Many photographers have that one muse who inspires creative projects, knows exactly what the direction is, and is always the perfect collaboration. One artist found his own muse in himself when he set forth on a project to capture every stage of emotion of his own work. Creating composites from film, this artist brought a new light on the emotional range that photographers face everyday.
Taking photos at night can be an incredibly creative and rewarding experience. Unfortunately, increasing levels of light pollution in cities and urban areas makes it virtually impossible to include any detail in your sky which is often a major aspect of your composition. Adding stars is an easy and effective answer to this problem. With simple masking and blending techniques you can add interest to your background and give the impression of being in a secluded, faraway place. The most common error is overdoing it by adding too many stars or trying to integrate them into a scene that simply does not look natural. Here are two quick techniques which aim to avoid these pitfalls.
For some of us photographing the 24 Hours of Le Mans is a dream that would be a peak in our careers in the world of Motorsports Photography. The images created at this iconic race have been some of the most powerful images in the genre. For one collector however, his enthusiasm for the sport and an endless collection of scale replicas of the famous Le Mans cars led to him recreating some incredibly authentic looking images inspired by the Les Mans Race.
At the end of each year there is is always the hustle mindset of pushing harder for the upcoming business actions. More bookings, solid client interactions, and in many cases the push to top the previous years' finances. So how does one start off the new year with client bookings already on the calendar? By simply not forgetting those who booked you the previous year.
'The Concert,' a painting by the famous artist Johannes Vermeer, is one of the masterpieces of the Dutch painter. Unfortunately it was stolen in 1990. All his paintings are so skillfully created with quite remarkable understanding of light as intensity, shape, direction, size, and color. It's exciting to see what would happen if a photography master is asked to recreate this painting using Photoshop, images from a stock library, and his extensive knowledge of light and color.
Now that the Super Moon has come and gone, just about every photographer has a bunch of great moon shots sitting on their hard drive. With help from Andrei Oprinca over at PSDbox.com, you can turn those images into creative graphic designs for various uses. I turned mine into cell phone wallpapers and gave them to friends and family.
I have a confession to make: I’m not a huge "Star Wars" fan. In fact, it’s best that no one ask me any questions about the series because I’d likely embarrass myself. Sebastien Del Grosso on the other hand may be able to provide more insight, or rather, some impressive images that pay tribute to the iconic series known across the globe by so many.
Ansel Adams once said “you don’t take a photograph, you make it.” I have always thought that what he meant by this quote was the process involved in reaching the final image. It has never been about clicking a picture simply, but it involves the creativity the photographer pours into his image. And creativity and sensibility also are what transpire in the beautiful conceptual project of Finnish photograper Christoffer Relander, titled “Jarred & Displaced.”
French photographer and digital artist Cal Redback has been creating images that bring new meaning to the term, "organic portraits." Sparked by a fascination with double exposures, Redback began to photograph friends along with local plant life, blending the two together to create a unique set of portraits that seem to take on a life of their own.
Once upon a dark and stormy night, the chills ran up my spine as I clicked the mouse, seconds seemed more like minutes while I nervously awaited for the page to load. Ok well it wasn't that dramatic, however I'd be lying if I didn't say Horror Photographer Joshua Hoffine's work didn't give me the heebie-jeebies. A VFX friend of mine shared some of this photographer's work on Facebook and I immediately had to find out who this guy behind the scary photos was. I got a hold of Joshua after asking him if I could interview him and his process for Fstoppers. Then I almost peed my pants, being an old school horror film buff I was pretty excited to share some of his work! This guy puts some serious work into his scenes and it's not only something to be truly admired, however also pretty unique in the rat race of photographers now a days.
Hungarian photographer Flóra Borsi is not your average self-portrait artist. Many of us are satisfied with the regular glamorous makeup and looks, but Borsi shapes her own perception of the perfect selfie through her exceptional creativity. A while ago, Flóra took a picture along with her dog in which the eyes of the dog overlapped with her own, creating a feeling as though this was an eye of hers. This was the initial trigger to create the "Animeyed" project, a series of self-portraits with different animals whose facial features overlap with her own, giving an illusion of one, common eye.