Combining multiple images is something that every photography will try at some point, but it is more difficult than merely cutting out one part of a photo and replacing it with another. This video teaches several important skills for matching the various images of a composite.
Circulating daily on social media we see turtles caught in plastic, beaches bathed in piles of garbage, or decaying wildlife that make hearts heavy because we can easily relate to those species. However, there is another ocean issue that does not get enough coverage but it is dissolving many of the unseen organisms every day.
Every four years during the summer, the sports world pauses to draw its attention to the top echelon of professional football. I decided to put together a World Cup inspired shoot, shoot some concepts I haven't done before, and give you a behind-the-scenes, education glimpse.
Real estate and architectural photographers are familiar with the challenges of shooting an indoor location during broad daylight. The sunshine pours in through windows, and, without a truckload of studio lights to brighten the space, it's impossible to capture everything your eye sees in a single image. That's where this intro to HDR comes in handy.
Creating realistic composites in Photoshop can sometimes be tricky. It is imperative that your selection process is spot on, and that your subject so perfectly matches the new background that you’ve placed it in, that not even the trained eye will be able to tell that it’s a composite.
I live in a small city far from popular landscape photography locations and seemingly devoid of fellow photographers. I oftentimes find myself feeling a bit alone in the creative process. To remedy this, I went online to find peers and look for resources to get constructive feedback on my work. I ended up meeting someone who helped me improve my work and whose generosity took me completely by surprise.