Have you ever been going through the magazine rack of your local book store and just stood staring at the cover of a car magazine? No? Ok, well maybe that's just me. But when I see a photo of a blazingly fast sports car clinging to the corner of a race track it certainly piques my interest. Even if you aren't a "car person" chances are you have at least wondered how these cover shots are made.
Check out this high-resolution zoomable panoramic photo taken right after the 1906 earthquake in San Francisco. Shot from a kite 2000 feet over San Francisco Bay, the detail is jaw-dropping and the scene after the disaster is otherworldly.
Trey Ratcliff is perhaps one of the most well known and adored HDR photographers today. The High Dynamic Range images he creates are not subtle by any means and he takes no apologies when it comes to creating images he personally enjoys. In this video, Trey talks about his gear (mainly Nikkor 12-24 and Really Right Stuff Tripods) and how he thinks through his compositions as he visits the beautiful Gorda in the Virgin Islands. Watch the 2nd video in the full post
Photographing birds out in the wild seems pretty tough. Oregon photographer Jon Myers wanted to make the challenge even tougher by bringing the birds into his studio. Using large softboxes to create a space for the birds to fly, Jon was able to photograph eagles, ospreys, and hawks perfectly while in flight. The shots are spectacular, and if you click the full post you can see them shot against grey as well.
This is what it looks like when day and night meet in a single image. Including the prep time, it took photographer Chris Kotsiopoloulos thirty hours to capture the hundreds photos needed to stitch this together. The shot was taken in Sounio, Greece. It got so cold at times that he had to use a hairdryer to keep the lens from fogging up. See the full post for more details!
Our good friend Blair Bunting is at it again. This time Blair was hired to shoot the ad campaign for The Discovery Channels hit show River Monsters. The concept was relatively simple; to have the show’s host Jeremy Wade wrestling a giant fish in the shallow waters near South Beach, Florida. To do this Blair's team used a fake fish that was then replaced in post. To freeze the water with a quick flash duration and stay portable Blair used the new Photoflex Tritons.
Annie Liebovitz is probably the world's best known photographer, and in this video she's working on an assignment for Vanity Fair magazine with Matthew Broderick and Kelli O'Hara for the magazine's April issue.
Earlier today we posted a great behind the scenes video from Erik Almas that dealt mainly with shooting the elements for a composite, this video however takes you from the point where he finishes shooting, to the completion of the final image.
Erik Almas is definitely one of my favorite photographers and this behind the scenes video does a great job of explaining his process for creating his amazing composite images. I really like this video because in addition to just the photography, it speaks to the idea and inspiration behind the photography, and why they chose to shoot what they did.
If you grew up during the late 1980s through early 1990s, then you can remember the Teenage Mutant Ninja Turtles. Using a combination of action figures, about 60 hand-drawn backdrops, and over 4,000 individual images, director Kyle Roberts pays tribute to this classic cartoon with a stop motion animation. This is one you won't want to miss.
Commercial photographer Dean Bradshaw provides us with a unique perspective of his recent photo shoot for "Startrac". The shoot involved a handful of athletes being shot while mock competing in their individual sports. The athletes were shot in a controlled environment and then composited into different backgrounds in post.
Fstoppers.com has featured some great behind the scenes videos over the years and showcased amazingly talented professional photographers in our Fstoppers Originals series. Recently Patrick and I were invited to Scottsdale, Arizona to expose the secrets of commercial photographer Blair Bunting. When Blair invited us down to Loft 19 Studios, his idea was to shoot something big, expensive, and one of a kind.
Today, Pocket Wizard has rolled out the newest in their line of wireless flash triggering devices: the long-awaited update to the industry-standard Pocket Wizard Plus II, the Pocket Wizard Plus III. We at Fstoppers have been playing with them for awhile, and we're here to give you all the details, including an exclusive video look at the new Pocket Wizard Plus III. Continue to the full post to see it all. [Pre Order The Pocket Wizard Plus III Here]
At a recent TED Talk, conceptual photographer Erik Johansson broke down his approach and method into a bite-size chat. While many photographers consider their work finished as soon as they hit the shutter button, apply contrast, and upload to Flickr, Erik decides to take it further (quite a bit further, in fact). His images make you stop and think and may take a few minutes to sink in. If you're one of those who asks "yeah, but is it photography?" don't say I didn't warn you. Check out the video in the full post.
