It's time to be honest with yourself. It's time to ask some hard questions about your work and answer them straightforwardly, even if you hurt your own feelings. Grab a pen and paper, drop your ego, and tackle these questions.
You’ve received an enquiry from a potential new client and you’re looking forward to booking them in. Here are five questions to ask on your discovery call to make sure you understand what the client needs and that you can quote for the job accurately.
How do you get “the shot”? The saliva spewing out, as a fighter gets the decisive knockout blow. The sprinters desperately leaning forward in to gain the winning inch as they cross the finish line. The water tracing the swimmer's face as they come up gasping for air. Sporting events happen so fast, and even if you make the most of your camera's impressive burst rate, it takes a lot more to nail your sports photos. These are three pillars I always lean on to create savage sports imagery.
Most of the time, when it comes to photography or video of cars, beauty products, cosmetics, and even shoes, it’s made on a computer and not by a photographer. There are several reasons for this, but in this video, Karl Taylor, a renowned product photographer and educator, discusses photography versus 3D CGI and the advantages of each.
At some point, we will all end up shooting in a boring conference room. It’s not always easy to get a good shot when the space isn’t made for it. So, these tips from Epic Light Media might just be the trick.
"Use your platform for good. Don't worry about your platform, be concerned with your impact." Very few people find success without a helping hand or barrels of luck. As one of photography's stars, Rankin is using his influence to help out young and emerging photographers through the Visual Noise art fair at Maryland Studios and online catalog through Public Offerings Ltd.
It seems hard light is trending these days. From elaborate food spreads in Bon Appetit to fashion shoots for Burberry, hard light is in. If you've ever wondered how to create this look, this quick and simple tutorial will lay it out for you. I'll share a few concepts, and you can watch the video for a demonstration.
Let’s have a look at the many people behind the scenes that help us to create our singular vision.
I can think of so many times throughout my career where I have drooled over that latest camera release or that most recent lens that my brain convinces me that I simply have to have. Realistically, though, what photographer out there hasn't done that at least once in their career?
Much of commercial photography is about marketing. Agency Access is a service that is aimed at helping commercial photographers market their work efficiently. But how good is it? Here is my review of Agency Access.
At just four months old, Spencer Elden is the star of possibly the most iconic baby photograph of all time, as he floats on the cover of Nirvana's album Nevermind, but now in his 30s, Elden is suing the band over child sexual exploitation.
Sometimes, to grow as a photographer, you have to take two steps back to go three steps forward.
For many of us photographers in the commercial world, the key to getting good jobs for exciting campaigns is having the right agent by your side. However, finding the right agent and with space on their books for you can be incredibly hard to do.
Have you been told to stop messing around shooting models and get a job? Do your loved ones wish you'd do something more stable instead of wondering when the next job will drop into your email? Well, I believe they're on to something.
Passive income, the Holy Grail of personal finances. Who wouldn’t want to make money from all those old photos without having to lift a finger? With that in mind, I’m going to share with you my own experiences as a casual photographer selling my existing back catalog of digital photos online. It’s been an interesting experience to say the least and I even made a little money.
There are a bunch of different ways to make your photos stand out: great light, gorgeous model, amazing locations, idealized retouching, but one that is often overlooked in favor of these less subtle approaches is color. We photographers tend to schedule a shoot, show up, capture what's there, and pat ourselves on the back for our genius, but what goes into the shoot before we schedule it can be just as important to the end result as what we do with our lights or our camera. Let's look at an example from my work for Lifetime. No lights. No reflectors. Just color.
There is a wealth of information for every step of the photographic process, but one area that drastically improved my work some years ago is also one of the areas discussed the least.
Filmmakers, YouTubers, and other content creators received a big win recently when a D.C. Federal Judge ruled that the permit and fee requirements applying to commercial filming are unconstitutional. Still photography rules remain unchanged, although they weren't as restrictive as the filming rules.
Selling your photographs as prints for someone's wall is both a gratifying experience and a useful revenue stream, but it's not easy to do. So, why is it so difficult to sell prints?
Often being successful in any creative field is equal parts talent and knowing how to run your business. Yet for a lot of us, we spend the least amount of time educating ourselves on good business practices. The beginning of the new year is a great time to remedy this.
Have you tried using old film lenses for video creation? There's quite a charm to it.
There are many light modifiers available and the selection can become confusing at times. Some areas, in fact, are confusing even when you understand them. The primary suspect is the parabolic softbox.
