In celebration of Earth Day, NASA asked people, “Where are you on Earth Right Now?” and had them respond through social media outlets: Twitter, Instagram, Facebook, Google+ and Flickr with a photo tagged "#globalselfie". One-hundred-thirteen countries/regions and thousands of photo submissions (approximately 50,000), gave NASA all that it needed to create a “Global Selfie”. Each photo acts as a pixel in a giant, zoomable 3.2 gigapixel mosaic, depicting our planet as it was on Earth Day.
Edvin Puzinkevich is Senior Retoucher at Vault 49 - a New York design and illustration studio - where his clients have included notable names such as Nike, Intel, Audi, Levi’s, Chevrolet and Oakley. One of his personal projects, Elements, is especially interesting. Edvin explained to me that he wanted to explore the idea of people being able to control their surrounding elements, and how people could change and interact with the elements' physical characteristics.
When we think of Superheroes, we tend to imagine them fighting crime and saving innocent people. We always see them in movies and comic books as they fly away from explosions and jump off buildings. Action all the time. French commercial photographer Benoit Lapray decided to show us their other side and photograph them relaxing in nature. Just them, quietly enjoying the view.
Photography-related groups on Facebook are growing exponentially along with the exploding industry. As with many things in life, there are pros and cons when participating in these groups. One can experience valuable feedback, expertise and positive reinforcement from peers, while also experiencing nitpickers and people who pull you down. There are far more important elements often missed when discussing groups that could change the way you benefit from them... forever.
This truly incredible image was produced by Lightfarm Studios and was composited over a 5 week period "by seamlessly matte painting over 100 aerial pictures of giant proportions." This original artwork piece was inspired by the book “Rendezvous with Rama” by Arthur C. Clarke and the end product is nothing short of a masterpiece.
Wired's Design FX has given us a great behind the scenes video of everything that was involved in the updated Helicarrier crash scene for Captain America: The Winter Soldier. The sheer scale of the project is astounding as FXGuide.com's Mike Seymour and ILM's Digital Models Supervisor Bruce Holcomb take us through the design of the crash and its scale to the actors on the green screen.
I’m a bit of a dreamer. I’m also a huge aviation geek, and I often catch myself browsing the web at 2am looking up articles on aviation and aviation history. So when I found Anthony Toth and learned more about his life’s work, I knew that I had my next personal photography project in mind. As I'm mostly an architectural photographer, I got bored of waiting around for an airline to hire me to photograph their next ad campaign, so I decided to hire myself into my dream gig.
Fstoppers contributor, Retouching Academy founder and good friend of mine Julia Kuzmenko receives a lot of random messages to her Facebook. Most of them are along the lines of "I love your work," but sometimes they are more direct than that. Recently she was sent a request for a retouch of a photo from someone she didn't know, and she let loose the Retouching Academy for a fun session of Photoshop Fail.
Brandon Cawood, from Dalton GA, has taken appreciating first responders to the next level. What began as a personal project to photograph local EMS personnel, soon blew up and went viral. Cawood captures priceless moments in the daily lives of firefighters, police and other public safety personnel. He has a movie poster style and pulls it off in a flawless manner.
A little bit over a week ago, I went to Los Angeles International Airport to make a photo. It was a clear day, and I didn't want to waste it sitting inside. Being an aviation fan myself, as well as an occasional pilot and aerial photographer, watching planes, to me, is hardly the worst way to pass the time. As it turns out, making this photo would lead to one of the craziest weeks of my entire life.
Aaron Nace recently made a video showing you a quick and easy way to make lens flare (in a blank layer) right in Photoshop. While it might not be quite as exciting as, say, removing a model's bra this is a really handy tip to add a little bit of interest to your images. This method lives the user more latitude when it comes to adjustment of color, intensity, rotation, blur, and scaling after the fact.
Photographing large groups and make the photos look good is always a hard task. Any group of over 7-10 people can look awkward and the photos are usually not very appealing. But what if the group is not of 7 people, but of 1,500-2,000 people. If any of us will get the task of shooting 2,000 people we'll probably think it's a prank. But for photographer Chaim Perl it is part of his daily routine. Check out the in-depth BTS video and images of how he creates these huge group shots.
As a photographer, I'm always looking to capture something in a unique way. This is the craziest landscape photoshoot I have ever done. By taping a tiny Nikon Flash to my DJI Phantom II Drone, I was able to fly my remote helicopter up the side of a lighthouse and light the entire thing with flash. Creating this photograph was one of the trickest shoots I've ever done, and this is how I made it happen.
University of Selangor admin staffer and amateur photographer Zahir Batin spends his down time rocking out fun and creative narratives with some modest gear and Star Wars action figures. I know this isn't the first time we've posted figures photographed in this manner, as can be seen here, here and here. Still, the allure of the Star Wars universe coupled with some good photography know-how is too much to resist. And when done as well as Zahir's shots, they never fails to make me smile.
New York City-based director and photographer Randy Scott Slavin pushes the boundaries of perception with his two part panoramic series “Alternate Perspectives.” Stitching several photographs together, his “Alternate Perspectives” series creates a different (and arguably more thorough) representation of the scenes he photographs by incorporating their every angle.