One of the biggest challenges in creating a composite image is generating realistic shadows for a subject you may have moved into a different background. But what if you didn't need to create a new one?
Being a freelance photographer and digital artist, I have resigned myself to the fact that I will not always be able to use my own photography in the images I create for clients.
We are living in an exciting time, where software and machine learning are rapidly changing the way we approach work. For some industries, artificial intelligence will destroy job opportunities, but for other industries, it will revolutionize productivity. How will photography and the retouching world fare as editing software begins using this exciting technology?
Cyberpunk is very "in" at the moment. With the impending release of the video game and the rise of Synthwave music, a lot of cyberpunk art is being created.
If you're a photographer who also does digital art or compositing, I promise you're going to want to watch this quick tutorial.
AI has surely become a catch phrase, and we are seeing it all the time in photography applications. Luminar touts AI and Topaz, and even Adobe is jumping on the AI Bandwagon. Topaz Mask AI is one of the latest apps using AI, and I put it to the test.
Light stands are not known for being inconspicuous, and as such, if they are in your shot, they can be a real pain to deal with. However, with some careful planning, you can make it super easy to quickly composite the light stand out in Photoshop, and this helpful video will show you exactly how to do that.
Sometimes it is good to step away from commercial work for a little while and practice styles or techniques you would not normally use or would like to get better at.
In today's Fstoppers video, I set out to create some conceptual fashion images with Puerto Rican model Krystal Xamairy. Using the brand new Tamron 35mm f/1.4 lens, a few strobe lights, and a couple colored LED panels, I will walk you step by step through the entire process.
Having completed what proved to be one of the most challenging shoots of my career, I was then faced with the task of editing and compositing the images. Due to my inexperience, getting the results that I wanted using Photoshop proved to be a steep learning curve. Here’s how I went about it.
Colin Anderson is a composite photographer from Australia whose work is super stylistic and conceptual. He has worked with many large companies including Adobe, the Discovery Channel, and IBM.
Nemanja Sekulic has amassed a huge following on YouTube with his fantastic photo-manipulations and tutorials.
Creating fantasy composites is always fun: you get to invent your very own worlds and characters. Technically, in a composite sense, you can also get away with more unrealistic elements.
We are now four parts into the art of composite series, and this week we touch upon style and influence.
So let me start with a bold statement. Adrian Sommeling is probably the most famous composite artist in the world.
