Eduard Zhikharev, lead motion designer at Transparent House in San Francisco, created a interesting conceptual series Shining, a body of work that depicts glowing figures from street scenes that his wife Olga Tsybulina had photographed one day. I reached out to Eduard after running across the work on Behance and asked him about the series.
Posing multiple people can be a difficult task as it is, but throw in parkour performers into the mix and the shoot can quickly become tedious, but if done correctly the results can turn out nothing short of amazing. In this video Benjamin Von Wong walks you through the lighting set up he used to bring a three dimensional feel to the photographs.
A photographer and digital artist by the name of Terrence Blanton has released a new website and photo series called "Eagle Faction" that is explosive and very influenced by Call of Duty and Battlefield.
Aaron Nace from PHLEARN wanted to make an image that was based on the idea of a future where the sun had become so bright that humans would be forced to see the world through technologically-advanced glasses. Watch how they went from concept drawing to finished photo in their most recent tutorial.
Ok so many of you will not be fond of this technique. That is totally your preference. But for those of you who like good HDR photos, the guys are PHLEARN show a method that will teach you a method to get faux-HDR final images that will make some of your images go from good to great.
Richard Tuschman is a fine art photographer, whose works has appeared on a number of book covers. His latest project, Hopper Meditations, has him recreating famous Edward Hopper paintings in an unconventional way.
Automotive photography can be an extremely rewarding niche in the photography industry. The fast, shiny, power-inducing machines that rush by in a blur of color can be a thrill to anyone photographer, but it can also be daunting making sure that every detail is just perfect.
When it comes to compositing, the most tedious part of the Photoshop workflow to me has to be the extracting of objects from the background. With so many different ways to extract a subject: the pen tool, the lasso tool, refine edge, or Fluid Mask, it can be hard to find the technique that best suits your workflow.
Double Exposure is something most of us who ever had a film camera experienced at least once. By accident. It happened when the film got stuck, or when we used a used film again by mistake.
So, what happens when you bring two very popular themes in photography, fashion and pyrotechnics, together? A combustion of epicness emerges on your screen. Fstoppers favorite, Benjamin Von Wong, is at it again, and this time he's brought along a few friends to help create the stunning images you see in the video.
If you're familiar with Fstoppers, you'll know our love for Benjamin Von Wong. We've featured him so many times over the past couple of years on our site. We just can't help ourselves! With his equally educational and entertaining BTS videos, everyone seems to love them.
Jurassic Park is my favorite movie of all time. The story line itself is captivating but the incredible special effects are what really set this film apart. The movie was released 20 years ago in 1993 and the CGI and robotic dinosaurs still look more realistic than the majority of special effects in movies today.
If you've ever wondered how photographers stitch together elaborate sequences of sports maneuvers, here's your answer. Pete Webb takes some of his snowboarding shots and offers us a detailed walk through on how to composite such an image in post.
Patric Bergkvist is making a strong case as one of the better Swedish liquid photographers with his fantastic handle on the ideal lighting in very humble shooting spaces. We featured his exploding coffee and milk photo tutorial in early February and now he is back showing how to make a perfect shot of Whiskey. Photo that is.
Here's a little cinematography humor to brighten up your lazy Sunday. From the people over at Autodesk and filmmaker Jeremy Hunt comes a coming of age story of a dude. A dude who just wants to go about his business and a visual effects editor who ruins said dude's day.
The great folks over at The Slanted Lens are back with another amazing tutorial. This time Jay takes you to Concord and Lexington Massachusetts at a recreation of a Revolutionary War battle scene to show you how to effectively light a composited image.
Early in February of 2013, Rovio announced a new side project called "Angry Birds Superstars," which juxtaposed athletes with the hugely popular Angry Birds imagery. Though there likely are more on the way, Rovio has started the project with NHL Stanley Cup champion Anže Kopitar and NBA All-Star Veteran Andrew Bynum, both photographed by Jere Hietala. The point? Because it’s fun and awesome.
Iran recently released information and a photo regarding a new stealth fighter jet that left the US foreign policy makers nervous and concerned for the impending future. The problem with this news? It’s a pretty obvious Photoshop composite, and a pretty terrible one at that.
