Articles written by Mike Smith
Lightroom totally dominates the realm of digital asset management (DAM) — a solution to everything, it fits the mold of most photographic workflows. However, the bitter pill to swallow can be the treacle-like performance and that monthly subscription (something I've touched upon before). Photo Mechanic, renowned for its blisteringly fast performance, offers a new solution. Is it a Lightroom killer?
New Year's resolutions have a bad rap — it starts with a well-meaning desire to lose a few pounds in weight, drink less, or quit smoking. Sure enough, a couple of weeks later those "promises to self" lie in tatters and you discard any further well-meaning thoughts. So don't think about making one, instead, go the whole hog and make three!
It feels like a bad dream, that just got worse. Just when you thought the nightmares were over, you awake in a cold sweat plagued by the same recurring terrors. Yes, the JPEG really is that bad so why do we keep clinging to it? Isn't it time we killed it off and moved on to something better?
Fuji sits in an odd place in the camera industry — beloved by camera enthusiasts for their retro styling and image quality, they continue to develop desirable cameras, but have never managed to break in to the realms of the top three manufacturers. Is this perceived failing actually a part of their game plan?
A camera is only worth what you're willing to pay for it, and the same is true of camera manufacturers. A business is not necessarily the sum of its parts, and its value is reflected in its share price. By this yardstick, Sony is streaking ahead while Nikon is bombing. How do they compare?
A portrait lens is up there as one of the key acquisitions in pretty much every photographer's lens collection. The release of Viltrox's auto-focus 56mm f/1.4 in Fuji X-mount is therefore highly anticipated because it combines AF and a fast aperture all at a highly economical price point. Is it worth the money?
Photo Rumors recently covered the latest BCN report on the state of the mirrorless market in Japan, which showed a resurgent Canon growing at the expense of Sony, with Nikon trailing a distant third. However, the report only outlines what is happening in the Japanese camera market and only for current sales. How important is the Japanese market?
Lightroom totally dominates the realm of digital asset management (DAM) — a solution for everything, it fits the mold of most photographic workflows, however the bitter pill to swallow can be the treacle-like performance and that monthly subscription. Is it time for Adobe to start again?
BCN Retail's sales data is a staple of the photographic industry for providing an indicator of the level of sales across the sector. It's now been 10 years since they began reporting on DSLR and MILC sales, so what does the data show, are their any strong trends, and can it help us understand the future?
As a working pro, dedicated amateur, or just plain photographer, the last thing you want is a dead camera, especially when it's through no fault of your own. Failures are part and parcel of the working life of a camera, however, what can the the Soviet T34 tell us about this?
If there's one thing that's certain with Nikon and Canon's product lines, it's the availability of a professional specification camera body. With their pivot to mirrorless, it's understandable that they haven't released a MILC version yet. So why doesn't Sony have a pro-spec body?
The news headlines have been rampant for the last 10 years: the camera industry is in free fall, spiraling into its death as a consumer electronics niche, no longer the doyen of conspicuous spenders around the globe. The numbers speak for themselves, peaking at camera sales of 120M units in 2010 before imploding to a grisly 15M in 2019. And that was before the definitive stab wound to the heart of COVID-19. Could it be that the humble interchangeable lens is the industry's salvation?
Full frame photography was once the preserve of the hefty DSLR, but as the mirrorless bandwagon gains traction, we are now seeing a number of full frame mini marvels emerging on the market. Offering the same sensor — and so image quality — of their bigger brethren, but in a much smaller and lighter package, are these fantastic additions to the product lineup or just the latest fads?
Nikon has had a torrid few years as it rapidly tried to pivot to mirrorless on the back of declining financial results. It ended 2019 with falling market share, losing second spot to Sony. The reason for this is now apparent: low mirrorless sales that place it 5th in the market. What is happening at Nikon?