Composite

You may hate heavily post-processed images and videos, but do you hate them the right way? Here's how to properly do it.

Compositing frames in your interior photographs can be extremely time-consuming. With this simple technique developed by Mike Kelley, you can quickly and easily lighten doorways in post-processing while freeing up your editing time.

Combining multiple images is something that every photography will try at some point, but it is more difficult than merely cutting out one part of a photo and replacing it with another. This video teaches several important skills for matching the various images of a composite.

What do you do when you get bored with photography? How do you funnel your creative energy when photography leaves your creative soul empty? Do you move on to something new or do you combine photography with something else?

Circulating daily on social media we see turtles caught in plastic, beaches bathed in piles of garbage, or decaying wildlife that make hearts heavy because we can easily relate to those species. However, there is another ocean issue that does not get enough coverage but it is dissolving many of the unseen organisms every day.

Every four years during the summer, the sports world pauses to draw its attention to the top echelon of professional football. I decided to put together a World Cup inspired shoot, shoot some concepts I haven't done before, and give you a behind-the-scenes, education glimpse.

If you think this is a sci-fi horror thriller film with Transformers-style VFX you'll be disappointed. In fact, the action takes place in the 50s as a young man turns unfortunate obstacles into a romantic outcome.

Real estate and architectural photographers are familiar with the challenges of shooting an indoor location during broad daylight. The sunshine pours in through windows, and, without a truckload of studio lights to brighten the space, it's impossible to capture everything your eye sees in a single image. That's where this intro to HDR comes in handy.

Photographing toys can be a lot of fun, but they don’t always look like the most realistic subjects. Here are a couple of quick and dirty ways to add an aged, eroded look to your composited playthings to up the realism of your toy photographs.

Creating realistic composites in Photoshop can sometimes be tricky. It is imperative that your selection process is spot on, and that your subject so perfectly matches the new background that you’ve placed it in, that not even the trained eye will be able to tell that it’s a composite.

There's a lot more to compositing than just getting a perfect cutout. Here are some golden tips by Unmesh Dinda of Piximperfect on how to get a seamless blend.

Time-lapses are an easy way to add spice to your video productions, but sometimes parts of your scene look awful when displayed over long periods of time. In this tutorial, I'll show you how you can use real-time video to improve objects with oscillating movements.

Regular photos can often be too true to reality. And when you take something out of proportion or play with what is naturally possible, it can be much more evocative. This video gives some ideas and ways of doing it.

I live in a small city far from popular landscape photography locations and seemingly devoid of fellow photographers. I oftentimes find myself feeling a bit alone in the creative process. To remedy this, I went online to find peers and look for resources to get constructive feedback on my work. I ended up meeting someone who helped me improve my work and whose generosity took me completely by surprise.

Composite photography can seem overwhelming, particularly when trying to tell a story and using photographic elements from different locations. Let me break down how I created this narrative piece to provide some helpful insight.