Quick Mask Tutorial With Commercial Photographer Michael Herb

When it comes to compositing, the most tedious part of the Photoshop workflow to me has to be the extracting of objects from the background. With so many different ways to extract a subject: the pen tool, the lasso tool, refine edge, or Fluid Mask, it can be hard to find the technique that best suits your workflow. Commercial and editorial photographer Michael Herb has recently released an amusing quick mask tutorial that might just be the thing to get you out of your compositing rut.

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You can find more of Michael's work below:

Michael Herb's website
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Rebecca Britt's picture

Rebecca Britt is a South Texas based commercial, architectural and concert photographer. When she's not working Rebecca enjoys spending time with her two daughters, playing Diablo III, and shooting concerts (Electronic Dance Music). Rebecca also runs the largest collective of EDM (electronic dance music) photographers on social media.

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17 Comments

Thanks for sharing!

I'm sorry but the method is poor, eventually you get to spend as long as you spend with Pen Tool.

Thank you. This is much faster than what ever I was doing.

Quick selection tool, refine edge. Done. You should be able to do a knock out in less than 2 minutes and that is not an exaggeration. That includes detailed hair knock outs.

Quick selection + refine edge can do an ok job, but I havent ever encountered a time yet where it does a good enough job to just depend on that. I find most of the time it has trouble with low contrast areas and while it is much better with hair than any predecessor tool I am usually pretty disappointed by how poorly it does. In order to do a good composite it can definitely be a great tool along the way but is only a first step in a complex process.

Don't know what to tell you. I use the same technique Joel Grimes uses.

It depends on how well you have prepared the shot. Blonde hair and bright clothing against a black background makes it really easy. If it's a middle-grey clothed, brownish hair, with a busy background in the same tonal area. Then yeah, it'll be rough. It is what happens before photoshop that really makes masking easy or hard.

There are way faster ways to get good looking results...
Like working on channels...

I agree. This way just works for me the best. Maybe I just like to torture myself.

I did learn a few shortcuts, which was nice, but as mentioned there are other quicker options, and it all depends on the image. I also like the option of selecting color range for times when the background color is completely different than the object you want to remove, such as when working with green screen. That's not perfect too. Often I use multiple techniques to refine things quickly. It's good to know each technique as there is some usefulness at different times.

Thanks for sharing but not the fastest and best way. The image is great!

lg calvin

I'm on with Calvin.. His method is 100% and faster. His tutorials on grey background masking are incredible and flawless. All hail Calvin !!

That's one comfortable sofa he is sitting on...............

Anyone else get the impression that the photograph was of a guy on the toilet after a hair dryer had fallen into it? Overall liked the tutorial, thanks for sharing.

I did not know about using a quick mask- great tip

lazy guys here i see!

Such a good video. I actually came up against an irritating mask just a day before this, so it's a god send !