Articles written by Christopher Wheelock

Point and shoot. That's how many people think about modern photography. A lot of things we take for granted today developed in the 1800s, including photography. Exposures took days until Louis Daguerre invented his daguerreotype process, which reduced days to minutes and produced clearer, more detailed images. At about the same time, the Victorian Period began with the ascension of Queen Victoria to the British throne. Disease was rampant and mortality rates were high, especially among children under five years old. Arguably, these were contributing factors to the unintended birth of portrait photography.

If you want to get paid for your photography, it goes without saying that you need to put together a great portfolio showcasing your best work. That's a universally accepted given. But what works best for each photographer depends on a lot of factors, such as digital or hard copy? Or both? Most would agree with the latter. New York Fashion Photographer Alexi Lubomirski offers up some good tips that even seasoned professionals may find useful in this mini tutorial.

The graduate program in photography at the University of New Mexico's College of Fine Arts has been recognized as one of the top five programs in the nation for more than 20 years. Once again, for 2016, U.S. News & World Report's annual ranking of Best Grad Schools, puts UNM's program tied for fifth place with New York's School for Visual Arts. One of the driving forces behind the program is Professor Jim Stone, recognized recently with a lifetime achievement award by the Society for Photographic Education as the recipient of the 2016 Honored Educator Award.

Snapping away at the bride and groom as they pose, walk, dance, or whatever, and the wedding photographer falls into... you can finish the sentence any way imaginable and then some. This latest example from Estes Park, Colorado saw photographer Nathan Welton fall through the ice at Bear Lake. A fresh layer of snow apparently hid the edge of the lake and Welton got, well, too close. Nevertheless, he's recounted his story several times and says he just kept shooting and got some interesting angles.

Four German body painters and photographers have teamed up to blend the human body and natural landscapes into an art project they call "Metamorphosis." Photographers Laila Pregizer and Uwe Schmida have been working with body painters Jörg Düsterwald and Léonie Gené since 2008 to integrate their subjects into various natural landscapes in all seasons. It's notable that the project does not rely on Photoshop to create the images, but rather on the skills of the artists.

Paris-based Photojournalist Maya Vidon-White on Saturday called it "good news for photojournalism." But in a New York Times article, she is quoted as saying: "I don't feel a total sense of relief." Vidon-White was facing criminal charges in France for a photo she took of a victim of the November 2015 terror attacks in Paris, which was then sold to United Press International (UPI), a news agency, which in turn sold it to a French news agency. The image was ultimately published in a French magazine. The victim's family pressed charges under the nation's privacy laws, which are much stricter than U.S. laws.

Despite the explosion of interest in drones with cameras, one place you're not likely to see them used in the near future is commercial television newsrooms. A just released annual survey by the Radio Television Digital News Association and Hoftsra University reveals most stations have not used drones with cameras and don't plan on using them. Why you ask? That makes no sense. From a photographer or producer or reporter's perspective, it doesn't. These Unmanned Aircraft Systems (UAS), as the FAA refers to them, are far cheaper than a news helicopter to acquire and operate and can get closer to the action.