Photoshop

Photoshop's newest blemish tool doesn't just erase spots. It removes them while keeping the skin texture underneath exactly as it was, which is the part that has tripped up automatic retouching for years.

Skin retouching tools usually give themselves away by making faces look plastic. The new blemish removal tool inside Camera Raw takes a lighter hand, and that restraint is exactly what makes it worth learning.

Recently, I had the chance to try out the new Wacom MovinkPad Pro 14. It wasn't that long ago that I experimented with Wacom's One 13 Touch. Although the MovinkPad Pro 14 isn't built specifically for photographers, the upgrade in my experience over the Wacom One Touch was significant. As an adventure guide and photographer, I travel to a minimum of four continents a year, and the portability of the MovinkPad Pro 14 really does draw me in past the drawbacks of pushing it outside its native operating system or purpose.

Camera Raw quietly gained a set of tools that fix a problem you have probably fought with for years: masks that stop short of the leaves, the hair, or the edge where you actually need them. Two new sliders now let you push a mask outward or pull it back, and they work on the specific mask types you reach for most.

Photoshop's Camera Raw keeps getting features that Lightroom users have been waiting years for, and the gap between the two is worth watching. If you organize in one program and edit in another, the question of whether you should mix them has a clear answer.

The pixel stretch effect looks like something out of a high-end ad campaign, yet it comes down to a handful of clicks in Photoshop. If you've ever wanted to add motion, energy, or a graphic edge to a portrait or product shot, this technique gets you there in minutes.

In one of my great examples of bad timing, a friend and I headed to southern Utah a few days ago. We were aware of spreading wildfires in the eastern part of the state, but where we were going, SE Utah, things were reported to be good. 

Camera Raw 18.4 just shipped with three masking features that Lightroom still doesn't have, and one of them has been on photographers' wish lists for over a decade.

Sharpening is one of those steps that separates a finished image from a raw file sitting on your hard drive. Get it wrong and your subject looks either mushy or artificially crunchy; get it right and the feathers, fur, or eyes in your frame look exactly as detailed as they should.

Retouched skin that looks great up close but goes flat the moment you zoom out is one of the most common problems in portrait editing. There's a technique built into Photoshop's frequency separation workflow that can fix this, and most people walk right past it.

Photoshop's Camera Raw filter is genuinely one of the most underused tools for color grading, and most people treat it like a raw file converter rather than a full editing engine. If you've been doing your color work purely in curves or Hue/Saturation, you're leaving a lot of control on the table.

Photoshop 2026 just added automatic reflection removal, and it's the first time the tool has been available in the application. If you shoot through glass, windows, or any reflective surface, this is worth your attention.

Fringing around hair and fur is one of the most stubborn problems you'll run into when cutting out subjects in Photoshop. No matter how clean your layer mask looks, switching to a new background can expose a halo of the original background color that ruins the shot.

Many of today's advanced AI software features require extra subscriptions. This is also true for Photoshop's premium AI models in Generative Fill. But what if you could access the powerful Nano Banana AI for retouching without committing to another subscription? In this article, I reveal a pay-as-you-go method for using cutting-edge AI in Photoshop.

Somewhere in every beginner photography forum, someone posts their first edited photo and asks for feedback. And somewhere in the replies, someone says: "You should really learn Photoshop." The implication is that Lightroom is training wheels, that serious photographers use Photoshop, and that the beginner will not produce professional-quality work until they learn layers, masks, blend modes, and frequency separation.

Is the old way of retouching dead? With various AI plugins, the world of classical retouching is definitely changing. Recently, I tried out Retouch4Me and some of their plugins, and these are my thoughts as a working pro on whether it is something that would fit into my workflow or not, as well as where it excels and where I find it to struggle more. Retouch4Me has a suite of different plugins across frequency separation, dodging, burning, healing, cloning, fabric removal, dust removal on a backdrop, and many more.

Photoshop's latest update quietly added two masking features to Adobe Camera Raw that most people haven't noticed yet. If you shoot anything with a complex edge, like trees against a bright sky, these tools change how you handle exposure and color adjustments.

Photoshop's AI tools are getting more expensive to use, and until recently, you had no way to know what something would cost before you clicked generate. Adobe has quietly added credit cost transparency to Photoshop, and if you're using any of the generative AI features, you should be planning your workflow.

Photoshop's depth range mask just got a quiet but significant upgrade, and most people missed it entirely. Adobe added it to the current shipping version of Camera Raw with almost no announcement, and it changes how you can make localized adjustments based on distance from the camera.

Selecting a subject in Photoshop has always required some combination of patience and compromise, but AI depth masking changes the math on that. Instead of identifying edges or colors, it reads the three-dimensional depth of your scene and lets you select based on where things actually sit in space.

Portrait retouching is one of those skills where the gap between fast and good is enormous. Generative AI can fill in a blemish in seconds, but the moment you zoom in, the skin texture looks synthetic, the pores disappear, and the person starts to look like someone else entirely.

Imagine your editing workflow being enhanced by something that resembles the controllers you once played video games with. That, plus customizable efficiency, is what this editing console offers.

Adobe quietly added a depth map masking feature to Camera Raw in a recent Photoshop update, which lets you isolate specific depth layers in a photo. Unlike subject or background masks, this one lets you target a slice of depth in a scene, from foreground rocks to a hazy midground to a distant sky.

