Composite

Double Exposure is something most of us who ever had a film camera experienced at least once. By accident. It happened when the film got stuck, or when we used a used film again by mistake. With the digital age coming in and replacing film, in-camera double exposures became a very rare kind of photography, but in recent years, many DSLRs added the option to create a double exposure in camera, and this old style came back to life. Check out these great examples of Double Exposure found on Flickr.

So, what happens when you bring two very popular themes in photography, fashion and pyrotechnics, together? A combustion of epicness emerges on your screen. Fstoppers favorite, Benjamin Von Wong, is at it again, and this time he's brought along a few friends to help create the stunning images you see in the video. Pyrotechnician, Andrey DAS, and amazing designer, Virginie Marcerou, worked with Ben to create the intricate scenes in the photographs.

If you're familiar with Fstoppers, you'll know our love for Benjamin Von Wong. We've featured him so many times over the past couple of years on our site. We just can't help ourselves! With his equally educational and entertaining BTS videos, everyone seems to love them. I decided that it would be a great time to take a moment and look into his world to learn more about him and what keeps him going.

Jurassic Park is my favorite movie of all time. The story line itself is captivating but the incredible special effects are what really set this film apart. The movie was released 20 years ago in 1993 and the CGI and robotic dinosaurs still look more realistic than the majority of special effects in movies today. Stan Winston has just released 3, never before seen videos of the creation of the robotic dinosaurs from the original Jurassic Park.

If you've ever wondered how photographers stitch together elaborate sequences of sports maneuvers, here's your answer. Pete Webb takes some of his snowboarding shots and offers us a detailed walk through on how to composite such an image in post. Although this concept is most easily applied to sports photography, I've also seen it show up with some fun applications in couples portraits and commercial work.

Patric Bergkvist is making a strong case as one of the better Swedish liquid photographers with his fantastic handle on the ideal lighting in very humble shooting spaces. We featured his exploding coffee and milk photo tutorial in early February and now he is back showing how to make a perfect shot of Whiskey. Photo that is.

Here's a little cinematography humor to brighten up your lazy Sunday. From the people over at Autodesk and filmmaker Jeremy Hunt comes a coming of age story of a dude. A dude who just wants to go about his business and a visual effects editor who ruins said dude's day. We all know the importance of 'getting it right in camera', but this is what happens when post-processing runs amok.

The great folks over at The Slanted Lens are back with another amazing tutorial. This time Jay takes you to Concord and Lexington Massachusetts at a recreation of a Revolutionary War battle scene to show you how to effectively light a composited image. He shows you how to shoot your background plates first, the main subject using a do it yourself motion rig and even shows you how to shoot explosions to help finish the image.

Early in February of 2013, Rovio announced a new side project called "Angry Birds Superstars," which juxtaposed athletes with the hugely popular Angry Birds imagery. Though there likely are more on the way, Rovio has started the project with NHL Stanley Cup champion Anže Kopitar and NBA All-Star Veteran Andrew Bynum, both photographed by Jere Hietala. The point? Because it’s fun and awesome.

Iran recently released information and a photo regarding a new stealth fighter jet that left the US foreign policy makers nervous and concerned for the impending future. The problem with this news? It’s a pretty obvious Photoshop composite, and a pretty terrible one at that.

I really like the team at PLEARN because they consistently come up with great photo shoot concepts, but they don't just leave it at that. They also show you have to make those images yourself in a casual yet informative manner. This week they show you how to create a composite that takes a woman and puts her in a room that's just a little too small.

Our good friend Dave Lehl is at it again and this time he's moved out of the snow and into the skate park. To add a bit of flare to the standard skateboarding shot Dave taped sparklers to the bottom of the board and used smoke bombs to set the mood. Check out the full post to a link to the high res finished shots.

When I first got into portrait photography, I saw his work and I wanted to be Zim Killgore. Years later, I still have inspiration folders that are filled with his stuff. I've always been interested in his work because its nothing like anything I've ever seen before. Its a fresh take on portrait photography, that encourages you to just sit down and stare at it.

So I have seen quite a bit of caricature portraits and fell in love with them. I decided to try my hand at doing a few and kind of fell into a new little series with them. Everyone who has seen them has asked if I could shoot them or their families in this style. This little tutorial will show you how I go about doing these shots.

A few weeks ago I posted about the outstanding newly released internet series, The Underwater Realm, and as promised I'm back with the full behind the scenes look at the underwater photoshoot by amazing conceptual photographer, Benjamin Von Wong. He explains how he was able to accomplish the shoot in the pool and how he brought all of the elements together to create a wonderful behind the scenes image of the entire cast and crew at work.

