Composite Photography

In my early days with Photoshop, there were many timex when I tediously removed background from text by "magic-wanding" it out.

The Christmas Wish, which has become an annual viral sensation put out over the last few years by The Heart Project is back and even bigger for 2017. In 2016, the project created holiday magic for 30 sick children from one hospital.

Don't get me wrong, natural light and golden hour are gorgeous and a huge part of what we do. But, in addition to these types of photographs, we have built our name on imagery that differs from the typical wedding or couples photograph. Our studio (Lin and Jirsa Photography) has become known for unique and epic environmental portraits.

Let's chat about stock photography. I've used stock sites for nearly a decade while working as a designer and commercial photographer with great success. Most of the options I used in the past left a lot to be desired, which is why last year, I switched over to Adobe Stock.

Mark Duffy is an Irish photographer, graphic designer, and drummer with a shaved head and a glorious beard. He has a pretty slick new YouTube channel where he intends to teach people how he goes about editing his photos using Photoshop and Lightroom. In this video Duffy teaches us how to create double exposures in Photoshop. 

NO SPOILERS HERE! Just in case you were worried. They say inspiration can come from anywhere, and I have to say that definitely couldn't be more true. For one photographer, it came in the form of one his favorite TV Shows.

Thomas Heaton created a new set of videos last week about one of my favorite topics and shooting styles: landscape panoramas. I love photographing night skies and landscapes this way and the technique overall is very simple yet can give fantastic results.

Making composites look seamless and realistic is the ultimate goal of a digital artist. In this tutorial, you will learn a simple and very effective technique for matching the degree of saturation of your background and subject. 

Antti Karppinen is a digital artist, photographer, retoucher, and instructor from Finland with a unique eye for visual storytelling through photography. His work relies on traditional photography skills combined with an active imagination and complex Photoshop editing work to create fantastical images.

One of the biggest challenges society faces today is modern technology. It's a double-edged sword that if not handled properly, can quickly become a problem where human-to-human interaction digresses. Photographer Andreas Varro believes this is a problem that needs attention, and he sought out to bring awareness to this issue the best way he knows how. 

They say the best camera is the one that is with you, but what if that particular camera is lacking in megapixels? Here's how to take advantage of the camera you already own and make some giant image files and extra large photo prints. 

Matching the tones is the most challenging part of creating composite images. You may find numerous tutorials on the Internet about matching tones and smooth blending of the composite elements, however this technique by Antti Karppinen is the best I’ve seen so far as it even helps with blending images that are shot under different lights. 

Landscape photographer Thomas Heaton has been releasing one hit after another on his Youtube channel lately and his newest video is one of my favorites. Focus stacking is a great and relatively simple trick any photographer can use to add a unique look to your images. 

When you're creating a composite image, it's a game of balancing and matching a ton of parameters to make the different elements convincingly look as if they all originated in the same frame. This helpful tutorial will show you some of the most important aspects you need to have mastered to create your best composite work. 

Love it or hate it, Halloween is right around the corner and it’s the perfect time of the year for spooky costumes, creative photography, and in the case of this video, some slick composite work in Photoshop. 

Sometimes our creations behind the camera simply cannot be taken with just one frame, or perhaps you cannot travel to the destinations that would work perfectly with your concept. This is why some photographers choose to composite their images. Antti Karppinen shows off his most used composite image technique from his latest project "Kuopio Inspiration is a Force of Nature." 

The Get Well Tree is the latest touching project from the talented collaboration The heART Project. Many of the previous projects have been featured here. Each one brings amazing artists and sponsors together to help bring love and smiles to a family that has experienced some form of hardship.

The Clone Stamp tool is without the shadow of a doubt one tool that everyone who works with Photoshop uses on a regular basis. It’s quite an incredible tool, and it can help save some tiny mistakes without too much work. Despite being easy to use, there are times where it doesn’t do exactly what we’d like it to.

It doesn't matter what kind of photography you do, shooting photo backplates each and every time you go out and take pictures is one of the best habits you can get yourself into. Not only does it save many hours in postproduction, it will also help open up a world of creative possibilities to you as a photographer. 

I am excited to announce the release of one of the most epic projects Lee and I have been working on this year. As many of you know, Fstoppers teamed up with Landscape Photographer Elia Locardi back in 2014 to produce two separate tutorials on landscape and cityscape photography.

Children look to superheros as inspiration for strength and courage. They dress up as their favorite characters and act out scenes to empower their imaginations all over the world. One photographer set out to take his incredible talent to a special set of children to show them and the world they are stronger than the superheros they love. 

Commercial shoots and photography can be quite demanding and even taxing on the body. But when I started out this art, I would have never thought it could go as far as taking out four of teeth out to create an advertising image. Well, that’s what Blair Bunting was willing to do for a campaign he shot for Discovery’s Deadliest Catch. 

It’s been quite trendy in the past few months to see handwritten text composited onto images on Instagram. Perhaps you’ve been wondering how it’s done or maybe you’ve just been looking for a way to make your writing even more personalized.

We all love a good composite, don't we? C'mon! You're probably going "No! They're all fake. It's all Photoshop, therefore it should be easy and shouldn't be a genre of photography at all! While some bad composites do exist, why not look at the other side of Dali's surrealistic, time-melting deserts and analyze the way it makes you feel when you study these types of images?

We have featured Adrian Sommeling quite a few times over the summer and with reason. His composite photography work, or digital art if you prefer, is stunning and his videos give tons of inside tips to improve our very own work. In his latest creation, he Photoshopped his son and himself playing with foam guns replaying the famous bullet time Matrix scene.

