One of the most powerful ways to take your landscape photography to the next level is to blend — or “composite” — exposures of the same landscape from different times of the day.
While we are inundated with beautiful images of the northern lights online and on social media, I think it's safe to say you've never seen aurora art like this before.
The spookiest day of the year is upon us and it might have you in the mood to create something frightful. Photoshop, of course, offers nearly limitless creative opportunities to scare your social media followers, but what if you'd rather create something horrifying using practical effects rather than digital?
When shooting the night sky, we are looking at points of light that don’t always resolve well with the lenses we have in our bag. Whether the lens is a top-of-the-line “L” from Canon or a third-party lens that cost 1/10th the price, they may both have issues with coma and astigmatism. Here's what you can do to fix these issues and not be stuck with an underperforming piece of glass.
One of the more common areas to apply a bit of photo composite work is of course in the sky. Often, Mother Nature will opt to ignore our photographic needs. The good news is you can overcome this with a little help from Photoshop.
For those of you who don't know Hasselblad, it may be a word you begin to hear. That being said, this video goes to show that over the course of time, Hasselblad has lived up to their motto, "Create to Inspire."
What should a photographer do when surrounded by thousands of dead fish, some of the fastest ocean tides in the world, and wild bears that want to eat anything in sight? You take a deep breath and attempt to capture the beautiful scenery. Welcome to Valdez!
This week's Lighting Breakdown will focus on composite images, breaking down this specific fantasy image as an example for what you need to do to create believable composite lighting.
How does one — and, indeed why would one — combine fried chicken and a Space Shuttle in Photoshop? Find the delicious answers in Tutvid's latest tutorial.
When photographing commercial interior images, a common issue is an unsightly glare on reflective surfaces. Removing these reflections by compositing image layers significantly improves your images, separating you from the pack of "run-and-gun" real estate and interior photographers.
When you're working on composites, there are many variables that you need to attend to to make the final result convincing, matching colors being one of the most important. It turns out that Photoshop has a built-in tool to help you do this automatically.
Composites are one of the best ways to give your image a whole new look and feel. It can take something from the ordinary to the extraordinary. Understanding how to create these images to stack in a realistic way is all about understanding how to blend your subject seamlessly.
When photographing interiors, flash is your friend, but a friend who needs some management. While flash brightens rooms, reduces glare, and brings out true colors, it can also produce the frustrating issue of ugly shadows.
After the traumatic loss of her son in a terror attack in Barcelona last year, an Australian mother found solace in composite superhero artwork created by a total stranger.