Von Wong, who you should all know by now -- if not from us, then from the million and one places he scurries around the world and online -- was given a challenge by a friend, Sebastien Roignant: "To shoot and edit an insane image involving two orcs, a witch king, warrior, villager and a cinema theatre...all in 4 hours without having any information ahead of time." Von Wong is also up for a [Framed] award for best conceptual photographer this year. Vote for him here.

Sergey Semenov recently won the 2012 Major Amateur Award at the Pano Awards (for panoramic photography) for his interactive panorama of NYC, made up of thousands of aerial photographs stitched together from numerous helicopter tours up above the big apple...

If you've watched the TV series "Grimm," you may be curious how the mythological creatures from Grimm's fairy tales make it onto screen. Bent Image Lab, the production company behind the cg creations of the show, explains their process of transforming characters into creatures and adding a fantastical element to each episode.

Marvel's 'The Avengers' is the top grossing movie of 2012 and the third of all time, ensuring that the superhero genre of movies are here to stay. Industrial Light & Magic have finally released the behind the scenes and walkthrough for the post production on one of the most amazing scenes in the movie, a long take of all the heroes fighting off the Alien horde that is uninterrupted and seamless with New York City as its backdrop.

Gavin Hoey with AdoramaTV put together this simple yet informative video that includes beginner tips on techniques for bracketing your aperture, finding different materials for textures, and finally bringing it all together in Photoshop. Gavin shows how he works in Photoshop to transform images to make them fit your composites in a more pleasing way, and also uses blending modes and layers masks to make the textured vignettes fit his images.

To shrink the hobbits in "Lord of the Rings" was not a simple feat for Peter Jackson, it took a lot of set crafting and perspective tricks. Instead of going through those extra hoops for the recently released "The Hobbit," Peter and his team took a different composite approach to the process of resizing the actors. Our friends at Popular Mechanics detailed how the results were achieved.

I'm sure by now most of you have tried to attempt a composite. I know when I first started to piece them together I was left with what could only be described as a cheesy mess that should not even be called a photograph. There are so many intricate details that go into making a believable composite. Perspective, color matching, how good a selection you made,ect... all play a important role in having a finished product. After several failed attempts at composites I gave up. Then I came across this tutorial. It gave me hope that maybe I can make a believable composite.

The guys over PHLEARN have a lot of cool content, and this is their most recent. The original idea for this photo shoot was inspired by childhood, drawing on references from stories such as “Where the Wild Things Are” by Maurice Sendak and the classic comic strip “Calvin and Hobbes." The result is a playful look at the imagination of a child.

When I watched this video this morning from London-based film production company Make Productions my mind was blown, my jaw dropped and I just kept thinking about all the detailed work that went into creating such an amazing parallax sequence - all of which was executed perfectly. Take 90-seconds today and be sure to check this out then read on below to find out more details about how it was created.

If you're a fan of the immortal and time-traveling Doctor Who, then this VFX breakdown might just be for you. The Mill, who works on the visual effects of BBC's Doctor Who, have been with the show since its re-imagining in 2005. Sit back and watch as they explain how they create their episode opening sequences, seamlessly incorporate map paintings with computer graphics and creature creation in this two part video series.

The people over ar Prime Focus World who are responsible for the special effects and/or 3D conversion of films like 'Total Recall', 'Harry Potter and the Deathly Hallows', 'Wrath of the Titans' and 'Tron', have made four videos in which Jon Thum, visual effect supervisor, sits and explains the filming process and post for the slow-motion sequences for the movie, 'Dredd 3D'.

Kevin Margo, a VFX/CG Supervisor at Blur Studios recently released his directoral debut with his short science fiction film titled 'Grounded'. The film, while the general audience may not fully appreciate it, will entice cinephiles with its stunning graphics and read between the lines themes. In the following video he breaks down the CGI that was used in the film. The film was shot with a Canon 5D Mark II and post processed using 3DS Max and Fume FX.

DesignWorks Media Group is made up of Mike Stog and Lee Barwick. The USA Olympic Boblsed/Skeleton team commissioned them to do a campaign which includes bobsledding fused with everyday activites, i.e. grocery shopping. Mike and Lee kept things pretty easy and minimal as far as lighting goes. They used a lot of the ambient, then supplemented for an extra kick where needed. Lighting diagram and final photo ad included after the jump. Enjoy!

Using salvaged x-ray films and a somewhat disturbing design sense, Brian Andrews video "Hominid" has blurred the lines between human and animal anatomy. The resulting video is the result of a year of work with Ex'pression College of Digital Arts, mapping the movements of different animals to create a realistic blend between the two or more species being represented.

Good special effects are the ones you don't really realize were "special." They are the moments that give you that sense of awe without dragging you away from being caught in the moment. Fuel VFX specializes in creating special effects for a wide range of movies, some of which you've most likely seen this year.