Are you shopping for a new lens? Wondering what the difference between a CMOS and CCD sensor is? You've come to the right place.
I'm not one to get caught up in hype. The camera world is constantly inundated with new, interesting products and technologies, many of which scream of excitement before their release, but arrive with nary a whimper. The Sony a7RII is a rare product that has caught my attention before its release.
When shooting digitally, more information is almost always better. Here’s an exposure technique that maximizes the available information your camera can gather in a photograph.
With the trend of using train tracks in photographs continuing seemingly unabated, we hear of another avoidable tragedy far too often. One railroad has had enough.
Addicted to Canon gear, but not to Canon prices? Canon has a long history of producing some extremely impressive products. If you find yourself looking for some new gear, but trying to stay within a budget, consider these gems of Canon yesteryear.
I have an iPhone 6 Plus. It’s amazing. It has a backside illuminated sensor, an f/2.2 lens, and optical image stabilization. Yes, I have optical image stabilization in my phone. Would I ever use it for work? Not a chance.
When I first heard about the Canon EF 11-24mm f/4 L USM, I couldn’t help but think of the famous “Spinal Tap” scene: “these go to 11!” It’s a hefty lens with a hefty price tag, so I had high expectations of it when it came time to review. It has risen to the occasion.
If a photograph is two-dimensional, understanding depth of field gives you a measure of control over the third dimension. Mastering it will give you more ability to render photographs with clarity and directness.
Don't worry, this isn't a geometry lesson. The exposure triangle is a common way of associating the three variables that determine the exposure of a photograph: aperture, shutter speed, and ISO. One must balance all three of these to achieve a desired result, an adjustment of one requiring adjustments of at least one of the others. They do not only affect exposure, but are also the largest determiners of the global appearance of an image; thus, their mastery is absolutely crucial both for technique and composition.
Are you doing well in photography? Do you have a cause you believe in? Your skills and pictures can help the world more than you might have thought.
Not long ago, learning and critiquing photography was done almost exclusively in person. With the rise of the Internet, we saw a fundamental shift in how photographers interact with one another. Yet, even with the opportunities afforded by the web, there is so much more to gain by spending time with fellow photographers in the flesh.
Modern lenses are small miracles. They don’t defy the laws of physics, but they sure come close. Are you getting all you can out of your lens, though?
Being creative can be cathartic, uplifting, and eye-opening, but it can also be a major pain in the neck. When the creativity isn’t flowing, we can spend countless hours searching for inspiration. What are some of the best ways to break through that wall?
Two summers ago, I attended a music festival in Italy, where I had the opportunity to attend a master class given by Louis Andriessen, a prominent figure in new music composition. Classical musicians are known for striving for perfection, so when I opened one of his scores and found the following note regarding the ossias (alternate passages of music), I was struck:
If you’re like most photographers, sharpness is probably near the top of your list of desirable attributes in a lens. A lens that is sharp from corner to corner is often worth its weight in gold (or so the manufacturers tell us). How do we measure sharpness, though?
For many centuries, scientists fought vehemently about the nature of light. Two sides debated a question pivotal to the development of physics: is light a particle or a wave? It wasn't until the 20th century that one of the most startling revelations about our universe came to prominence: light is both.
