London-based photographer Jaroslav Wieczorkiewicz is a someone who loves pushing the boundaries and stepping outside his comfort zone. He's known for his high speed photography and pushing it to the extremes, most of the time involving milk! His newest set with milk combines his love for composites and high speed and it shines with some traditional 1940's pin-ups.
British comedian Richard Herring's new comedy tour poster needed to have a creepy Halloween theme to it. His new tour's theme was death and what better way to illustrate that than having the comedian climb his way out of a grave. London-based photographer Steve Brown walks us through how he planned for the shoot, built the set and shows a time-lapse on his post-processing. It just shows that a properly planned shoot can have amazing results.
Kiliii Fish, Seattle-based commercial photographer, was always fascinated by how people interact with nature and how they use it to live their lives. Aside from being a full time photographer Fish is also an avid rock climber. Recently he decided to combine these 3 things he loves to a unique photography project showing the grace, power, beauty and vulnerability that goes into rock climbing. Kiliii spent days in each location and worked for months to complete the series. The results are absolutely amazing.
Devin Graham, better known by his internet alias Devin Supertramp, recently created this video (and BTS piece) that utilized over 50 GoPro cameras to capture dogs jumping and playing as if they were Neo dodging bullets in the blockbuster film The Matrix. If this doesn't make you crack at least a tiny smile, I'm pretty sure you may be Scrooge himself. For a behind-the-scenes look at how this was made, check out the video after the jump.
We have posted several articles regarding the Brenizer Method (here and here) in the past, but none from the man himself, Ryan Brenizer. Ryan is easily one of the top wedding photographers in the nation. He shoots over 60 weddings a year and probably only sleeps 3 hours a day. He is offering a full guide on how he shoots his method from the first photo through post production. When the method is done correctly your image could have the depth of field of a f/.04 lens.
New technology really doesn't do much for me, I have to be honest. Until I see it applied in a creative way, at which point everything changes. When you place new tech in the hands of inspired, creative minds to see what they can come up with, it can produce fascinating results. What you're about to see is probably the most serene and hypnotic journey through the streets of New York City you're ever likely to experience.
FaceResearch.org has published the results of a recent experiment where experimental psychologists at the University of Glasgow in Scotland have combined the faces of women around to world to approximate the "average face" of each country. Using a modern version of the technique that Sir Francis Galton pioneered in the 1800's, multiple images of faces are aligned and composited together to form the final result.
When first learning Photoshop, most of us are introduced to the pen tool, brush tool, or maybe even the eraser tool to remove sections of a layer. However, these methods can be both time consuming and mediocre in creating a clean final image. In this tutorial I'll be walking you through the steps that I use to isolate subjects shot in studio (against plain backgrounds) for the creation of a composite image.
Have you ever wondered what it would be like to stare down the barrel of a gun? Well Toronto-based photographer Peter Andrew teamed up with art directors Simon Duffy and Derek Blais to show us. The series, “Point Blank”, features iconic handguns in high-resolution "portraits", some of which are printed as large as 4×8 feet. In order to achieve the incredible detailing in these shots Peter used
Mike Campau is on another level, and I don't even know where to begin to look for this level. Mike is a industry leader in CGI and photoshop composites for the commercial advertising industry. He collaborates with names like Paul Mobley and Tim Tadder. Mike can take a blank canvas and build uber realistic baseball stadiums while drinking an IPA.
Photographer and historian Marc Hermann has done a beautiful job pulling historic crime scene photos from the New York Daily News archive to blend them with photographs of the same locations today. For those who live in New York now, it may be easy to forget just how rough the city was in the not-too-distant past.
Salience is the name of the five minute short that will probably be remembered as one of the most innovative, experimental (and beautiful) short films of the year. If you do one thing today for your inspiration, please spend the next few minutes checking it out and you'll see what I mean.
Guest writer Felix Hernandez R. is a commercial photographer based in Cancún, Mexico. He is a very active member of our Fstoppers Facebook group and is well known for his stunning composite work and food photography. In this article he explains how accomplished his amazing series, 'Magic Moments' with the use of compositing and underwater photography.
Once upon a time at brunch in Santa Monica, I created the biggest, most complex cheeseburger anyone had ever even attempted to ask a chef to make. I basically picked my top 10 things off the menu and asked the chef to put it between ciabatta bread. Then I ate the entire thing. It gave me severe meat sweats and rendered me unconscious afterwards, but it was the most delicious thing I had ever created. It's my single greatest achievement in life. I learned a lot about myself that day and will tell the Epic Burger story to my great great great great grandkids.
Sean Madden, creative director from the ad agency Brains On Fire, reached out to me earlier this year and asked if given an arsenal of stunt drivers, the newest high performance BMW's, and a closed race course, could I create a 58 foot long composite print for BMW. My answer? "When can I start?" Watch the video and read the post below to learn how the shoot came together.