series on Photoshop Beginner's Basics: Retouching. These 10 videos will get you off the ground using Photoshop because, as they say, you can't run until you've learned to walk.
There are exactly 43,973 ways to sharpen an image using Photoshop, give or take 43,950 or so. That being said, I do get quite a lot of folks asking me how I sharpen my images, and as it happens I kind of like the results I get, so, why not make a video. Can't argue with that logic, no?
The calendar just turned its pages to 2015. We have tiny and versatile cameras like the GoPro Hero 4 filming 4K video, camera companies making 50-megapixels DSLRs, and artists making mind-blowing stop-motion/hyper-lapse/time-lapse films. So why is it still so hard for artists and big brands to easily connect to collaborate on photo and video projects?
If you ever thought having insurance for your camera gear wasn't worth investing into, you should take a minute to read this. It's like the old saying goes, "better safe than sorry." I learned that lesson first hand this weekend, and because of a faulty camera strap, I am now wishing I had insurance.
We all want to get better at what we do in our work, that's a given, right? Studying, reading, taking classes or doing workshops, watching videos on YouTube, and of course tireless practicing, are a few of the many ways we strive to better ourselves in our photography. The time will come however, without fail, when nearly every single one of us will post a photo to a photography group on social media or a forum, and ask for "CC" or "c&c" or simply "Any thoughts?" and await the comment storm that's coming. And usually that's when the problems start.
The latest time-lapse by astrophotographer Brian Spencer shows us the beauty within our galaxy by highlighting the bright stars paired with the beautiful nature found in New Mexico. Using a collection of sliders, cameras, and patience, Spencer was able to capture this beautiful time-lapse highlighting both the beautiful night sky of New Mexico, and the world we view it from.
It's already been a couple weeks since Serif announced the release of the Affinity Photo beta. I, along with literally thousands of others, have downloaded the program and started putting it through its paces, trying to fit it into my own personal workflow. In this little first impressions review I'll focus on Affinity Photo as a raw converter, a basic retouching platform, and put it up against the big dogs: Affinity versus Lightroom, and Affinity versus Photoshop.
The phrase "destination wedding photographer" never held much meaning to me, other than the rare couple who I assumed was eloping in Bora Bora. Lately that phrase is turning into something completely different and it's being referred to more as "adventure photography." It's slightly different in the fact that these people aren't necessarily having destination weddings because they're still being planned in their home states.