First off, some Fstoppers readers who follow my articles may be confused right now because I am posting an automotive retouching tutorial. For those who don't know, I used to do quite a lot of automotive photography work from 2011-2013 or so, and these days I still take the occasional car job here and there. But what I was so grateful for in 2011, when I started in this direction of editing, was that I was already very familiar and comfortable with Photoshop's pen tool - the ultimate weapon in automotive retouching (and more).
Maternity photos can be difficult. Shooting them isn’t different than an engagement shoot or senior portrait session, but the challenge is avoiding clichés. The typical husband’s hand on his wife’s stomach shot or the husband’s beer-belly imitating his pregnant wife’s are far too overused. Along those same lines, it’s easy to fall into the same category of clichés in other areas of photography. For example, with landscapes, Antelope Canyon is unlikely to gain you praise. Unless you’re Peter Lik, your photo isn't going to turn heads. With maternity photos, a new perspective is much needed.
Resource Magazine has a big issue out this quarter: Bill Nye is telling the world why photography will save it. Want to know the answer? You're going to have to grab this fall's issue of Resource. But a behind-the-scenes video of the photo shoot for this feature's spread shows just how much compositing there is in modern-day photography. Composited or not, the video is a quick, interesting look into a neat shoot with science's most famed personality.
From photos of Pluto and its moons to constantly expanding catalogs of images of our planet, NASA's releases seem to be never-ending lately. The latest epic space image, however, comes from German astronomers from Ruhr University Bochum. At a massive 46 billion pixels and a unwieldy 194 gigabytes, the image unseats the previous record holder for the largest photograph of space: NASA's 1.5 billion-pixel Hubble photograph of Andromeda.
How many times have you seen that popular meme that inaccurately says today is the "Back to the Future" day? Well today, October 21, 2015, is in fact the true date Marty McFly set as his future destination in his time traveling DeLorean from "Back to the Future II." To help celebrate this iconic date as well as the 30th anniversary of the original film, the production company Full Frame did this awesome photoshoot where they explore the capabilities of time travel. Check out the full behind the scenes video in the post below.
As New Horizons has shown us, the geniuses at NASA are not only solving the mysteries of the universe, they're also capturing its beauty. Just like you and I, though, they don't just publish those images straight out of camera. Read how Photoshop helps NASA to fully represent the universe in all its awe-inspiring beauty.
Ryan and Josh Connolly of Film Riot always brings us the coolest do-it-yourself filmmaking and special effects tutorials. In this "rewind" episode (read: old) they show us how to create the killer effect of throwing someone clear across the room. What's doubly cool is how easily this can be done with just a still camera and software that most of us already have (Photoshop and After Effects).
It's always impressive to see a subject that's shot so often used in a new and creative way. This conceptual shoot of the Milky Way by George Malamidis was beautifully conceived and executed. George picked two possible names for the image, both of which perfectly describe the outcome, "The Iris of God" or "The Peacock Milkyway." Want to know how he got the shot?
Recently, SmugMug featured the amazing artist Renee Robyn, based in Canada in a touching tribute video called "Dream Of A Digital Artist', and I recommend you take the 3 and a half minutes and check it out. If it doesn't leave you in awe and full of inspiration, then you must not have a pulse.
New Horizons left Florida's Cape Canaveral launch pad on January 19, 2006, arrived over Pluto more than nine years later on July 14, 2015, and finally gave scientists its first images over Labor Day weekend, when its year-long, tediously slow data dump first began. Coming in at 2,000 bits per second (1/28th the speed of dial-up), these images - many of which are composited in various ways to form a final image - finally shed some light on what secrets Pluto's surface, atmosphere, and core might hold. All told, the results give sci-fi fanatics a run for their money.
Last May, Adobe gave the world a sneak peek of their forthcoming mobile retouching platform. While the video only showed off modest implementations of the liquifiy, paint, and vignette tools, it's clear that Adobe and their army of software engineers have been hard at work beefing up their iPhone and iPad apps.
Erik Almas, one of the best commercial composite photographers, has recently teamed up with the team at RGG EDU to create a fully comprehensive tutorial on his complete shooting and retouching process. In this video Almas takes us through an hour-long tutorial, retouching and completing the backplate for one of his tutorial images. I'm always impressed when photographers and retouchers, especially those at the top of our industry, open the doors and reveal their entire process and Almas has done no less here.