Composite

If you follow any of my work, you know I am a sucker for anything Back To The Future. I even recreated my own BTTF image using a real DeLorean awhile back, so I HAD to share this video. The guys over at Shanks FX have created another inventive tutorial on how you can create your own time travel scene on a budget using a DSLR, simple time lapse software, a toy DeLorean, and some LED lights. Think you may want to try something like this at home?

You might have heard of Stu Maschwitz before, possibly from his work on these Red Giant video projects, or perhaps the Plastic Bullet app he made a few years ago. His latest creation is a custom set of presets that integrate with Lightroom, and gives the user a set of vintage photo looks to choose from.

Though there are other programs out there that say they can quickly cutout objects from the background via masks and leave you with a clean end result, I've tried a few of those programs and they just don't seem to cut it. The process to create these masks also seem very awkward. Now you can quickly create (pretty darn good) masks on your iPad using Photoshop Mix, a mobile offering from Adobe we told you about earlier this year.

This photographer not only creates situations that are unique and comical -- but sends you to a surreal universe in just a glance. John Wilhelm lives in Switzerland with the subjects of many of his works --his girlfriend and three daughters, he's also an IT director in the university there. His hobby is art. Aside from being technically perfect, his eccentric portraits each tell a story which will have you dumbfounded, but pining for more.

If you are into fantasy or photo-illustration style photographs, you are likely well aware of compositing, or shooting key elements separately and blending them in Photoshop. While compositing is made easier thanks to software solutions like Photoshop, have you ever considered how they are done without it?

The guys from Film Riot catch ‘Guy Ritchie Disease’ and in the process teach you how to create the "Guy Ritchie" freeze frame effect. Whether you need an awesome intro title for your film or even a great effect for your own behind the scenes photography vlog, this Film riot video shows you how to create it in Adobe After Effects. If you’re more comfortable in Photoshop, you can put it together in there and then animate it in After Effects.

Last year we teamed up with Mike Kelley to produce the 7+ hour tutorial: How To Photograph Real Estate, Architecture and Interiors. We were fearful that Mike's fancy equipment would be discouraging to new photographers so we asked Mike if he could create a signature image with much cheaper gear. Mike shot an incredible, world class image with the original Canon Rebel and kit lens and only a few accessories.

I ran across the incredibly imaginative portfolio of John Flury a few weeks ago. When I viewed his image "Provincial Uprising" where a womans dress was made of human hands I couldn't figure out how it was made.

In this brilliant tutorial from Phlearn, Aaron Nace shows you how to create an artistic, composite image to replicate the double exposure effect. Despite being a little complex, the instruction is easy to follow. Nace’s great tips include: finding an appropriate blending mode, using detailed masking and grouping as well as using the gradient tool to add that extra something to your image.

The ever talented team at Scanline VFX have posted their most recent BTS video of the popular wight fight scene from the Game of Thrones Season 4 Finale. In this run down you can see the incredible detail and heavy visual effects work that goes into each and every scene from that fight. This one sequence has been remored to be one of the most expensive scenes created for the show.

Slow motion is, certainly, one of the most beautiful cinematic inventions of all time. It can show us so many things that are not normally visible and can make any "normal" scene look magical and unique. For the past few years the slow motion technologies have continued to improve, and just last year the Phantom Flex4K Digital Cinema Camera was announced introducing some groundbreaking slow motion abilities like shooting at 1,000fps at at 4K resolution. Shortly after its release, Director Brendan Bellomo and cinematographer Greg Wilson got their hands on the camera and took it for a test and created this beautiful video called "Let Me Know When You See Fire."

Have you ever considered creating an accurate and detailed 3D model from 2D photos? Probably not, it's incredibly difficult. Now, if you try to do it on a truly massive scale and have a huge castle as your subject, it makes it almost impossible to do by hand. The guys at Pix4D took it as a challenge to their software and not only modeled the outside, but also the inside of the castle, all in one interactive 3D model. To prove that it can be done by anyone, they decided to use only consumer cameras (GoPro, DSLR and a Mirrorless).

The combination of two visually striking methods resulted in this surreal video by Vincent Brady. After checking the video, read on for some more information on the rig Vincent used to shoot with, and some insight on the programs he used to painstakingly stitch his images together for the final timelapse video.

I've had some pretty amazing experiences in my life. Fstoppers.com has given me incredible opportunities like meeting Bon Jovi, or riding in the first Lamborghini Aventador in America. Our international workshop last week took a year of planning and insane amounts of stress. On top of it all, I had the flu during the entire week. Even still, last week was the most rewarding week of my life.

Earlier this year Lukas Renlund, a 30-year old professional photographer from Scandinavia, sat down and tried to imagine what the photography industry might look like in 5 or 10 years. That imagination-session lead him to quickly start a new photography/media company named 'Not So Fast | Media'. Instead of offering still photographs to their clients, the new company focuses only on creating motion photographs- Beautiful moving images.

