Photoshop's Secret Weapon for Color Correction

Achieving the perfect color balance and contrast in your photos is crucial for creating impactful and visually appealing images. While many photographers rely on basic adjustments or presets, there's a powerful tool hidden within Photoshop that can revolutionize your color correction workflow. 

Coming to you from Andrea Livieri, this insightful video dives into the often-overlooked "Auto" feature within the Curves adjustment layer. By holding down the Option key (Alt on PC) while clicking "Auto," you unlock four distinct algorithms, each offering a unique approach to color and contrast correction. Livieri expertly breaks down the nuances of each algorithm, demonstrating how they interpret the image and adjust tones to achieve different effects.

This technique is particularly valuable for tackling challenging lighting scenarios, such as hazy landscapes or images with strong color casts. Livieri showcases how the different algorithms can effectively cut through haze, neutralize unwanted colors, and enhance contrast, all with a single click. He also shares valuable tips for fine-tuning the results using Levels adjustments and adjusting layer opacity for a more customized look.

Beyond the technical aspects, Livieri emphasizes the importance of understanding how color and contrast influence the mood and story of your photographs. By carefully selecting the appropriate algorithm and making subtle adjustments, you can ensure your images accurately reflect the scene and evoke the desired emotions in your viewers. Check out the video above for the full rundown from Livieri.

Alex Cooke's picture

Alex Cooke is a Cleveland-based portrait, events, and landscape photographer. He holds an M.S. in Applied Mathematics and a doctorate in Music Composition. He is also an avid equestrian.

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3 Comments

Color correction has always been a challenging aspect of post-processing, but after watching this video, I feel more confident using the Auto feature within Curves in Photoshop.

That is pretty dang useful.

Would love to see a Lightroom version of this, even though yes the color balances whatever we wanted to be. It'd be great to have us starting point that's accurate and then take it from there especially with how difficult it can be to handle reds with the latest camera raw version.