Composite

This video was recently featured on Strobist but since we've been getting so many emails about it I figured we'd share it with those of you who missed it. David Myrick decided to try something rather strange when the electronic group Glitch Mob strolled into his studio. Basically he shot portraits of the band members on a white seamless background and then projected those images back onto the artists as they wore white clothing. If this sounds confusing just watch the video and it will all make sense. Fresh ideas like David's "projection technique" continues to inspire me in my own work. What do you guys think - anyone tried this technique before?

Here's a clever idea... EA decided to make the cover shoot for Madden 2012 a promotion in itself. How did they do it? Well they created a studio in the center of Time Square in NY and allowed thousands of people to watch the photoshoot take place live, and in person.

Have you ever seen a car ad in a magazine and wondered "how did they do that?" The car itself seems to be glowing and the location is always perfect. I've always known that tons of photoshop is involved by I didn't know if the car was actually shot in that location or if it was shot in the studio and dropped into the scene in post. In the case below, the car was shot on location and lit with a very simple rig (umbrella on a stick). The magic happens in Photoshop afterwards.

Have you ever tried to shoot an interior photograph and have it look like the shots in magazines or high end property brochures? If so then you probably know there are two routes to go: HDR or Flash. Photographer Dom Bower recently made a video showing the differences in both techniques and how you can combine them both to create a sort of hybrid image. Keep in mind that Dom is only using one single speedlight directly above the camera. Many of the amazing images you see for high end hotels and expensive properties often have dozens of light sources accenting very specific elements in the image. What techniques have you guys used in your interior photos? If you have examples, feel free to post your images in the comments below and check out Dom's final photos in the full post.

Over the weekend, one of our readers sent us this amazing behind the scenes video for the bicycle saddle manufacturer Brooks England. The basic concept for the photoshoot was a couple saving a fox from a bunch of hunting hounds while out in the British countryside. Photographer Frank Herholdt and his team had to balance two models, a tamed fox, four hounds, forest smoke, well placed studio strobes, and the natural elements to pull of this classic looking image. This is such a great example of taking your photography to the next level by pushing your concept and focusing on production value rather than just lighting a simple subject correctly. If any of our readers have any opinions on one of these saddles specifically, let us know on our Twitter because I'm in need of a new bike seat myself!

There have been a few conversations over at the Fstoppers Forum lately about how to composite two images together in a way that looks consistent. Aaron Nace has a history of producing interesting composite style images; recently he tackled the conceptual idea of "Going Home". Although I'm a bit disappointed neither Aaron or Avery gave any insight on what they were wanting to accomplish in this video, the way the two approached such a tough logistical concept is really clever. Sure there is a LOT of photoshop required in a final image like this but what's really important to take note of is how Aaron went out and shot as much of the concept in camera with consistent lighting so everything would work together when he started piecing the two images together. Since it's May 21st I figured this was an appropriate subject matter to tackle :)

Everyone claims that they know how to shoot subjects on pure white but many of them still struggle with the background light washing out their subject. In the video below, Olivia Speranza shows us how she created the look for a video but the same techniques apply to flash as well. The key is to light the background as evenly as possible and expose it so that it is just barely pure white. If your background is a few stops past pure white, the light will begin to eat into your subject.

This video gives a quick look at Jay P. Morgan's latest advertising campaign for Pedia-Sure. The video isn't quite as informative as Jay's average BTSV but there is still a lot to learn from it. I was really impressed by the size of the campaign and then range of images that were taken.

This video is a little different than anything we've posted before but I figured it would be enjoyed by those of you who are celebrating Easter. Jeremy Cowart is one of the hottest American photographers right now and his portfolio is absolutely sick! But in this video he is creating a rather unique portrait of Jesus using pastels, photoshop, stock images, and random elements from snap shots. The amount of effort that went into this portrait is quite remarkable, and almost every texture is so subtle you would never know half of what went into making this image just by looking at it. It's pretty exciting to see such a well respected photographer pushing his own craft in a way that is so different than what he does on a daily basis. Click the full post to watch a second video of Jeremy making a portrait of Tom Yorke in this style.

When you first heard of GigaPan, it was probably from David Bergman's famous inauguration photograph. Years after David captured the first gigapixel images of crowds of people, scientists are now creating all sorts of images using the GigaPan technology. One new project recently announced is Time Machine. Essentially a video player with 100 megapixel frames, the Time Machine allows us to explore nature in both time and space with unbelievable amounts of information. Anyone can create these videos using any of the GigaPan Epic Mounts and upload them to the GigaPan website. It's pretty amazing what photos are now able to capture and reveal with super high resolution and timelapse. Check out more of these videos over at the Time Machine website.