I really like the team at PLEARN because they consistently come up with great photo shoot concepts, but they don't just leave it at that. They also show you have to make those images yourself in a casual yet informative manner.
Our good friend Dave Lehl is at it again and this time he's moved out of the snow and into the skate park. To add a bit of flare to the standard skateboarding shot Dave taped sparklers to the bottom of the board and used smoke bombs to set the mood. Check out the full post to a link to the high res finished shots.
When I first got into portrait photography, I saw his work and I wanted to be Zim Killgore. Years later, I still have inspiration folders that are filled with his stuff. I've always been interested in his work because its nothing like anything I've ever seen before. Its a fresh take on portrait photography, that encourages you to just sit down and stare at it.
So I have seen quite a bit of caricature portraits and fell in love with them. I decided to try my hand at doing a few and kind of fell into a new little series with them. Everyone who has seen them has asked if I could shoot them or their families in this style. This little tutorial will show you how I go about doing these shots.
A few weeks ago I posted about the outstanding newly released internet series, The Underwater Realm, and as promised I'm back with the full behind the scenes look at the underwater photoshoot by amazing conceptual photographer, Benjamin Von Wong.
Von Wong, who you should all know by now -- if not from us, then from the million and one places he scurries around the world and online -- was given a challenge by a friend, Sebastien Roignant: "To shoot and edit an insane image involving two orcs, a witch king, warrior, villager and a cinema theatre...all in 4 hours without having any information ahead of time." Von Wong is also up for a [Fra
Sergey Semenov recently won the 2012 Major Amateur Award at the Pano Awards (for panoramic photography) for his interactive panorama of NYC, made up of thousands of aerial photographs stitched together from numerous helicopter tours up above the big apple...
See the entire panorama and interact with it at Dailymail.co.uk.
If you've watched the TV series "Grimm," you may be curious how the mythological creatures from Grimm's fairy tales make it onto screen. Bent Image Lab, the production company behind the cg creations of the show, explains their process of transforming characters into creatures and adding a fantastical element to each episode.
Marvel's 'The Avengers' is the top grossing movie of 2012 and the third of all time, ensuring that the superhero genre of movies are here to stay.
Gavin Hoey with AdoramaTV put together this simple yet informative video that includes beginner tips on techniques for bracketing your aperture, finding different materials for textures, and finally bringing it all together in Photoshop.
To shrink the hobbits in "Lord of the Rings" was not a simple feat for Peter Jackson, it took a lot of set crafting and perspective tricks. Instead of going through those extra hoops for the recently released "The Hobbit," Peter and his team took a different composite approach to the process of resizing the actors. Our friends at Popular Mechanics detailed how the results were achieved.
I'm sure by now most of you have tried to attempt a composite. I know when I first started to piece them together I was left with what could only be described as a cheesy mess that should not even be called a photograph. There are so many intricate details that go into making a believable composite. Perspective, color matching, how good a selection you made,ect...
The guys over PHLEARN have a lot of cool content, and this is their most recent. The original idea for this photo shoot was inspired by childhood, drawing on references from stories such as “Where the Wild Things Are” by Maurice Sendak and the classic comic strip “Calvin and Hobbes." The result is a playful look at the imagination of a child.
When I watched this video this morning from London-based film production company Make Productions my mind was blown, my jaw dropped and I just kept thinking about all the detailed work that went into creating such an amazing parallax sequence - all of which was executed perfectly.
If you're a fan of the immortal and time-traveling Doctor Who, then this VFX breakdown might just be for you. The Mill, who works on the visual effects of BBC's Doctor Who, have been with the show since its re-imagining in 2005.
The people over ar Prime Focus World who are responsible for the special effects and/or 3D conversion of films like 'Total Recall', 'Harry Potter and the Deathly Hallows', 'Wrath of the Titans' and 'Tron', have made four videos in which Jon Thum, visual effect supervisor, sits and explains the filming process and post for the slow-motion sequences for the movie, 'Dredd 3D'.