The commercial photography world is tough to get into, but it is made even tougher if you don't live in certain cities like Paris, London, or New York. Here is how we can get around this.
This fantastic looking Monster energy drink commercial was made in a fairly easy to replicate way. Here is a behind the scenes look at what went into creating the shot.
I had been a photographer long before I wrote for Fstoppers. After a few years writing here I decided to give YouTube a crack. What was very interesting was the response from photographers and agents to seeing me on the platform.
Architectural photographers face many technical challenges when shooting massive structures, especially when space to shoot from is limited. This is one of those cases in which the gear absolutely enables the photographer to take better images.
We've posted some of his behind the scenes videos on here before, because this director's innovative use of technology to film some of the most visually appealing commercial videos to ever hit our screens is unparalleled. Here he is, explaining how he used his robots to make a mind-bending shot of a slice of lime falling into a glass.
As all medium format shooters know, moving fast with larger sensor cameras can be a challenge compared to their full frame counterparts. So, I recently tried out the Fuji GFX GF 45mm-100mm f/4 R LM OIS WR to see if it would speed my workflow and unlock additional potential in my Fuji GFX system.
To look at Jabari Jacob's life as a successful commercial photographer who flies from coast to coast working with brands like Nike and Sony, you would never guess he slept on an air mattress on the floor during the beginning of his career.
Ella Grace Bell is a commercial photographer based out of Vancouver British Columbia who has worked with brands like Bootlegger Jeans, Poppy Finch, and Mobiado Watches, but freelancing isn't her main gig. She has a nine to five photography job that pays her bills, which seems to be a vanishing commodity outside photography studios.
A brief look back at just some of the many ways my own mind has played tricks on me along my journey from hobbyist to working professional.
Their are loads of terms that get banded about in photography, and I am sure you have all heard the terms "editorial" and "commercial photography" mentioned. But do you really know what they mean?
Are you fresh into the film and production industry and want to learn the most amount of information in the quickest amount of time? Get on a film set. But, before doing so, be sure to familiarize yourself with the top 20 things you'll be sure to hear on set.
Commercial photography is notoriously hard to get into. In this video, I go over my complete workflow for shooting commercially viable portfolios from inception, through the shooting process, and into post-production.
There definitely is not a single road to success but coming from the 40-year experience of this veteran advertising photographer, there are definitely things you should keep in mind for a successful career.
In striving to become a better photographer and business owner, I’m always trying to learn more about how others have found their way to success. I recently had the chance to speak with Natasha Gerschon about her journey. Gerschon was more than happy to share.
Production safety might not be the most exciting aspect of your photography career, but these days, like it or not, it’s one of the most important.
At the end of a hard days shooting, it is easy to make mistakes, which is why I have this four part check list that I follow obsessively to make sure that I have everything I need before calling a wrap on the day.
The dream of becoming a professional photographer is extremely common. It looks like a glamorous gig, but it’s not as simple as getting paid to take photos. Becoming a pro photographer also means becoming an entrepreneur, and that’s way harder than learning how to shoot on M.
Adventure photography has taken its place as a component of the broader commercial market. Characterized by stunning, hard-to-reach locations and demanding conditions, gear can be critical to getting the shot. These days, mirrorless’ features make it the format of choice.
This week I spoke with professional motorsports photographer Drew Gibson to find out what 10 things he couldn't live without in his camera bag. With clients such as Aston Martin and Top Gear, Drew certainly knows his way around motorsports photography.
You're a professional photographer using cameras to make a living, and you suddenly end up with no cameras in your possession. What do you do?
A bit of brainstorming in an uncertain time for photographers.
Today, an open letter to the one who knows me best.
In order to effectively reach your clients as a photographer, you must first know what product you are selling.
Are you at a stage in your photography career where you would benefit from being represented by an agency? What are the things you should be aware of before you start sending out your portfolio?
When you decide to make a video with one of the world's best professional drivers on a closed track showing off the power of a supercar, you make sure to do it right and spare no expense.
How serious are you about making this crazy photography game full time? It is an amazing feeling to get to create every day, but are you forgetting to do the other eighty percent of what is needed to survive?
Commercial product photography and videography is a lot easier than it may seem.
Product photographers are some of the highest earning professionals in the photography field, and they command their prices with the value they bring to other businesses while creating imagery that engages consumers to purchase those business’ products. If you want a piece of that e-commerce photography pie but are still sweating on where to start, then it’s time to get a crash course that will possible jumpstart your beginnings into this profitable space.