Director Paul Clements produced a pretty amazing commercial for Cat Footwear. By using a single high frame rate video camera and a large array of DSLRs he produced something that I am having trouble describing with words. You'll just have to watch it for yourself. Check out the BTS below and the finished product in the full post.

I know a couple of Fstoppers that go by the names of Tiffany and Gianna that are going to love this one... Jay P. Morgan is back again with a really unique concept. In this video Jay explains how he created a super hero concept from nothing and then shows us every minuscule detail that goes into making that image come to life. As always, Jay does an incredible job of packing his video with priceless information that every photographer can use, even if you don't ever plan to shoot Wonder Woman.

We have all seen stuff like this done before but it's usually some sort of huge production team. All of my friends seem to own at least 2 cameras each so I could easily pull this off if I could get 12 of them together :).

Did you know that every time you look at one of those amazing images captured by Hubble cameras you are actually looking at a composite image made up by as many as 1400 still shots? Did you also know that the colors you are seeing in those images are completely faked and added by scientists in order to show off specific details within the scene? This interesting timelapse video released by NASA shows exactly how they create their images by combining thousands of black and white RAW files from 3 Hubble cameras. Let me remind you, just because you see a lot of photoshopping in this video doesn't mean the final images are not real or falsely rendered. The technology needed to produce images this detailed requires combining multiple images and adding colors not normally seen by a human eye or even the most expensive cameras created.

Have you ever seen those commercials where old footage appears to come back to life with added scenes or impossible revelations are revealed years after the initial filming? The NBA commercials "Where Amazing Happens" feature high school footage of some of their hottest players practicing with another high school player "from the future" who encourages them with accomplishments from their own future professional career. In this video, go behind the scenes with Phoenix Suns player Steve Nash as the crew shows how they used actors, green screen, and special effects to successfully combine old home footage with compelling new footage in these fun basketball commercials. Click the FULL POST to watch the other NBA Videos.

When I shoot video I like keeping things simple but after watching this tutorial, I feel like I may have to use this technique in my next production. Instead of lighting a stationary background to perfection, why not take a few RAW images and create the perfect setting in Photoshop.

Ben Von Wong just sent over a quick video explaining his latest band photoshoot. Their isn't any actual video footage of the shoot (feel free to scold him for that) but Von Wong does a great job of explaining his process without it.

The other day I came across a popular video on Vimeo right now that featured an amazing new projection technique hitting large buildings across the world. The art is called 3D Projection Mapping and the effect is really cool. By creating 3D graphic models and merging it with video and stills shot on green screen, these artists are able to project dynamic sequences onto buildings in a way that makes them come to life. Everyone from Samsung, Adidas, and Toyota have used 3D projection mapping for advertising, and the results are spectacular. Ralph Lauren recently created a 3D Projection Map sequence for their 10 years of digital innovation runway show in NYC and they filmed a great behind the scenes video. Click the full post to see the final video and several other amazing videos.

While browsing Creative Motion Design's blog I came across an eye catching ad for Sony's Bravia series of HDTVs. The complete video directed by Superfad had elements of slow motion, CGI effects, graphic design, animation, and photography. Luckily the good people over Hype Communications put together a make of video on how Superfad and the entire creative team was able to piece together this amazing Sony marketing ad. Below is the behind the scenes video; click on the full post to watch the final product.

We've featured Aaron Nace before here on Fstoppers and again he delivers with a really creative composite photo. I'm not exactly sure what the theme is on this one but it's definitely some sort of love story gone wrong. The final image is included at the end.

Michael Nichols is a photographer for National Geographic who was recently faced with the task of photographing a 300 foot Redwood in Northern California. In order to capture the tree in all of its glory, Michael had to use 3 Canon 1Ds Mark II cameras, several pocket wizards, a cinema dolly system, and dozens of bracketed photos all shot at f2.8. Each full image of the tree took over 1 hour to complete and in order to capture the perfect photograph of the tree Michael and his team photographed the redwood over 18 days. The video below shows a quick recap of the project and the second video in the full post explains in detail how he was able to overcome all the obstacles required in creating this 18 meter tall image.

I'm not a huge fan their style of movies but I can totally appreciate the talent that Pixar puts into each of their projects. If you are at all interested in 3D animation, movie production, or incredible offices, this video is for you.