"The French Navy labeled this day a double code red prohibiting and threatening to arrest anyone that entered the water. Kelly Slater described the day by saying "witnessing this was a draining feeling being terrified for other people's lives all day long, it's life or death. Letting go of that rope one time can change your life and not many people will ever experience that in their life.""
Have you ever wondered just how many photographs are taken each day? Maybe you've wondered where the most photos are taken throughout the world. Well the GPS data tracking company Triposo has released a timelapse video that shows exactly where most of the world's photographs are taken. With the help from sites like Flickr, Dmoz, TouristEye, Open Street Maps, and dozens others, Triposo was able to plot popular areas for photography using GPS data embedded into the photographs themselves. Not only did they capture the location of the photos but also the day it was taken. Click the full post to see still shots of the most popular days people are using their cameras.
Check out this video from Corridor Digital! I love graffiti and street art, and it's a great lesson to all of us on how mixing and matching media can make an addictive, fun video. The fake door shot reminds me of so many shows and cartoons I saw growing up. If you think about it, they mixed graffiti, acting, and stills for an awesome end product. I want to see one of our readers do something similar with photo stills! I can't help but think Corridor Digital's style in this video has incredible, untapped power in the advertising world. What do you think? And which one of you is going to top this?
Amy Lynn must really want to win some of the $20,000 in photo gear we are giving away in our Behind the Scenes Contest because the photoshoot idea she came up with is one of the most original ideas we've seen yet! Amy wanted to create a fashion image with a twist. Her plan was to take a bunch of photos of her friends in a circle and stitch them together in a way that would allow the viewer to pan around the scene in full 360 degrees. I wasn't quite sure how the image would turn out when I first started watching her video but the final product is pretty impressive. I've embedded the final image HERE so make sure you check out the full post to see how awesome this turned out. If you have any questions for Amy about how she created this awesome fashion image, leave her a comment below. We wish Amy and everyone else who has entered this contest so far the best of luck!
We are heading into the final stretch for our 2011 Behind The Scenes Contest and someone is about to win a truckload of gear! The latest video that caught my attention was from LA photographer Mike Kelley. Mike has been featured on our site before but in case you missed that post, his portfolio is full of some pretty kick ass commercial images of buildings and outdoor environments. So it was only fitting for his contest entry to showcase how he approaches an outdoor commercial architectural shoot. Mike uses a lot of exposures and some well thought out accent lighting to create a composite image that looks really nice. As much as I love this video, Mike won't win this competition by impressing anyone here at Fstoppers. Instead his video has to make a lasting impression among our celebrity panel of judges. If you have any questions for Mike, leave them in the comments below.
I just realized that our Fstoppers Twitter account has tons of unread direct messages (we prefer you email us). One of them was from Douglas Sonders who had a crazy experience with one of the original Ghostbusters Ecto 1 Cadillacs. These caddies have so many lights on them that I can't make any sense of what is going on but it looks pretty cool. Douglas does a good job explaining how he plans on using a few long exposure shots to burn in the ambient light while using spot grids to pop in just the right amount of flash for specific areas of the photo. Does anyone know if the Roscoe Fog Machine in this video is made by the same company that makes Roscoe Speedlight Gels? Either way, nice touch on bringing the smoke machine to the shoot. Check out more details about this shoot over at Douglas Sonders's Blog.
It seems every week someone is producing a piece of art that pushes the limits of both technology and also creativity. One trend has been to create commercials and videos completely in camera with minimal post processing. The new music video for Kina Grannis completely blows my mind! Director Greg Jardin worked with Kina to produce a music video that features "jellybean art" in a stop motion sort of way. The video is not only incredibly entertaining but by creating such an interesting video, Kina has found a way to spread her talent to a much larger audience (almost 2 million people at the moment). Even if you may never create something that requires this much work, as a creative professional you should always be thinking of a clever way to share your work to a larger audience. Check out the video below and then click the full post to watch the making of video.
