I'm excited to announce a new weekly segment, where you the Fstoppers community can submit your favorite image to be edited and retouched by me, Lance Nicoll. Post an image you recently shot, that hasn't been retouched yet, in the comments below. On Thursday I will retouch it an post the recording of the entire process! If you guys love it, I will continue to do this every week! – And maybe in the future even do it as a Live Retouch with Q&A. The rules are as listed below. Really excited to see everyone's submissions. Submit your image by Wednesday at Midnight to be selected.
I knew when I saw this image up in the photo section of our Fstoppers website, I had to inquire about how it was created. It is clearly a thoughtful re-imagining of the iconic painting "Liberty Leading The People", but I had no idea how much effort Anthony Kurtz went into creating this photo. Little did I know that it took three weeks of preparation, two days of set building, one day of photographing, and 50+ hours of retouching and it was all done on a shoe string budget with borrowed props and location. What he created with very little money and a lot of brilliant strategy and vision is inspiring. Read below to learn how Anthony did it.
LA-based cinematographer Brandon Lippard gives us a behind the scenes look at photographer Dave Hill's 2015 Toyota Camry, Parade and Night Market, print ad shoot. I really dig these kinds of behind-the-scenes videos. They are so insightful and educational when kept clean, simple and unfiltered. These kinds of genuine glimpses from behind the lens offer a lot, to the keen observer, as opposed to the oh-so-common, self-promoting, trendy music video type clips we are often fed. Thanks for sharing Brandon.
Have you ever wondered what Donald Trump would look like if you combined 50 random photos of him and averaged them together? That's exactly what Reddit user Dwainosaur did with his latest photo/data mashup. Using commonly found images on Google, these composites of celebrities like Barack Obama, Kayne West, Bill Murray, and Brad Pitt almost look like pencil drawings. The results are pretty eerie and give a pretty good idea what each of these well known people would look like as a ghost.
In September of 2014 Patrick and I met Elia Locardi totally by chance in the basement of a German beer house during Photokina. That night we learned that Elia had sold all of his possessions and had been traveling the world nonstop for 3 years taking landscape & travel photographs. Soon thereafter we decided to team up on the biggest project any of us had ever worked on.
"What the heck just happened?" I remember saying to a friend as we finished Season 5, Episode 8, "Hardhome" of Game of Thrones a few weeks ago. I was in a crowded bar with many other GoT fans as we all just sat in silence as the credits rolled. This was no "Red Wedding" but I still had that "Oh S***" feeling you get when everything hits the fan.
So a few weeks ago I found sometime to shoot a personal project, a summer inspired beauty shoot. The idea behind the shoot was to focus on summer and to play with bright and vibrant colors. Prior to the shoot a spent days experimenting with new techniques and different ways of introducing color into my shoot. In this article I want to share a couple of techniques I used to create colorful effects in camera and also how I recreated one of those effects in Photoshop.
With less expensive gear being introduced all the time, we have seen a boom in time-lapse films in recent years, making it easier for just about anyone to make their own time-lapse clips. But with the deluge of videos comes innovation and the need to differentiate yourself. Filmmakers have used time-lapse in some creative ways with production techniques like multi-axis motion and post-production software like After Effects to achieve wild results. A relatively new approach is compositing live-action footage over time-lapse video, and it is pretty easy to do.
If you have not yet seen "Mad Max: Fury Road," I highly recommend seeing the film in theatres while you still can. The combination of art and action brings a rare addition to the big blockbuster-filled summer. These before-and-after shots will give you an idea of the true creativity behind the movie's polarizing set pieces and live-action stunts combined with brilliant post-processing.
Italian photographer Filippo Blengini embarked on a mission to take a panoramic photograph of Mount Blanc, Earth's 11th tallest mountain. After 70,000 individual photographs, 46 terabytes consumed, and 2 months of editing and processing later, the photo taken by Blengini and his team of five is currently the largest photograph in the world. Check out this video for a brief overview of how they did it.
Flare has become a huge part of modern photography for how it can add both depth and excitement to an image. Many of us have resorted to manually creating lighting effects using Photoshop or by layering pre-made textures above our photos. Red Giant, however, looks to replace and augment this rather tedious process with Knoll Light Factory.
Our cameras today are extremely powerful with settings and features that help us archive stellar image quality. But sometimes the images we come home with just don't capture the true essence of what was photographed and what our eyes saw. The photo is just a bit overexposed or underexposed and doesn't capture what we felt in that moment we pressed down on the shutter button. We fiddle and tweak in Photoshop with sliders and brushes, but there is another tool to add to the arsenal: masks. Specifically, luminosity masks.