Every photographer needs a good website; that's a given. What isn't so obvious is should you have a contact page? What about a photo on your bio? Is it best to have multiple galleries or everything on one landing page? Today Lee and I review a few websites to show you what does and doesn't work when displaying your work.
Every well-rounded photographer needs to be able to tell a story in three images or less. This is particularly important when shooting editorial content for online publications and in print magazines. On today's assignment, I explore three different focal lengths to capture a well-rounded story of a local musician.
Glue guns and poster board. Who would have thought these basic craft items would be useful for photographing jewelry? This in depth tutorial by New Amsterdam Photo Video covers the entire gamut of shooting rings from set up and lighting, to focus stacking and retouching, and everything in between.
In our first two segments of building a business plan, we’ve talked about defining your product and forming a long term vision. In this final section we will talk about some of the practical steps you need to take to take those hypothetical concepts and put them into action.
One of the first things I learned early on after becoming a full-time photographer is the importance of establishing a diversity of revenue streams. I’m not a traditional commercial photographer whose brand is predominantly focused in one area, or specialty, such as booking client gigs (weddings, maternity, etc), shooting products photography for companies, or catering to the swath of people who need headshots.
Lifestyle photographer Denise Crew was approached by the producers of Netflix’s Queer Eye about a book they were producing that had a very quick turn-around. It typically takes 18 months to publish a book from start to finish and they needed to do this book in 6 months.
A lot of writers and experts in the photography world have been joining the chorus of “photographers should add video to their skill basket.” But, as far as business models are concerned, photography and video can be as different as sushi and gelato. So, before you jump head-on into video, consider my words of caution.
Today begins a three part series on building a successful business plan as a photographer. The topic deserves its own full book, but hopefully these essays will give those of you just starting out a primer on things you need to consider when turning your hobby into a profession.
Want to know what it's like to shoot world-renowned athletes for a magazine like Sports Illustrated? In this video, commercial, editorial, and advertising photographer Alexis Cuarezma shares the method behind his very first cover shoot for SI, including light setups and how he overcame unexpected obstacles.
Earlier this year, I released an in-depth tutorial on product photography with Fstoppers called "The Hero Shot: How to Light and Composite Product Photography." As I started publishing images from this tutorial on Instagram, I found it extremely interesting that the most liked image was the cordless drill. It was the most simple image that I created for the series, and I used very basic inexpensive continuous lighting to create it. So, if I were to have photographed this drill using strobes instead of continuous light, would you have been able to tell the difference? I’ll...