Catchlights are those beautiful, almost imperceptible, reflections in the eyes of your model that bring their expression to life. When photographing portraiture every effort should be made to capture this light in their eyes, but sometimes they come out so faint the impact is simply not enough. Fortunately, there is an easy fix. 

In product photography, you always want to capture the product in the best and appealing way. Sometimes you want to take that product and give it a sense of motion or life. If you happen to be shooting with liquids for your products like a martini glass or maybe even for the drink itself, one powerful way to add motion and life to the image is with a splash. 

When I first found out a full solar eclipse was passing through Charleston, South Carolina, I marked my calendar hoping I would be able to photograph it. Today the eclipse passed through the final stretch of America, and even with a full year of forewarning, I was not prepared to photograph it at all.

My passion for photography stemmed from a series of trips I had taken overseas and a desire to capture the beauty of those places with more finesse. Landscapes were a natural draw for me and it didn’t take long to come across the concept of exposure blending. 

In his latest photography tutorial, noted French photographer (and prolific video tutorial maker) Serge Ramelli demonstrates how to quickly and effectively replace a sky in Photoshop. 

A few weeks ago, Adrian Sommeling showed how he Photoshopped his son and himself driving an Aston Martin in Iceland. He’s back with yet another video, and this time it’s a shattered iPhone 8 composite. This one is particularly interesting as it includes glass and thus reflections which are both amongst the most difficult things to keep natural looking when working on composites. 

I recently teamed up with the crew at Fstoppers to create a video tutorial that focuses on the foundations of creating a standalone product hero shot for advertising. What’s a standalone product hero shot you ask? It’s a standalone image of a product that’s generally well lit, super crisp, super clean, and essentially aids in selling a company's product.  

This is a how I did it story. Along with some “why.” Unlike most all folks my age, I am very fond of the WW2 history and even more so WW2 aircraft. My favorite plane of all time is the B-25 mid-range bomber. This concept has been in my mind for years, and I waited to actually implement it until I felt I was able to do it right.

The past few weeks here in New Jersey and New York have been pretty rainy and not so nice. With that in mind, I came across a video that really caught my attention and had me confused for a good minute or so. For a while I thought I had been out of the loop, when suddenly I realized that this was just another sort of filming "trick" to fool the eye.

When any talented individual with a dedicated set of skills finds themselves with a little free time it almost always results in something both creative and amazing. Some of the most interesting creations have come from artists and craftsman in their spare time.

The weather. Of the many things I wish I could control, this is certainly one of them. Recently, my home of Seoul has had some of the clearest skies and nicest puffy clouds that I’ve seen in my 11 years of living here, but typically this is not so.

Creating convincing composites is all about matching a number of characteristics, one of them being the saturation between the different elements of the final image. This helpful tutorial gives a quick and very effective method for precisely matching saturation. 

Love it or hate it, CGI and digital compositing are here to stay. I think you'd actually be surprised at how much of it is used without you even realizing and for this reason it's something which you should be open to embracing to enhance your video and photography work. 

Last summer, Conceptual Photographer Erik Johansson spent a calm, pleasant evening shooting his charming photo project “Full Moon Service.” Almost instantly going viral as soon as it touched the Internet today, here’s a behind-the-scenes look of how it all came together from hand drawn sketch to fine art print. 

In various forms of photography, being able to composite several photos into one final image is an important skill set. In the world of portraiture, composites are often used to create group shots in which the lighting situation is difficult or not every subject of the photo is available at one given time.

Photographer Nicolas Bruno suffers from sleep paralysis, a condition where a person experiences the inability to move or to speak during waking or falling asleep, sometimes for a few seconds and sometimes for several minutes. In more frightening instances, one might experience hallucinations or imagined physical experiences that one is unable to react to.

Adding an element such as fire to an image can really bring your photographs to life and give you that high-end production value without all the added danger. 

Having options is always a good thing, especially when it can save you from a costly mistake. In this quick tutorial, Jay P. Morgan from The Slanted Lens shows us the importance of shooting background plates to give yourself options in post production and help speed up your workflow.  

Creative genius rarely erupts onto the scene full force and in your face. Its entrance into the world is often quiet, gentle, allowing only a few to see it and recognize its brilliance.

Visual imagery, when used properly, can become one of the most powerful tools of making an impact around any disturbing topic. The recent campaign for an animal shelter World for All in India is a bright example of it.

If you've not seen Felix Hernandez' images before, you're missing out. The Cancun-based photographer's work is as brilliantly resourceful as it is creative. In this interview, we go behind the scenes of his shoot using 1/45 scale models for Audi Middle East and Hernandez guides us through his process and offers advice for up and coming photographers.  

There are many times in the automotive industry that when you're asked to shoot a car, you frequently cannot move the car either from where it is or far from where it's being stored due to its rarity, sometimes condition, and sometimes even questionable street-legality. This can definitely cause some problems when it comes to producing high-end images of the cars for a client.

I am a fan of good music. We all are. What I like even more is when a music video is directed to the music I like in a creative way that leaves me questioning how it was done, and how I can use the same tricks in my editing if at all possible. 

In this video, Commercial Photographer Joshua Geiger walks you through how to easily composite and retouch a product shoot using mid to low-range watches, yet brings them to life in a high end way. His technique is fairly simply but the experience he shows in layering his shot and adding texture via smoke and atmosphere is brilliant.  

Sometimes as adults we draw our creativity from our children, there is something so innocent and fresh about how they see the world around them. Occasionally a few will include their children in this process and we are usually left with something both clever and adorable at the same time.