The next Photoshop CC update will bring a new feature called "Content Aware Crop Tool." At first sight, it works quite similar to the Content Aware Fill Tool, which was first introduced in Photoshop CS5. The new crop feature fills the corner gaps intelligently while cropping after straightening.
Photographer Mark Thorpe has made a major course change with his move to Japan, replacing wide open spaces, wildlife, and amazing scenes for the bright lights and sometimes claustrophobic life of mega cities. He's replaced his award-winning images of mass migrations and underwater beauty with his new challenge to document vibrant cityscapes through time-lapse photography and shares his knowledge with other photographers in this new video tutorial.
I’m sure most people have been in this situation: You are going through some old images of you when you were a child and come along an image that you absolutely adore. Maybe you want to share it across social media, or display it on your desk at work. The problem though is that after years of sitting in a box in the attic has taken its toll on the image. You are now left with a scratched up mess of a print. Watch as Aaron Nace from Phlearn walks through the key steps to repairing your tattered image to something you are proud to show off.
MacPhun is a popular à la carte Mac photo-editing software company that offers a variety of solutions for various editing needs. For the next week and a half, they're offering their entire suite of products for a price of $129, compared to the $2,000 that it would normally cost. Is $2,000 a little steep for all of this? Sure. But at $129, some will find it hard to pass up these standalone, subscription-free editing tools. Creative Kit customers can save even more.
Peter Stewart is an internationally published photographer that specialized in travel and fine art photography. To understand how to take awesome scenery photos, you must know the three basic qualities of light: intensity, direction, and color. Check out how a master does his work.
Are you a Photoshop expert? Fstoppers is starting a new weekly Photoshop contest for our community! We want you to submit your best photoshopped images in the groups where fellow photographers will vote for their top five favorite images. Of those top five, one lucky winner will be chosen and win their choice of an Fstoppers tutorial. This week we are focusing on your most creative photoshops within wedding photography!
This is a pet peeve of mine, so I am going to thank you in advance for indulging me. There seems to be a rampant misunderstanding in certain levels of the photo community as to what editing presets are, and what they actually accomplish. I (like many of you I would assume) am a member of various photo-centric groups on Facebook. In particular, I am a member of groups for people who have purchased Lightroom and ACR preset packs from a variety of creators. Almost daily I see posts in these groups that go something like this: "I thought my photos were beyond hope, but then I applied "WHIMSICAL PRESET NAME" and they were saved! These presets are amazing!!!1!111!!!" Sound familiar?
When the term "compositing" comes up, one often considers it a destructive, transformative process that involves frankensteining a myriad of images into a single, completely new, composition. This method can draw as much ire as it does praise. Personally, I love great composites, but many feel that they are too fake. Not all compositing has to be a metamorphosis creating a brand new image, however. By leveraging compositing technique to make slight alterations to your image you can, instead, create a shot that is much more true to reality but still creates a sense of fantasy or surrealism.
In this video, Guadalajara-based Photographer and Retoucher Sid Vasandani, shows us how to recreate that classic Steven Meisel vibe, used in his controversial campaigns for Vague Italia's, "Makeover Madness" and "Supermodel Enter Rehab". Watch as Sid walks us through a behind-the-scenes shoot, where he runs down the lighting set up, before going into an in-depth explanation of the retouching and color grading workflow in Photoshop.
After receiving almost 300 submissions to my previous raw file challenge (inspired by Dani's post last year), I decided to cap the entries at 200, because why not, and also put out a second raw file and an all new challenge. This time, with a shot of model Anna Truett, shot inside the Union Station Hotel convention area in St. Louis.
Recently I babbled on and on about shadow and highlight recovery using raw data in Capture One Pro, something I still fully endorse and recommend you do in your post production work when recovery is needed or wanted. However, feedback and practical thinking made me create a simple Photoshop Action that sets up one of my more common methods for simple shadow recovery, but in a refined and manual way.
Color management can be one of the most boring topics to learn as a photographer, right up there with topics like digital asset management and accounting. They all have one thing in common, however: they’re important parts of being a photographer. Learning how to manage color doesn’t have to be difficult, however. Consider this your crash course introduction in learning how.
I am calling this the "Dani Diamond Experiment", because he has done this before, and I thought the end results were fascinating. See, Dani's been known to offer a totally unedited raw file of an image he shot as a free download, asking photographers and retouchers to have a go at finalizing the shot however they see fit. Rather than specifically ask anyone to retouch the image in any particular style or use any particular workflow, the idea is to simply offer the raw file with no instructions beyond "Edit it!" and see what happens.
It's been said that Prague-based Photographer and Retoucher Erik Johansson doesn't capture moments, he captures ideas. To him, photography is a way to actualize complex, surreal concepts that are in his head. So, when you think about it, it wouldn't be a stretch to say that Johansson is kind of like our generation's Ansel Adams, as they both heavily employed previsualization techniques while pioneering unique solutions to achieve their visions. The end results are images that match the exact ideas they had in their minds' eyes.