Composite

How I Use Adobe Stock as a Professional Photographer and Art Director

Let's chat about stock photography. I've used stock sites for nearly a decade while working as a designer and commercial photographer with great success. Most of the options I used in the past left a lot to be desired, which is why last year, I switched over to Adobe Stock. I made the change for many reasons, but the most important was their integration into Adobe Creative Cloud.

Stranger Lamborghini: BTS of a Pepper Yandell 'Stranger Things' Project

NO SPOILERS HERE! Just in case you were worried. They say inspiration can come from anywhere, and I have to say that definitely couldn't be more true. For one photographer, it came in the form of one his favorite TV Shows. Commercial automotive photographer Pepper Yandell took his work with automotive photography and digital retouching, and combined it with imagery and concepts from the Netflix Series "Stranger Things" to make a truly unique photograph featuring one Lamborghini, and a monster from the show.

Panoramas From Capture to Post

Thomas Heaton created a new set of videos last week about one of my favorite topics and shooting styles: landscape panoramas. I love photographing night skies and landscapes this way and the technique overall is very simple yet can give fantastic results. The best time to start learning how to shoot panoramas is during the day and Heaton takes us through his photography of a great autumn scene and explains what, why, and how he is capturing the images before he goes into his post processing.

An Interview with Digital Artist Antti Karppinen

Antti Karppinen is a digital artist, photographer, retoucher, and instructor from Finland with a unique eye for visual storytelling through photography. His work relies on traditional photography skills combined with an active imagination and complex Photoshop editing work to create fantastical images. He spoke with me about his work, process, and the inspiration behind a couple of his most popular composites.

Creating Composites With Multiple Exposures

Sometimes our creations behind the camera simply cannot be taken with just one frame, or perhaps you cannot travel to the destinations that would work perfectly with your concept. This is why some photographers choose to composite their images. Antti Karppinen shows off his most used composite image technique from his latest project "Kuopio Inspiration is a Force of Nature."

Twelve Photographers Come Together to Create a Heart Warming Fantasy Book For Sick Children

The Get Well Tree is the latest touching project from the talented collaboration The heART Project. Many of the previous projects have been featured here. Each one brings amazing artists and sponsors together to help bring love and smiles to a family that has experienced some form of hardship. This time the project follows two childhood cancer survivors on a fantasy journey through a dream-like world. 12 photographers came together to create a 14-page photo storybook staring these two heroic little girls.

Make the Clone Stamp Tool Aware of Your Image's Perspective

The Clone Stamp tool is without the shadow of a doubt one tool that everyone who works with Photoshop uses on a regular basis. It’s quite an incredible tool, and it can help save some tiny mistakes without too much work. Despite being easy to use, there are times where it doesn’t do exactly what we’d like it to. For example, in the case of recreating a pattern or texture that needs perspective correction, the tool won’t match your image vanishing point to the T. At least that’s what we are usually taught when learning Photoshop. However, there is a way to make the clone stamp tool smarter and correct the perspective for us.