Having your images stolen at one point or another is virtually a formality when it comes to being a photographer. It’s frustrating, not least when it happens through one of your customers. One new website claims to have the solution to make sure you never get ripped off again.
Late last year, Playboy magazine announced that starting this month, March 2016, the publication would no longer - simply enough - feature nudity. This announcement was immediately received as shocking, welcomed, amazing, derided or just plain hated, depending on who you asked. Curious as to the impetus behind the format change, I asked Jarmo Pohjaniemi about it when we spoke recently, and have since heard from another Playboy master lensist, Ales Bravnicar, about the matter. Bravnicar and I also discussed his phenomenal career and his upcoming retrospective in an upcoming international Playboy edition.
My high school enemy is my new best friend. I'm talking about a glorious thing called "tests." In the photo world, a test is a shoot set up for the sake of portfolio-building, experimentation, fun, or all of the above. It's not a paid shoot, but these suckers pay off big time. A test shoot is when you book a model (we'll talk about how) to shoot a concept that you put together. As I'm writing this, I actually have my journal open on my desk in mid-plan for a test that I'll be shooting later this month. Let's talk about a few reasons why testing is so important, how to find models, reach out to agencies, and what you need to do once your model is booked. Dig in!
Photographer Nick Saglimbeni recently shot an image of Jhené Aiko for a Humane Society campaign to save the shark population. The goal of the image was to photograph Jhené in the ocean at night (or at least make it look that way). To create this shot, Nick decided to use a pool and strobes to create a similar look.
My name is Nico, and I'm a professional urban/street photographer based in London. In this article, I will show how you too can use Twitter to get more photography jobs, develop your network, and get your work seen by the right people. At least 90% of my paid photography work, including Adidas and Amazon, has come from interactions on Twitter, and anybody with a high-quality portfolio can do the same by following my simple tips.
I admit it freely: I didn't used to pay attention or care about portrait lighting patterns. In fact, when a photographer would mention them around me, I would cover my ears and say "La la la la la" as loudly as possible while hurriedly trying to leave the room. There was a time where dismissing the standards was my usual, as was my tendency, but eventually I realized I was missing out on fundamentals that I could easily have built on and expanded rather than ignored. Just starting out? Don't make my mistakes.
If you work in portrait photography, be it commercial fashion or high school seniors or anything in between, at some point you will be on set with makeup artists (MUA) and hair stylists, if you aren't already. A good makeup artist can make or break your sessions, and a bad one can simply ruin everything. And since no amount of retouching can totally undo subpar makeup, hair, and styling, Staci and I decided to sit down with pro makeup artist Sarah Stafford in The Backyard to shed some light on the relationship between MUAs and photographers.
Have you ever wondered what motivates all those successful, high-end professional photographers you look up to? Chances are, if you're a fan of this site, you already have a lot in common with them but Nikon Ambassador Corey Rich helps put that drive into words as he goes behind the scenes with five of Nikon's heavy hitters. "Inspired" is the second installment in a series that “explores what drives today's most diverse and interesting professional photographers and filmmakers, and captures the commitment it takes to tell truly meaningful stories.”
Photographers and videographers who work on-location for their gigs need an easy, dependable way to haul and station their gear and grip kits. Many have come to rely on the RocknRoller MultiCart for this purpose because of its versatility. In this video, commercial photographer Kiriako Iatridis shows how he customized his MultiCart to make it that much better and may inspire your own modifications.
Ever since the middle of high school, I've been immensely interested in "the process." You know, that middle bit between point A and point B that nobody but the artist ever sees. I've always loved peeking behind the scenes to see where something started and what kind of work and thought went into creating the finished product. To satisfy those of you who are just like me, here's the second post in my before/after series which not only shows you my images straight out of camera and the final product, but which uses each image to explain a bit more about what I do in post. If you want to dig in way further than these, I cover every step of my post processing in my Editing + Consistency class. Enjoy, friends!
Many photography and film students fail to dream big enough during their undergraduate studies. The work they produce seems more like an exercise than a passionate project for their own portfolios. For German film students Daniel Titz & Dorian Lebherz this was definitely not the case. In what might be the most moving commercial of 2015, Daniel and Dorian crafted a touching mock ad for Johnnie Walker that shows just how effective you can make your personal projects if you take them seriously.
When the terrorist organization, ISIS, isn't busy terrorizing people, they are apparently busy stealing photographer's artwork. In this day and age, it's not uncommon to have your work stolen. Heck, it's pretty common. But having the bane of the earth stealing your work has to be a new experience. That's not the end of the story though. It gets worse.
Seems like just a short few years ago, Sony DSLR's were the laughing stock, what with their proprietary this and convoluted that. Yet today, going into 2016, Sony has made a huge impact in the photography world with their hyper-techy mirrorless cameras almost out of nowhere. After much consideration (and provocation from Sony) I decided to try out some Sony gear in the most challenging way possible: on a client job. Nope, I had never worked with a Sony before. What could possibly go wrong?