Sometimes as adults we draw our creativity from our children, there is something so innocent and fresh about how they see the world around them. Occasionally a few will include their children in this process and we are usually left with something both clever and adorable at the same time. This is what Stephen Crowley has done with his daughter Hannah, Photoshopping his images to create a story of a mischievous little girl always getting into dangerous situations.
Peter McKinnon is back with another video, this time to show how to create a fantasy composite in Adobe Photoshop. A composite image is an image made up of various photos which are placed and blended together to make one image. When it comes to fantasy, it’s just that... fantasy. When you have an idea that you want to bring to life, you have to use the tool in your trade to bring it to life, as you can't just snap a photo and be done with it.
Take a few minutes and look up Photographer Joel Grimes. His portraits infuse a unique and identifiable lighting style that is edgy, dramatic, and often shot in studio with fairly simple lighting setups. Even more interesting is the fact that most of his shots are taken with the intent of compositing them into different backgrounds.
I started my journey in photography back in 2011. Since then, there are only a handful of photographers that I have really paid attention to in terms of actively keeping up with their work. One of those photographers is Commercial Photographer Dave Hill. His work has taken a more drastic turn in just a few years than any photographer that I’ve followed. That’s one of many reasons that I reached out to Hill to chat about his work and photography.
Many photographers have that one muse who inspires creative projects, knows exactly what the direction is, and is always the perfect collaboration. One artist found his own muse in himself when he set forth on a project to capture every stage of emotion of his own work. Creating composites from film, this artist brought a new light on the emotional range that photographers face everyday.
Taking photos at night can be an incredibly creative and rewarding experience. Unfortunately, increasing levels of light pollution in cities and urban areas makes it virtually impossible to include any detail in your sky which is often a major aspect of your composition. Adding stars is an easy and effective answer to this problem. With simple masking and blending techniques you can add interest to your background and give the impression of being in a secluded, faraway place. The most common error is overdoing it by adding too many stars or trying to integrate them into a scene that simply does not look natural. Here are two quick techniques which aim to avoid these pitfalls.
For some of us photographing the 24 Hours of Le Mans is a dream that would be a peak in our careers in the world of Motorsports Photography. The images created at this iconic race have been some of the most powerful images in the genre. For one collector however, his enthusiasm for the sport and an endless collection of scale replicas of the famous Le Mans cars led to him recreating some incredibly authentic looking images inspired by the Les Mans Race.
At the end of each year there is is always the hustle mindset of pushing harder for the upcoming business actions. More bookings, solid client interactions, and in many cases the push to top the previous years' finances. So how does one start off the new year with client bookings already on the calendar? By simply not forgetting those who booked you the previous year.
'The Concert,' a painting by the famous artist Johannes Vermeer, is one of the masterpieces of the Dutch painter. Unfortunately it was stolen in 1990. All his paintings are so skillfully created with quite remarkable understanding of light as intensity, shape, direction, size, and color. It's exciting to see what would happen if a photography master is asked to recreate this painting using Photoshop, images from a stock library, and his extensive knowledge of light and color.