Jay P. Morgan is a commercial photographer based out in Los Angeles. His behind the scenes videos have been a hit with our readers because they always feature some useful lighting or photoshopping technique. In his latest video, Jay shuts down a highway ramp in order to light an 18 wheeler truck against the LA skyline. It's pretty interesting that an image like this is shot in camera and not completely photoshopped but that's what makes Jay P. Morgan a hero around the office. If you enjoy this video be sure to check out some of his other videos here.
Joel Grimes is a commercial advertising photographer who is most known for his composite portraits. In his recent interview with [Framed], Joel discusses how he got started with his career, how he uses 16bit HDR images in his workflow, does a full photoshoot, and even shows off his musical talents. The video is long so take your time watching it because he gives a lot of useful tips. I'm trying to persuade Sean Armenta to create an Fstoppers Post Production Tutorial on this type of composite editing so if you have questions leave them in the comments below.
Jay P Morgan is a commercial photographer out of California who has a history of creating some of the best most educational behind the scenes videos out on the internet (click here to watch tons of them). In this video Jay explains how you can shoot athletes in a studio environment and composite them into any scene easily and effectively. I want you guys to take note of how Jay breaks down his photography approach and offers concise and detailed information about his shoot. If you are interested in winning our Behind The Scenes Contest (and instantly having a studio of your own), you are going to need to explain your process thoroughly and in an interesting manner. Also be sure to check out the full retouching video on Facebook to see how everything was pieced together in post.
The amount of effort that went into Sony's 3D commercial Two Worlds is pretty unbelievable. I've watched this video twice now and still don't know if I know what I'm seeing. The creative team filmed the actors at 2500 FPS which required more than half a million watts of lighting and some of the largest fabric grids I've ever seen. Then using green screen, they filmed tons of slow motion projectiles to help their CGI team in the rendering of the background and moving elements. Because super slow motion video often looks fake even if it's real, making sense of what is real and what isn't real in this video is what makes it so interesting to me. Check out the video below and click the full post to see how they created this commercial inspired by the legendary Leonard Cohen.
Awhile back we shared a few videos of photographers intentionally throwing their cameras in the air. Well now the Throwable Panoramic Ball Camera actually makes that feat much easier. The new camera allows photographers to create 360 degree images with 36 individual cameras arranged in a buckeyball shape (any organic chemists out there?). Using an accelerometer, the spherical camera takes a photo at the apogee when there is the least amount of movement for surprisingly sharp images. It's also made of soft collision material which just begs you to throw it at someone's face or fling it with a water balloon launcher. The whole project is pretty interesting, and you can read more about it on Jonas Pfeil's website.
Now this isn't your normal behind the scenes video. The guys over at Jess3, a creative agency, were asked by ESPN to create a video that explains how the Nielsen television rating system works. I know it sounds a bit boring but it's actually pretty interesting to see how it works especially if you've ever wondered how in the hell Two and A Half Men is rated as the top tv sitcom on the air for the last several years. Check out the behind the scenes video below on how director Mark Kulakoff created this 70s concept and employed his "2.5D" vision into the final production. Click the full post to watch the final ESPN mini show.
Eric Curry is a photographer who specializes in painting with light. Unlike using strobes to exposure your photos, painting with light requires you to use long exposures and constant light sources to effectively "paint" over your subject and capture it on your sensor. The newest image in Eric's American Pride and Passion series is one of the most complex light painting images I've ever seen and the behind the scenes video shows just how much work goes into such a big project. Click the full post to see the final image and be sure to click on Eric's website to see many more examples of his layered light painting photographs.
Ryan Enn Hughes just submited his entry for our BTSV contest and it is quite impressive. Ryan teamed up with The Big Freeze and set up 48 D700 cameras in a circle and then fired them all at once as dancers did their thing. The photographs are pretty cool on their own but the real magic happened in post during the editing phase when Ryan teamed up with sound designers at Zelig Sound to create two incredible 30 seconds videos. Obviously this is an extremely high budget project but our contest will not be judge on that so don't be discouraged if you don't have 48 $3000 cameras to play with. As always, you can check out all of the submissions to our contest as they come in here on our forum.