Photoshop 27.6 dropped with 14 new features, and some of them are genuinely useful while others expose real limitations in Adobe's AI tools. Knowing what works and what doesn't before you spend credits on generative fills can save you a lot of frustration.

Adobe just pushed a significant round of updates to Photoshop, and several of them are directly relevant to cleaning up photos and managing complex edits. If you use Photoshop as part of your workflow, at least three or four of these features will change how you approach specific tasks.

Photoshop has dozens of tools, but a handful of them do most of the heavy lifting in real editing work. Knowing how the brush, remove, and selection tools actually behave is the difference between fighting Photoshop and actually using it.

The Nik Collection of software tools goes way back to when Nik introduced some editing plug-ins for Photoshop in the 90s. Google bought the tools in 2013 and brought several of the tools together into a collection. But Google, as Google does, sold the collection off to DxO in 2017, and they began to rewrite everything with new code, and released a 7-app collection, adding an 8th shortly thereafter.

Removing reflections from glasses in portraits has always been a frustrating problem, and the existing tools in Lightroom and Camera Raw fall short when the window reflection isn't the dominant element in the frame.

Photoshop 2026 added a Clarity and Dehaze adjustment layer, and if you shoot landscapes or anything with atmospheric haze, it's worth knowing how to use it properly. The catch is that throwing dehaze on an entire image can look heavy-handed, so selecting only the hazy area before applying it makes a real difference.

If you're learning Photoshop, the tools panel is where everything starts. Get it wrong or ignore it, and you'll fight the software every time you open it. Get it right, and the whole thing clicks into place.

Texture overlays can completely change the mood of a photo, and Photoshop gives you precise control over how they blend, how strong they appear, and whether the effect is destructive to your original image. Knowing how to layer multiple textures and then tie them together with color grading is the kind of workflow that separates polished edits from flat ones.

Luminosity masks sound technical, but they’re built on a simple idea: selecting parts of your image based on brightness. If you want cleaner skies, richer highlights, and deeper shadows without muddy results, this approach changes how you edit.

If you've never opened Photoshop before, the interface can feel like a wall of buttons with no clear entry point. Knowing where to start, what to ignore, and how the core pieces fit together makes the difference between actually learning the software and giving up in the first ten minutes.

Changing clothing color in Photoshop sounds simple until you realize the color you're targeting also exists in your subject's skin. That overlap is where most attempts fall apart, and fixing it the right way requires a few specific steps that aren't obvious if you're just dragging hue sliders.

Photoshop has more color-grading tools than most people ever use, and picking the wrong one costs you time and control. Point Color, tucked inside Camera Raw, gives you precision that the standard Hue/Saturation adjustment simply can't match.

For detail-oriented creative work, the experience is just as important as the process itself. This new-generation pen display from Huion showcases refined features and capabilities.

Contrast and clarity can turn a flat image into something that actually holds attention. Used without control, they can just as easily make a photo look harsh and overprocessed.

Photoshop 27.3.1 introduces three new adjustment layers: Color and Vibrance, Clarity and Dehaze, and Grain. If you rely on selective edits and non-destructive control, these additions change how quickly and cleanly you can shape an image.

DxO PureRAW has been a go-to item in the workflow of photographers for years. PureRAW launched back in 2021, designed as a tool to preprocess Raw files before they go into an editor. The software de-noises your image, then corrects for defects in your optical path or the sensor. To do this, DxO maintains an extensive database of lenses and sensors so it can match your equipment to the corrections.

The new generative AI tools in Photoshop offer powerful features that can streamline your workflow and unlock new creative possibilities. In this article, I show you how to make the most of them.

Adobe now runs on subscriptions, and that monthly bill adds up fast. If you rely on Photoshop and Premiere Pro to get paid work done, the idea of switching feels risky, but staying put can feel just as uncomfortable.

Adobe has added a new generative model to Photoshop called Firefly Fill and Expand, and it directly affects how you create, replace, and extend images. If you rely on generative fill for background swaps or composite work, these changes are worth a look.

Adobe has introduced a powerful update to Photoshop 2026. The Generative Fill feature now supports reference images, allowing users to use a specific visual source to guide AI-generated edits. This allows photographers and retouchers to swap out or add objects, such as jewelry and accessories, to create new iterations of their images without reshooting. It can significantly reduce time spent on complex compositing and detailed Photoshop work that would have previously required manual editing. And this is only the beginning of what this new feature makes possible.

Photoshop just updated Generative Fill with the new Firefly Fill and Expand model, and yes, it changes what you can realistically create. If you rely on AI inside Photoshop, this affects how large you can generate, how real people look, and whether hands and cars still fall apart.

Photoshop’s generative credits determine how freely you can use newer AI tools, and most people don’t know where to see their balance. That uncertainty turns routine edits into guesswork, especially when premium models are involved.

The new Photoshop update adds adjustment layers that feel tailor-made for real estate edits, especially when a scene is flat and hazy. If you shoot homes, rentals, or interiors, the difference between “fine” and “booked” often comes down to controlled, believable separation in the sky, water, and key surfaces.

You can get a striking, modern poster look in Photoshop without fancy plug-ins, but only if you stop guessing and start building the effect in a logical order. The video focuses on a specific recipe: a clean silhouette, controlled motion blur, and color that behaves like light instead of paint.