If you are not already subscribed to Freddie Wong's YouTube channel, you should go there right now and watch one of Youtube's most popular animators. Well this week he has created a really simple video called The Freeze Shootout and has provided a quick behind the scenes video on how he did it. Watch the full video here and click on the full post to watch how he created it.

We've featured the work of David Nguyen in the past and this time he has taken his whole production to new level. In his most recent photoshoot, Whispers in the Wind, David takes his creative team out to a desert and creates some really inspiring composite beauty images. The theme is sort of a Chinese New Year, and David has included wild elephants, tigers, rabbits, and birds into the final shots. I love it when artists take a concept to the max and really push their own creative aspirations. If you have not checked out David's portfolio, you are really missing out. Now if only we could get some BTS on how he made these composites!

The biggest problem with photographers today is that we don't actually get out and shoot enough. It's so easy to watch videos of others being creative or wait until we have that next magical piece of gear before we plan a shoot. What happened to taking pictures and being creative because that is what we love to do? Calle Hoglund did just that. He had an idea one night while his buddies were over and he shot it that night. Luckily for us, he also filmed his progress, enjoy.

If you've ever seen one of those movie or tv show posters then you probably already know that they are usually huge composites of every actor. But that doesn't always mean that the different characters are simply shot against a white background. Check out this fun video featuring the cast of House season 6 as they pose for different promo shots in a studio large enough to fit an old motorhome. Photographer Florian Schneider has an excellent site to browse and even has an image or two from this shoot posted.

Kam Khan is most well known for his incredible self portraits but he decided to mix things up with his newest shoot. In the video below, Khan shows us how he brings clothing to life with some strobes and photoshop work. The video is by no means a big production but the concept is a pretty unique idea. Check out his full blog writeup here. <

Every now and then we come across a behind the scenes video that falls somewhere between the scope of photo/video production and computer graphics/animation. As creative artists, we need to be able to pull from a library of visual inspiration regardless of its original context. Even though I'm not a gamer by any stretch of the imagination, I've always been fascinated by the commercials I see on television or the "movie" posters I see promoting the latest state of the art video games. Check out what Blizzard Entertainment created for the World of Warcraft: Cataclysm trailer; it's pretty amazing what can be done not only graphically but also from an advertising point of view. Click the full post to see the final trailer for one of the most mocked popular video games of all time. <

Dave Dugdale has been an Fstoppers reader for a while now but I had not come across his own useful site Learning DSLR Video until yesterday. He left a comment on one of our videos and I clicked on his site to check it out (yes we actually check out our reader's sites). When I saw one of his videos I immediately emailed him and asked if he would teach me how to colorkey footage in Premiere. Now Dave is not a photographer at all but rather an audio engineer, and what is so cool about his videos are that they document his progression into the field of videography. As a professional photographer myself, I feel like I'm in the same boat as Dave and I'm sure a lot of you guys feel that way too. Dave is filming on a Canon T2i and editing on Premiere CS5. If you are just getting into audio or video, stop by LearningDSLRVideo.com and check out some of his work. Hopefully you can use this information for your own BTS videos; I know we are going to do this soon on one of our FS Originals in the near future. <

This video is already a year old but that doesn't mean it's not worth posting again. I was really impressed with the cinematography work and the amazing detail in the composition...and then I realized it was all completely fake! That's right, Alex Roman doesn't create that horrible Transformers CGI; his computer graphic designs are true works of art. Click the full post to see a breakdown on how this was designed as well as Alex's latest creation which features more "organic" material. If you are young and want to retire early, learn how to create this ASAP!

The Third & The Seventh from Alex Roman on Vimeo.

Fstoppers reader Marcin from Poland sent me an email with one of the coolest BTS videos I've seen in a while. If you were like me, you might not have heard of Batelco before. Batelco is a major telecommunications company based out of Bahrain. I've never seen such an elaborate commercial for a telecommunications commercial before, and with a budget of 1 million dollars and a production time frame of over a year it might be a while until someone outshines this ad. I've attached the first trailer here on the front page but be sure to hit the full post for a second trailer and a nice behind the scenes video. If you want even more super in depth BTS footage from this commercial check out the Batelco Facebook Page where they discuss each individual segment in great detail. <

One of our forum members recently posted this and I am so glad that he did. Arev Manoukian create "Nuit Blanche" about 9 months ago and I am shocked that I had never seen it. This may very well be my favorite short film of all time. View the incredible finished product below and then view the full post to see the BTS.

Nuit Blanche from Spy Films on Vimeo.