Strobist has an interesting article by architectural photographer Mike Kelley. Usually exterior shots of homes and buildings are simply too large to effectively light with speedlights or big power packs. The tried and true method of capturing a great looking exterior shot is to turn all the lights on in the building and wait for the ambient sky light to match the build's artificial light. In the behind the scenes video below, Kelley shares his "selective lighting" technique and how it can be combined with multiple exposures from a small Canon 430EX to produce a sort of hero shot for publication. Click the full post for the final images.
I have to thank Tyler Kaufman for turning me onto this next video. Sports photographer Peter Read Miller recently shot some of the top NCAA college football players for the latest issue of Sports Illustrated. There really isn't any super informative information in this video but it's still great to see how the top photographers in the world pull off cover material for magazines like Sports Illustrated. From the video, it appears that these shots are lit with only 3 light sources: One large parabolic reflector as a key, one smaller parabolic reflector as a kicker, and a spot gridded flash head for a rear rim light. If you've ever shot in this style you know that small hard rim/kicker lights can really edge out your subject. If you click the full post and look at the super high res final image you can see how the larger side light makes the highlights broad but still harsh. It's easy to think that a barebulb speedlight to the side of your subject is sufficient for a rim light but adding that one extra modifier can really make a huge difference in your final result.
A big part of what makes commercial photography so interesting is it often requires photographers to incorporate the latest graphic trends into their work. In other words, in order to cut the mustard in commercial photography, you not only have to be at the top of your game but you also have to produce something eye catching in a market full of interesting media. That's exactly what photographer Gary Land did with his latest Adidas ad featuring soccer superstar Lionel Messi. However, his arsenal of Profoto lights and heavy photoshop has caused a bit of controversy over on the Strobist website where many photographers are claiming the final image is a bit overkill. I personally love the final image and think the direction Gary went is exactly what separates the boys from the men. However, I can appreciate the purists point of view who think great advertising photos should remain true to real life and capture a more realistic vision. Check out this great behind the scenes video of the latest Adidas shoe ad and let us know what you think in the comments. Check out Gary's interesting website as well for more inspiration.
Nobody's face is perfectly symmetrical but it's very difficult for our brains to notice the differences in each side. Jesper Petersson recently worked on a unique project that involved shooting a group of people and then using each side of their face to create two new, perfectly symmetrical faces. It's really shocking to see how different each side of a face can be.
Telstra, an Australian wireless carrier, recently produced an ad for the Motorola Zoom tablet. Instead of creating everything with computers in post, the team created most of the moving sets by hand. The question then becomes; was their effort worth it? Can consumers even tell that much of this is real or does the average person consider everything to be fake these days? Although this was an amazing accomplishment, I'm not sure it was worth the extra effort.
In this weeks episode of The Slanted Lens, Jay P. Morgan shows us how to light and photograph a glass bottle. This video is also about superimposing products into real scenes so that the product looks it's best. Tutorials like this are priceless for anyone who is interested in product photography. Glass can be extremely tricky but Jay makes things super simple for us.
If you have seen Peter Lik's work in person then you understand that it's impossible to put into words the look and quality of his prints. Peter's photography (and his post production) is fantastic, but what really makes his work stand out is his printing and presentation. If his images were printed on standard photo paper at a standard size, his work would not have the same "wow" factor.
Usually when I hear someone is shooting a sexy calendar my stomach churns a bit as I imagine poor photography, less than stunning models, and ridiculously boring scenes. Thankfully this military themed calendar from Hot Shots is definitely not one of those poorly executed photoshoots. The final images are not yet public but they do have a bunch of them within this behind the scenes video so watch closely. The lighting is perfect, the photoshop is inspiring, and the amount of production value everyone put into this is something everyone should notice even if you aren't shooting sexy military bikini babes (which who isn't really?). If anyone comes across more of the final images let us know. In the mean time, enjoy a break from your typical Tuesday afternoon!
Hurricane Irene is battering the East Coast of the US right now which has left many stuck in their homes browsing the internet for storm updates. One particular story that has filled my facebook news feed and was tweeted by CNN involves a shark swimming in the streets of Puerto Rico. Apparently the shark was swept up by Hurricane Irene and trapped inland on flooded streets of the Caribbean island. But something about the photo seems very suspecious. A few weeks ago Fstoppers correspondent Reese Moore interviewed photographer Thomas Peschak and one of his most famous images features the same shark making headlines today. Coincidence or is this shark just hungry for more media attention? Click the full post to see the two photos and you be the judge.