Kevin Margo, a VFX/CG Supervisor at Blur Studios recently released his directoral debut with his short science fiction film titled 'Grounded'. The film, while the general audience may not fully appreciate it, will entice cinephiles with its stunning graphics and read between the lines themes. In the following video he breaks down the CGI that was used in the film.
DesignWorks Media Group is made up of Mike Stog and Lee Barwick. The USA Olympic Boblsed/Skeleton team commissioned them to do a campaign which includes bobsledding fused with everyday activites, i.e. grocery shopping. Mike and Lee kept things pretty easy and minimal as far as lighting goes. They used a lot of the ambient, then supplemented for an extra kick where needed.
Using salvaged x-ray films and a somewhat disturbing design sense, Brian Andrews video "Hominid" has blurred the lines between human and animal anatomy. The resulting video is the result of a year of work with Ex'pression College of Digital Arts, mapping the movements of different animals to create a realistic blend between the two or more species being represented.
Good special effects are the ones you don't really realize were "special." They are the moments that give you that sense of awe without dragging you away from being caught in the moment. Fuel VFX specializes in creating special effects for a wide range of movies, some of which you've most likely seen this year.
Multimedia Artist Josiah Moore had always wanted to do a fun wedding picture when he and his wife got married. Well that opportunity came, and his wife agreed to go along with it! Armed with only a couple of props, he told the photographer his idea, and after the wedding Josiah got to work in photoshop to turn his wedding day into something out of a horror movie.
For over a year and a half now, David Reynolds has been filming his "budget" series of short films called The Underwater Realm. Each week he and his team release a behind the scenes video on how they overcome some technical aspect of filming (previous Fstoppers posts here).
Matthew Hogan, a talented photographer and videographer from Tyler, Texas, shot country band, JB and the Mooonshine band. He not only shot the band for a promotional photoshoot, but for their music video, as well. Using Alienbee lighting, a Nikon D700 and a Nikkor 50mm f/1.4 lens he composited the individual band members together for the final image.
MPC or The Moving Picture Company is famous for creating truly stunning visual effects for blockbuster films like, 'Wrath of the Titans', 'John Carter' and 'Harry Potter and the Deathly Hallows'. They also did the effects for the mind blowing 'Prometheus'.
Montreal photographer, Ben Von Wong, an Fstoppers favorite is at it again with his latest shoot. The folks over at Nikon sent Von Wong a Nikkor 400mm f2.8 lens to shoot with. Typically with a large lens you would shoot nature or sports, but not Von Wong. He decided to test the lens using the Brenizer Method.
Back again, Benjamin Von Wong takes on family portraits this time in another one of his behind the scenes videos. See how he put together 4 different scenes to make typically mundane photography style come to life. Using a D800E and Photoshop, check out how Ben works his magic.
Here is the final composite. For more information, check out Ben's blog about the shoot.
Arizona State University's mascot, 'Sparky', and its football team, the Arizona Sun Devils, have lit up several stadiums over the years with it's blazing and rock-driven intro video, but after seven seasons it looks like poor Sparky is in need of an update.
For the yet unreleased October 'survival' issue of Backpacker magazine, adventure photographer, Bud Force, decided instead of having a model dangling perilously off of a cliff that he would do a creative composite. He shot the background at 'El Capitan' peak in Guadalupe Moutains National Park and the subject at Mineral Wells State Park.
There always comes a time while you're surfing the web looking for inspiration that you stumble upon something so striking that it just blows you away. You sit back and wonder...
We are in an age where CG dominates today's movies and cartoons. While the effects can be pretty cool, it can be refreshing when people work old-school and create a work based off green screen and creativity.
Last week we showed you David Bergman's Gigapan image of North Greenwich Arena (home of the Olympic gymnastics meets). That image was roughly 1.7 billion pixels! Two days ago, David released his newest Gigapan image of Horse Guards Parade that contains 200 stitched images totaling an incredible 3.1 billion pixels.
Our good friend David Bergman was hired by Sports Illustrated to shoot the Olympics once again this year. David is becoming more and more well known for his Gigapan images which require a camera to take hundreds of pictures that are then stitched together in post. The result is a single image that you can "zoom" almost endlessly into.