In celebration of Earth Day, NASA asked people, “Where are you on Earth Right Now?” and had them respond through social media outlets: Twitter, Instagram, Facebook, Google+ and Flickr with a photo tagged "#globalselfie". One-hundred-thirteen countries/regions and thousands of photo submissions (approximately 50,000), gave NASA all that it needed to create a “Global Selfie”. Each photo acts as a pixel in a giant, zoomable 3.2 gigapixel mosaic, depicting our planet as it was on Earth Day.

Photography-related groups on Facebook are growing exponentially along with the exploding industry. As with many things in life, there are pros and cons when participating in these groups. One can experience valuable feedback, expertise and positive reinforcement from peers, while also experiencing nitpickers and people who pull you down. There are far more important elements often missed when discussing groups that could change the way you benefit from them... forever.

Wired's Design FX has given us a great behind the scenes video of everything that was involved in the updated Helicarrier crash scene for Captain America: The Winter Soldier. The sheer scale of the project is astounding as FXGuide.com's Mike Seymour and ILM's Digital Models Supervisor Bruce Holcomb take us through the design of the crash and its scale to the actors on the green screen.

I’m a bit of a dreamer. I’m also a huge aviation geek, and I often catch myself browsing the web at 2am looking up articles on aviation and aviation history. So when I found Anthony Toth and learned more about his life’s work, I knew that I had my next personal photography project in mind. As I'm mostly an architectural photographer, I got bored of waiting around for an airline to hire me to photograph their next ad campaign, so I decided to hire myself into my dream gig.

Brandon Cawood, from Dalton GA, has taken appreciating first responders to the next level. What began as a personal project to photograph local EMS personnel, soon blew up and went viral. Cawood captures priceless moments in the daily lives of firefighters, police and other public safety personnel. He has a movie poster style and pulls it off in a flawless manner.

A little bit over a week ago, I went to Los Angeles International Airport to make a photo. It was a clear day, and I didn't want to waste it sitting inside. Being an aviation fan myself, as well as an occasional pilot and aerial photographer, watching planes, to me, is hardly the worst way to pass the time. As it turns out, making this photo would lead to one of the craziest weeks of my entire life.

Aaron Nace recently made a video showing you a quick and easy way to make lens flare (in a blank layer) right in Photoshop. While it might not be quite as exciting as, say, removing a model's bra this is a really handy tip to add a little bit of interest to your images. This method lives the user more latitude when it comes to adjustment of color, intensity, rotation, blur, and scaling after the fact.

As a photographer, I'm always looking to capture something in a unique way. This is the craziest landscape photoshoot I have ever done. By taping a tiny Nikon Flash to my DJI Phantom II Drone, I was able to fly my remote helicopter up the side of a lighthouse and light the entire thing with flash. Creating this photograph was one of the trickest shoots I've ever done, and this is how I made it happen.

Software company Red Giant has been making the plugins that video editors have been using to sweeten their edits since the days of MiniDV. Fan favorite Magic Bullet Looks has long offered stylized, preset looks for its users. It has just been announced that Red Giant will be updating Magic Bullet to version 2.5, along with updates to PluralEyes and BulletProof.

Mike Kelley is an amazing architectural photographer and guest contributor at Fstoppers. Recently, Mike published an article on B&H's Explora blog about the science and magic that went into the featured image above. In his article, Mike takes you behind the scenes in a rare look at the process behind his photographs.

In today's post, I'm going to walk you through how I build an architectural photograph from square one. We'll discuss composition, lighting, staging, styling, and posing models in an architectural interior in order to create the image that the client has in mind. Despite appearing as a rather simple image, this shot took over an hour to finish on location with multiple steps and a lot of pre-visualization.

Red Giant, the plugin supergroup that is responsible for filter packs like Magic Bullet Looks, Trapcode, and PluralEyes, has recently announced a new plugin model, Universe, where new and updated filters will be provided to members at low to no cost. If you're a motion graphics designer, or love sweetening your video edits with funky filters, check out the video and see if Universe is for you.

The first time I saw a levitation shot, I stared at it for 15 minutes in astonishment. I could not conceive how the image was captured; I was captivated by the story it conveyed, it was surreal, magical and awe-inspiring. Conceptualizing the image and executing it can prove to be rather difficult and meticulous. Thankfully, photographers who have mastered the techniques involved in levitating have decided to share their secrets with us.

I recently visited the Atlantis Resort in the Bahamas with Lee and Patrick to scout out locations for my upcoming architectural photography workshop and we were pretty much given unfettered access by the Atlantis marketing department to shoot whatever we wanted. First on the list? The $15,000 per night penthouse suite. I only brought a minimal amount of gear

Matt Kloskowski, Director of education for Kelbyone, provides a taste of what attendees can look forward to at the 2014 Photoshop World Conference and Expo in this exclusive tutorial. This year's Photoshop World Conference and Expo will be held in Atlanta, Georgia between April 8-10th. The conference is a Photoshop-nerd mecca with special events like: parties hosted by Canon, portfolio reviews and tons of other great networking opportunities.