If you are a fan of iphone photo apps, huge CGI production movies, and sexy girls fighting with mystical powers then you will probably love this behind the scenes video. The Demon Cam is an iphone app that allows you to turn your face into a demon zombie. In order to promote the release of the Demon Cam, the guys over at Video Copilot created an unbelievably complex promo video that showcases how the application works. The behind the scenes video has a lot of CGI and chromakey trickery but it also has a bunch of clever ideas any photographer could use in their own productions. After reading the reviews of this app and seeing the amount of work that went into the opening video, I'm kind of curious to see what a Patrick Hall demon would look like. Click the full post to see how everything came together in the final video and head over to the app store to pick up the $.99 iphone cam.
Now I'm not exactly sure what the "largest stop motion animation" actually means but there is no doubt this video is pretty spectacular. You may remember Aardman Productions from our post on the world's smallest stop motion video which is equally as mind blowing. This time they decided to use the beach as their canvas and film the entire animation on a Nokia N8 cell phone.. It's pretty amazing to think how much work went into changing each frame on a set this large especially with tourists and tides. Check out the video below and then jump to the full post to watch how they created this clever cell phone commercial.
Within 24 hours of announcing the Fstoppers 2011 Behind The Scenes Video Contest, we were shocked to already have our first submission. Marc Kuyer from Holland had an idea to have small model cars battling each other like they were straight out of Rock and Roll Racing (super cult classic). Marc does a good job outlining his plans and showing you all the photoshopping that went into this final image. Of course we'd love to see everyone on camera but sometimes with language barriers you may have to stick with subtitles and text. So I guess it's safe to say right now Marc has taken the lead in our contest. If no one else steps up to the plate he will be moving on from small speed lights to a full studio worth of equipment!
We have featured a lot of Dave Hill's unbelievable photoshoots here on Fstoppers. So when I saw his Adventure Series posted over at Strobist I thought it was an older video. Oh how I was wrong....way wrong! In his latest video, Dave Hill places his composite images into an After Effects type environment and lets you see every layer and all it's photoshopped glory. The video outlines all 11 images so it's a bit long but you will probably still find yourself watching all of them in wonder. This video was also a great reminder that Dave is to work making behind the scenes videos so you will probably see a lot more of him in the near future. What do you guys think? What is your favorite image from this series?
German motion graphics studio Sehsucht recently created a fantastic promo video for o2 Think Big. Unlike most commercials today, these guys decided to do almost everything by hand. Check out the finished product below and then the BTSV in the full post. I bet you will be pretty surprised by what is "real" and what isn't.
Maybe I'm behind the times but when I came across this video sponsored by Red Bull Illume, I had no idea what I was about to watch. Photographer Dan Vojtěch teaches you how you too can make a moving lenticular image while he photographs professional wakeboarder Sasha Christian. The software he uses is the 3D Masterkit by Triaxes if you want to try to create one of these yourself. It's definitely a cool effect especially when you can get different shots of your subject in the exact same pose.
Peter Langehahn is a photographer from Germany who approaches most of his images a bit differently than most of us. Instead of photographing a single moment, Peter captures the "collective scene" of an entire event. Standing at just one vanishing point, Peter takes panoramic images throughout each event and combines them in a unique composite image that features the best moments throughout the day. Sometimes these images total over 3000 captures and the edits can take up to 60 - 90 days. I must say I've never seen anything like this but it's definitely a way of branding your own photography into something no one will forget. I'm sure someone out there has done something like this before; what are your thoughts on this technique?
Every now and then it's fun to go back in time to see how photographers approached photoshoots requiring a large amount of production. Back in 1988 Brian King was on the cutting edge of digital photography with his use of Sitex imaging computers. Well before the advent of Photoshop, Brian was able to piece together multiple images by scanning negatives and turning them into primitive digital media. By today's standards, the final product is pretty comical but this is what the first results of 'digital photography' looked like in the advertising world. I have to say, if a single photograph took this much effort and planning today I would probably have given up on commercial photography a long time ago.
