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The Real Story Behind Rudy Giuliani's Time Magazine Photoshoot

For many photographers, taking portraits of celebrities, athletes, and government officials seems like the pinnacle of a successful business. Sometimes, however, those jobs require an insane amount of work, risk, and safety precautions to pull off the shot. In today's Story Time With Monte Isom, we look at how Gregory Heisler captured Time's Man of the Year cover with NYC mayor Rudy Giuliani.

Becoming a Professional Time-Lapse Photographer

Matthew Vandeputte is a Belgian photographer living in Sydney, Australia, whose work is at the forefront of commercial time-lapse and hyperlapse photography. In this video he gives a short insight into his work and offers a nice introduction to time-lapse photography while also providing some inspiration to anyone seeking to turn a hobby into a profession.

Learn How To Ask

Very often it’s not the actual skill as a photographer that’s lacking, but rather the ability to ask and help someone solve a problem they have. In this video, Chris Do of Futur shares how you might be able to change your approach and thinking.

Five Ways to Get Paid Without Photographing Portraits

In a saturated market of incoming photographers each holiday or tax season, it is easy to get discouraged when you are trying to get paid clients in the door. When we think of photography sessions we generally tend to lean on the idea of photographing only people in portraits. Families, boudoir, fashion, and even underwater sessions. With so many other creative ways out there to get paid why not tap into another resource for marketing?

Filmmakers: Use Your RED Camera for Time-Lapses

You’ve spent tens of thousands of dollars on a fantastic camera body that outputs 5K or 8K imagery, but the film you’re working on requires some time-lapse b-roll for transitions. Instead of breaking out that DSLR, you can set up your RED camera to shoot that time-lapse and use the near same post-processing as you would for the filmed imagery you are currently capturing.