Mike Kelley is an amazing architectural photographer and guest contributor at Fstoppers. Recently, Mike published an article on B&H's Explora blog about the science and magic that went into the featured image above. In his article, Mike takes you behind the scenes in a rare look at the process behind his photographs.
Seattle-based multimedia artist Cheyenne Randall is the creator of a Tumblr account that has recently attracted a lot of attention: “Shopped Tattoos”. Taking famous images, Randall photoshops detailed tattoo work onto the subjects, creating “a bundle of iconic personalities from a parallel universe.”
In today's post, I'm going to walk you through how I build an architectural photograph from square one. We'll discuss composition, lighting, staging, styling, and posing models in an architectural interior in order to create the image that the client has in mind. Despite appearing as a rather simple image, this shot took over an hour to finish on location with multiple steps and a lot of pre-visualization.
Red Giant, the plugin supergroup that is responsible for filter packs like Magic Bullet Looks, Trapcode, and PluralEyes, has recently announced a new plugin model, Universe, where new and updated filters will be provided to members at low to no cost. If you're a motion graphics designer, or love sweetening your video edits with funky filters, check out the video and see if Universe is for you.
The first time I saw a levitation shot, I stared at it for 15 minutes in astonishment. I could not conceive how the image was captured; I was captivated by the story it conveyed, it was surreal, magical and awe-inspiring. Conceptualizing the image and executing it can prove to be rather difficult and meticulous. Thankfully, photographers who have mastered the techniques involved in levitating have decided to share their secrets with us.
I recently visited the Atlantis Resort in the Bahamas with Lee and Patrick to scout out locations for my upcoming architectural photography workshop and we were pretty much given unfettered access by the Atlantis marketing department to shoot whatever we wanted. First on the list? The $15,000 per night penthouse suite. I only brought a minimal amount of gear
“My works aren’t pictures of something, but objects about something.” Philipp Bolthausen is an art director and designer who currently splits his time between New York and Paris. Self-taught in photography, Bolthausen rejects modern processes in favor of hands-on darkroom work. Making the purposeful choice to “use the 20th century medium of film,” Bolthausen says that by doing this he is able to “see, and therefore place the present into perspective.”
Matt Kloskowski, Director of education for Kelbyone, provides a taste of what attendees can look forward to at the 2014 Photoshop World Conference and Expo in this exclusive tutorial. This year's Photoshop World Conference and Expo will be held in Atlanta, Georgia between April 8-10th. The conference is a Photoshop-nerd mecca with special events like: parties hosted by Canon, portfolio reviews and tons of other great networking opportunities.
Few months back we featured the incredible and unique rock climbing photos of Seattle-based photographer Kiliii Fish. This week Kiliii finished his newest photo series he worked on for a long time - this time survival was the theme. The results? Nothing short of epic. In this interview he explains the whole process and reveals how he shot and edited it all.
Last summer we flew Mike Kelley, one of my favorite architecture photographers, to Charleston for 3 weeks to film the 8 hour tutorial How To Photograph Real Estate, Architecture and Interiors . Mike's technique of light painting and compositing is so polished and time consuming that I assumed no Realtor would actually want to pay for it. I was wrong.
The concept of doing a Robocop photoshoot has always been on my wish list, but have not been able to find someone with the proper original costume... until now. You see, my friends and I have always obsessed over the original Robocop film since it first came out (don't mention the sequels). I am just thankful that my photography career has allowed me to recreate the daydreams I had as a kid. Read below about how I put this ultimate personal shoot together and see the final results.
Sometimes tattoos can add a lot to the character and the general feeling of your images. The problem is most models you'll work with wont have any tattoos, or won't have the type of tattoo you would like to have in the image. In this 15 minute video tutorial you can learn how to add any tattoo to your subject in Photoshop, and make it look real. The techniques used in this tutorial are very useful for many other uses, so if tattoos are not your thing, it's still a great video to learn from.
Lets face it, it takes awhile to get the absolute perfect double exposure. Although the Canon 5D Mark III might make it a little bit easier with it's live view, the truth is that it takes time. For these double exposures, Francesco Paleari was able to do just that. He merged people with architecture in the most perfect sense.
Some years back, we featured the beautiful Lego Star Wars world that Finnish illustrator, designer and photographer Vesa Lehtimäki created with simple but ingenious lighting and table top model work. His latest project again features iconic Star Wars models, shot and then composited back into scenes, rendering the spacecraft to epic proportions. Vesa proves again that some solid technical know-how coupled with a vivid imagination delivers fantastic results.
The Academy Awards nominations were recently released and it's no surprise that "The Wolf of Wall Street" received nominations in the "Best Picture" and "Best Actor" categories, but what about visual effects? The visual effects for the movie while extremely subtle are outstanding to say the least. The company behind the special effects for the movie is Brainstorm Digital. They released the VFX breakdown of "The Wolf on Wall Street", and proves just how much special effects can have an impact on modern storytelling.