If you work in portrait photography, be it commercial fashion or high school seniors or anything in between, at some point you will be on set with makeup artists (MUA) and hair stylists, if you aren't already. A good makeup artist can make or break your sessions, and a bad one can simply ruin everything. And since no amount of retouching can totally undo subpar makeup, hair, and styling, Staci and I decided to sit down with pro makeup artist Sarah Stafford in The Backyard to shed some light on the relationship between MUAs and photographers.
Have you ever wondered what motivates all those successful, high-end professional photographers you look up to? Chances are, if you're a fan of this site, you already have a lot in common with them but Nikon Ambassador Corey Rich helps put that drive into words as he goes behind the scenes with five of Nikon's heavy hitters. "Inspired" is the second installment in a series that “explores what drives today's most diverse and interesting professional photographers and filmmakers, and captures the commitment it takes to tell truly meaningful stories.”
Photographers and videographers who work on-location for their gigs need an easy, dependable way to haul and station their gear and grip kits. Many have come to rely on the RocknRoller MultiCart for this purpose because of its versatility. In this video, commercial photographer Kiriako Iatridis shows how he customized his MultiCart to make it that much better and may inspire your own modifications.
Ever since the middle of high school, I've been immensely interested in "the process." You know, that middle bit between point A and point B that nobody but the artist ever sees. I've always loved peeking behind the scenes to see where something started and what kind of work and thought went into creating the finished product. To satisfy those of you who are just like me, here's the second post in my before/after series which not only shows you my images straight out of camera and the final product, but which uses each image to explain a bit more about what I do in post. If you want to dig in way further than these, I cover every step of my post processing in my Editing + Consistency class. Enjoy, friends!
Many photography and film students fail to dream big enough during their undergraduate studies. The work they produce seems more like an exercise than a passionate project for their own portfolios. For German film students Daniel Titz & Dorian Lebherz this was definitely not the case. In what might be the most moving commercial of 2015, Daniel and Dorian crafted a touching mock ad for Johnnie Walker that shows just how effective you can make your personal projects if you take them seriously.
When the terrorist organization, ISIS, isn't busy terrorizing people, they are apparently busy stealing photographer's artwork. In this day and age, it's not uncommon to have your work stolen. Heck, it's pretty common. But having the bane of the earth stealing your work has to be a new experience. That's not the end of the story though. It gets worse.
Seems like just a short few years ago, Sony DSLR's were the laughing stock, what with their proprietary this and convoluted that. Yet today, going into 2016, Sony has made a huge impact in the photography world with their hyper-techy mirrorless cameras almost out of nowhere. After much consideration (and provocation from Sony) I decided to try out some Sony gear in the most challenging way possible: on a client job. Nope, I had never worked with a Sony before. What could possibly go wrong?
To celebrate the holidays and all the delicious meals that are being prepared around the world, we invite you to share your best looking food images for our next episode of "Critique the Community." We will be critiquing the pictures from a commercial standpoint so submit the pictures that you think sells the food itself. Please get in your submissions by the end of Wednesday, December 2, and you'll have the chance to have your image critiqued by the Fstoppers team. For this episode, we will be giving feedback to 20 pictures. To qualify, you must follow the submission rules below.
There are a zillion photographers out there, but there aren’t a zillion clients. How do you make your work stand out? Success comes when a client will book you because it's you and not because you are just another good photographer. In the process, having a recognizable style might also make you a happier photographer. But how can you get there?
Retouched Magazine, the interactive magazine from retoucher and beauty photographer Julia Kuzmenko McKim, has recently announced that they are also now available in PDF format. The magazine brings some of the most talented and experienced photographers and retouchers together to teach and share their insight into the field of retouching. Topics from the pro tools and methods for retouching, building your portfolio, and being successful in the field of retouching. Articles come from the top photographers and retouchers in the world including Pratik Naik, Benjamin Von Wong, and Joel Grimes.
There is a new cat in town and it's roaring like a lion. PICR is a startup from Portland, Oregon that promises to make your life as a photographer easier. They have created a platform for photographers that could build a bridge between the potential consumer and the service provider. An online agent of sorts. Can they really deliver?
Once in a while, despite our due diligence and training, we all end up in circumstances where we must handle a difficult situation. As a model with a wide range of experience, I have a large network of professional photographer friends and have seen first-hand how unprofessional my fellow models can be. Here are a few ways to handle a variety of sticky situations without compromising your reputation as a respectable industry professional.
It can been said that according to Occam's Razor, the simplest solution to a complex problem is usually the correct one. That's all well and good in logic and philosophy, but when it comes to art, solving problems is hardly the priority. Or rather, it shouldn't be. This is why my motivation of late is steeped in the mantra of "How do I eschew my usual, or anyone else's for that matter?" when I walk onto a set.