This video was recently featured on Strobist but since we've been getting so many emails about it I figured we'd share it with those of you who missed it. David Myrick decided to try something rather strange when the electronic group Glitch Mob strolled into his studio. Basically he shot portraits of the band members on a white seamless background and then projected those images back onto the artists as they wore white clothing. If this sounds confusing just watch the video and it will all make sense. Fresh ideas like David's "projection technique" continues to inspire me in my own work. What do you guys think - anyone tried this technique before?
Here's a clever idea... EA decided to make the cover shoot for Madden 2012 a promotion in itself. How did they do it? Well they created a studio in the center of Time Square in NY and allowed thousands of people to watch the photoshoot take place live, and in person.
Have you ever seen a car ad in a magazine and wondered "how did they do that?" The car itself seems to be glowing and the location is always perfect. I've always known that tons of photoshop is involved by I didn't know if the car was actually shot in that location or if it was shot in the studio and dropped into the scene in post. In the case below, the car was shot on location and lit with a very simple rig (umbrella on a stick). The magic happens in Photoshop afterwards.
Have you ever tried to shoot an interior photograph and have it look like the shots in magazines or high end property brochures? If so then you probably know there are two routes to go: HDR or Flash. Photographer Dom Bower recently made a video showing the differences in both techniques and how you can combine them both to create a sort of hybrid image. Keep in mind that Dom is only using one single speedlight directly above the camera. Many of the amazing images you see for high end hotels and expensive properties often have dozens of light sources accenting very specific elements in the image. What techniques have you guys used in your interior photos? If you have examples, feel free to post your images in the comments below and check out Dom's final photos in the full post.
![[Pano] Incredible Panorama of San Francisco After The 1906 Earthquake](https://cdn.fstoppers.com/styles/med-16-9/s3/wp-content/uploads/2012/05/san-francisco-earthquake-photo.jpg)
![[BTS] How To Create HDR Images Using Bracketing With Trey Ratcliff](https://cdn.fstoppers.com/styles/med-16-9/s3/wp-content/uploads/2012/05/how-to-photograph-high-dynamic-range-HDR.jpg)
![[Behind The Scenes] How To Photograph Birds of Prey In The Studio](https://cdn.fstoppers.com/styles/med-16-9/s3/wp-content/uploads/2012/05/photograph-birds-in-studio.jpg)
![[Pics] An Incredible 24-Hour, 360º Panorama](https://cdn.fstoppers.com/styles/med-16-9/s3/wp-content/uploads/2012/04/625606-stunning-photo-of-day-and-nightb1.jpg)
![[Video] Shooting The Ad Campaign For Discovery's River Monsters](https://cdn.fstoppers.com/styles/med-16-9/s3/wp-content/uploads/2012/04/rivermonsters.jpg)
![[BTS] Annie Leibovitz Shoots "Nice Work If You Can Get It"](https://cdn.fstoppers.com/styles/med-16-9/s3/wp-content/uploads/2012/04/NICE-WORK-Vanity-Fair-April.jpg)
![[Workflow] Complete Erik Almas Composite And Edit In 3 Minutes](https://cdn.fstoppers.com/styles/med-16-9/s3/wp-content/uploads/2012/04/322944_10150302721643040_138840323039_8014908_327863495_o.jpg)
![[BTS] Erik Almas Shoots An Amazing Composite For Credit Suisse](https://cdn.fstoppers.com/styles/med-16-9/s3/wp-content/uploads/2012/04/almas.jpg)
![[BTS Video] Take A Walk Down Memory Lane](https://cdn.fstoppers.com/styles/med-16-9/s3/wp-content/uploads/2012/03/teenage-mutant-ninja-turtles.jpg)
![[BTS Video] Dean Bradshaw Lights And Composites A Variety Of Athletes](https://cdn.fstoppers.com/styles/med-16-9/s3/wp-content/uploads/2012/03/dean.jpg)
![[FS Original] Shooting The Lamborghini Aventador With Blair Bunting](https://cdn.fstoppers.com/styles/med-16-9/s3/wp-content/uploads/2012/03/aventador-wallpaper.jpg)
![[Video] Erik Johansson Discusses His Mind-Bending Photography](https://cdn.fstoppers.com/styles/med-16-9/s3/default_images/default-image.jpg)
