Photoshop

Easy Approaches for Adding Lens Flare to Your Images

Easy Approaches for Adding Lens Flare to Your Images

When shooting images outdoors, particularly in bright sunlight and towards the sun, the appearance of lens flare is often an unintended consequence. It can reduce contrast in your image and create nasty artifacts that can ruin your shot. Conversely, creating a flare in post can produce vibrant results that I find many clients asking for in their images. Here are three easy to use methods for adding a flare in your images tastefully and non-destructively, each providing a unique look and feel.

Three Ideas to Keep in Mind for Natural Looking Skin When Dodging and Burning

Three Ideas to Keep in Mind for Natural Looking Skin When Dodging and Burning

Going through retouching related Facebook groups, it seems like the frequency separation trend is fading away. Some people even call the images edited with split frequency "filtered" as if it was as bad as using some kind of filter. Instead, many are learning to grow some appreciation for the art of dodging and burning. It’s said that with the latter, you won’t lose skin texture and it’s not destructive. But if it really is this great, how can some people still manage to have a plastic-like effect on their model’s skin? Let’s have a look at the most common mistake that may keep your images from that sought after natural look.

Using Nondestructive Editing To Avoid Making Permanent Commitments While Editing In Photoshop

Using Nondestructive Editing To Avoid Making Permanent Commitments While Editing In Photoshop

Being able to preserve the ability to alter any of the edits you have already made while working on a photo is critical to ensuring that you are able to maximize the influence of your creative vision on a photo. There are few greater frustrations than realizing that an adjustment you have made was not quite right but it is so far back in the history that it cannot be altered without starting over. In order to avoid such situations it becomes quite critical to build an editing workflow designed to let you make alterations at any time to any aspect of the photo without the need to start over to undo work.

How to Reduce Noise on Your Night Sky Images With a Single Exposure

How to Reduce Noise on Your Night Sky Images With a Single Exposure

We have featured a few techniques to reduce noise on night sky images using multiple exposures. For a change, Greg Benz shows us how we can achieve almost similar results with images we shot in a single exposure. The process is slightly more complex than when having multiple frames, but surprisingly, the final image is quite clean! So, let’s discover the workflow offered by the maker of Lumenzia.

Create Art out of Your Dodge and Burn Layers

Create Art out of Your Dodge and Burn Layers

Dodging and burning is an art in itself when used to clean up images. For example, when retouching beauty shots or portraits, it can take a really long time and require a high level of precision to yield beautiful results. What’s extremely frustrating is that our viewers and clients often don’t understand how much really goes into such work. Showing before and after isn’t really flattering, and showing each mask individually isn’t visually powerful enough. However, there’s one way to make it look abstract so that the model’s reputation isn’t hurt along the way, but visually strong enough that people realize the time put in.

Two Methods for Quickly Changing Wrap Colors for Newborn Photography

Two Methods for Quickly Changing Wrap Colors for Newborn Photography

Seldom is as much thought given to what the subject will wear than when preparing for a newborn photography session. Clients will often choose a color scheme to complement the baby room, or will select a relatively neutral palette, so that the finished artwork will look appropriate in any room. As newborn photographers, sometimes we’re called upon to make changes to the colors of a wrap, background, or accessory. Here are two fast ways of adjusting the color of a wrap using Photoshop.

How to Create Even Colors in Your Images

How to Create Even Colors in Your Images

One of the most obvious telltale signs of an unprofessional commercial or product image is color. The most famous and readily cited issue is color grading, but it's not the only problem and the uniformity of color is often neglected. That is, the even color of the object or two objects' colors truly matching. As always, I will couch my method in the sentiment that it may not be the optimal technique, but it works very well for me.

One Hour of Eye Retouching in Seven Minutes

One Hour of Eye Retouching in Seven Minutes

When asking people what they hate retouching the most, usually the answer is anything hair related. It requires a tremendous amount of precision and a lot of time. Something retoucher Pratik Naik seems to have, at least according to this video in which he fixes eyelashes to perfection while keeping them natural looking. Have you ever wondered how high-end retouchers achieve such result? Then you should definitely watch this time-lapse.

How to Simply Correct Localized Color Issues Using Photoshop

How to Simply Correct Localized Color Issues Using Photoshop

When looking at retouchers’ portfolios, you can separate the great ones from the rest by looking at their color correction. For example, when skin tones are not uniform, it makes the makeup artist look terrible just as much as the retoucher. There are multiple ways to correct color issues, but let’s see one that’s incredibly fast and easy to use for small localized issues, no matter what your photographic genre of choice is.