Von Wong, who you should all know by now -- if not from us, then from the million and one places he scurries around the world and online -- was given a challenge by a friend, Sebastien Roignant: "To shoot and edit an insane image involving two orcs, a witch king, warrior, villager and a cinema theatre...all in 4 hours without having any information ahead of time." Von Wong is also up for a [Framed] award for best conceptual photographer this year. Vote for him here.
My buddy, Eric Doggett, is one of those commercial photographers that I want more people in the community to know about because he is very talented. Every holiday season, Eric will create a Christmas card using composites of himself and his family. This year, he took a page right from one of my favorite movies, Back To The Future. He created a fantastic in-depth tutorial video on how he created this year's holiday image form scratch.
About a year ago, we featured the work of Joel Robinson here. He continually pushes himself to produce better work each time we see more. Here are a new set of conceptual photos that will hopefully command your attention and interest. The mood of his work is always surreal. Although these photos aren't a cohesive series, each of them seem to tell their own stories.
If you've watched the TV series "Grimm," you may be curious how the mythological creatures from Grimm's fairy tales make it onto screen. Bent Image Lab, the production company behind the cg creations of the show, explains their process of transforming characters into creatures and adding a fantastical element to each episode.
Marvel's 'The Avengers' is the top grossing movie of 2012 and the third of all time, ensuring that the superhero genre of movies are here to stay. Industrial Light & Magic have finally released the behind the scenes and walkthrough for the post production on one of the most amazing scenes in the movie, a long take of all the heroes fighting off the Alien horde that is uninterrupted and seamless with New York City as its backdrop.
Al Magnus is a brilliant digital manipulator. His creations are so fascinating, they just seem to keep drawing me in due to the peculiar stories they tell. His work some of the most well executed conceptual digital art I have ever seen. Al has been working with the digital medium for over 12 years now and I believe his work speaks for itself."I was ten when I first discovered photography and waseven then fascinated by the light that B & W prints suffused.
Gavin Hoey with AdoramaTV put together this simple yet informative video that includes beginner tips on techniques for bracketing your aperture, finding different materials for textures, and finally bringing it all together in Photoshop. Gavin shows how he works in Photoshop to transform images to make them fit your composites in a more pleasing way, and also uses blending modes and layers masks to make the textured vignettes fit his images.
To shrink the hobbits in "Lord of the Rings" was not a simple feat for Peter Jackson, it took a lot of set crafting and perspective tricks. Instead of going through those extra hoops for the recently released "The Hobbit," Peter and his team took a different composite approach to the process of resizing the actors. Our friends at Popular Mechanics detailed how the results were achieved.
More young people are getting into photography every single day. Luckly, not everyone with a phone and Instagram thinks they are photographers. Marcus Bitsch is one of those young kids who picked up a real camera and starting creating awesome images. From floating with bubble gum to being out in the middle of the ocean with nothing, he covers all sorts of locations in his current 365 project and he is doing very well with it.
I'm sure by now most of you have tried to attempt a composite. I know when I first started to piece them together I was left with what could only be described as a cheesy mess that should not even be called a photograph. There are so many intricate details that go into making a believable composite. Perspective, color matching, how good a selection you made,ect... all play a important role in having a finished product. After several failed attempts at composites I gave up. Then I came across this tutorial. It gave me hope that maybe I can make a believable composite.
The guys over PHLEARN have a lot of cool content, and this is their most recent. The original idea for this photo shoot was inspired by childhood, drawing on references from stories such as “Where the Wild Things Are” by Maurice Sendak and the classic comic strip “Calvin and Hobbes." The result is a playful look at the imagination of a child.
When I watched this video this morning from London-based film production company Make Productions my mind was blown, my jaw dropped and I just kept thinking about all the detailed work that went into creating such an amazing parallax sequence - all of which was executed perfectly. Take 90-seconds today and be sure to check this out then read on below to find out more details about how it was created.