This video might be on the fringe of what most photographers and videographers are faced with in their own field but I found it really interesting. The whole idea of modeling a modern Mickey Mouse with the classic animations we have grown up watching reminded me of how important it is to really study the details of your predecessors in order to copy or move past what they have already created. Sometimes I feel like a lot of photographers simply follow the lighting they see on a particular blog and expect to have the same results of well known photographers in their own projects. More often than not, what you wind up finding is your final image is no where near as good as the one you've tried to emulate. You really have to take the time to study your craft to make compelling art, and that's exactly what the animators for the new Mickey video game did. Enjoy! https://www.youtube.com/watch?v=KecvgXzSWOI<

Stefan Segers is a commercial photographer from the Netherlands. Although all of his website is in Dutch, he was nice enough to produce a behind the scenes video in English just for Fstoppers. Stefan explains from start to finish how he created the artistic look for the lastest Pajar campaign. I really love this straightforward behind the scenes video because Stefan's approach is pretty simple but very professional in it's final execution. <

We have all seen standard stock photography before and most of the time its not so good. John Lund shoot stock, but it is unlike anything else you have seen before. Check out his quick interview below. ><

I am a huge fan of the technology behind movie special effects. Here is a quick look behind the scenes of the movie John Adams. It's amazing what is possible these days. <

Andrew Roshka doesn't like to shoot the average portrait. Instead Andrew begins with an idea and a drawing. He then brings this concept to life no matter how complicated that may be. Check out this great BTSV on his very in depth shoot.

fstoppers.com bts Andrew Roshka - high res from Andrew Roshka on Vimeo.

Ok, not REALLY, but that was the concept for the shoot. I like this BTSV for 2 reasons. First, he has a concept. So many photographers just take headshots of girls and forget about coming up with any sort of idea or theme for the pictures. Lorand Peli planned this shoot out before he ever started and it shows. The second reason I really like this video is because the finished pictures are high quality. I have seen a few contest submissions where the concept is fantastic but the finished product falls short. Enjoy this BTSV while trying not to feel dirty with all of the "interesting camera angles." <

Doug Howell just submitted his BTSV for the contest. This video is short but it packs in the technical details! It's great to see the making of a real advertisement from start to finish. Please remember to give Doug some feedback below. ><

Go behind the scenes with beauty photographer Scott Wright as he creates a print ad for McCann. There is no talking unfortunately but you can see that the lighting is fairly straight forward and I'm sure lots of work goes into the retouching afterwards. Check out the final image as Scott combines all the elements which make a typical ad you may find in a women's magazine.

Tobi, one of our readers, just pointed me to this video. This is a fantastic example of a great concept for a photo shoot. After you check out the video you can see Scott's website here. ><

Patrick Gosling was faced with a problem: how do you create an image with more cars than you have available on set? This timelapse video proves that a little creative thinking can go a long way in creating an complex image without complex lighting. Click the post to read about how he did it.

Playstation GT Academy photoshoot from Patrick Gosling on Vimeo.

Here is a very simple video of a very complicated photoshoot. I have trouble posing 1 subject but Douglas has to pose 7 guys, a truck, and a hovering helicopter. After turning day into night with Photoshop this is one successful shoot.

Swat Team Photoshoot - Douglas Sonders Photography from Douglas Sonders on Vimeo.

This video is a bit old but I know many of our readers may have never seen it so I thought I would post it. You can check out the finished images at Dave's website here.

081228 Wrestlemania 25 - photo shoot from Dave Hill on Vimeo.

I just recieved a tip from one of our readers to check out Aaron's blog. I am so glad I did because not only is his photography fantastic; his behind the scenes videos are also interesting and informative. Check out his last shoot in the woods and then head on over to his website here. Behind the Scenes - Baxter from Aaron Nace on Vimeo.

In this video Chris Benny shows us how he shot the cover for Australasian Dirt Bike Magazine. After you watch this professinoally edited video you should head over to his website at chrisbennyimaging.com to view his unbelieveable automotive portfolio. View the full post to read a message directly from Chris about the shoot and to view the actual magazine cover with this image. If you like what you see then leave a comment below.

ADB Behind The Scenes from Chris Benny on Vimeo.

I have been following Dave Hill for years now and recently he was hired to shoot a picture series for the March issue of Digital SLR Photography Magazine. Dave has an amazing style to his photography; it almost looks like an illustration. Check out Dave's website here and check out snapshots from this shoot right out of the magazine on his blog here.

090417 Girl on an Adventure - Behind the Scenes from Dave Hill on Vimeo.