I started my journey in photography back in 2011. Since then, there are only a handful of photographers that I have really paid attention to in terms of actively keeping up with their work. One of those photographers is Commercial Photographer Dave Hill. His work has taken a more drastic turn in just a few years than any photographer that I’ve followed. That’s one of many reasons that I reached out to Hill to chat about his work and photography.
Many photographers have that one muse who inspires creative projects, knows exactly what the direction is, and is always the perfect collaboration. One artist found his own muse in himself when he set forth on a project to capture every stage of emotion of his own work. Creating composites from film, this artist brought a new light on the emotional range that photographers face everyday.
Taking photos at night can be an incredibly creative and rewarding experience. Unfortunately, increasing levels of light pollution in cities and urban areas makes it virtually impossible to include any detail in your sky which is often a major aspect of your composition. Adding stars is an easy and effective answer to this problem. With simple masking and blending techniques you can add interest to your background and give the impression of being in a secluded, faraway place. The most common error is overdoing it by adding too many stars or trying to integrate them into a scene that simply does not look natural. Here are two quick techniques which aim to avoid these pitfalls.
For some of us photographing the 24 Hours of Le Mans is a dream that would be a peak in our careers in the world of Motorsports Photography. The images created at this iconic race have been some of the most powerful images in the genre. For one collector however, his enthusiasm for the sport and an endless collection of scale replicas of the famous Le Mans cars led to him recreating some incredibly authentic looking images inspired by the Les Mans Race.
At the end of each year there is is always the hustle mindset of pushing harder for the upcoming business actions. More bookings, solid client interactions, and in many cases the push to top the previous years' finances. So how does one start off the new year with client bookings already on the calendar? By simply not forgetting those who booked you the previous year.
'The Concert,' a painting by the famous artist Johannes Vermeer, is one of the masterpieces of the Dutch painter. Unfortunately it was stolen in 1990. All his paintings are so skillfully created with quite remarkable understanding of light as intensity, shape, direction, size, and color. It's exciting to see what would happen if a photography master is asked to recreate this painting using Photoshop, images from a stock library, and his extensive knowledge of light and color.
Now that the Super Moon has come and gone, just about every photographer has a bunch of great moon shots sitting on their hard drive. With help from Andrei Oprinca over at PSDbox.com, you can turn those images into creative graphic designs for various uses. I turned mine into cell phone wallpapers and gave them to friends and family.
I have a confession to make: I’m not a huge "Star Wars" fan. In fact, it’s best that no one ask me any questions about the series because I’d likely embarrass myself. Sebastien Del Grosso on the other hand may be able to provide more insight, or rather, some impressive images that pay tribute to the iconic series known across the globe by so many.
Ansel Adams once said “you don’t take a photograph, you make it.” I have always thought that what he meant by this quote was the process involved in reaching the final image. It has never been about clicking a picture simply, but it involves the creativity the photographer pours into his image. And creativity and sensibility also are what transpire in the beautiful conceptual project of Finnish photograper Christoffer Relander, titled “Jarred & Displaced.”
French photographer and digital artist Cal Redback has been creating images that bring new meaning to the term, "organic portraits." Sparked by a fascination with double exposures, Redback began to photograph friends along with local plant life, blending the two together to create a unique set of portraits that seem to take on a life of their own.