You’ve spent tens of thousands of dollars on a fantastic camera body that outputs 5K or 8K imagery, but the film you’re working on requires some time-lapse b-roll for transitions. Instead of breaking out that DSLR, you can set up your RED camera to shoot that time-lapse and use the near same post-processing as you would for the filmed imagery you are currently capturing.
Let's be honest, how often do we get perfect conditions where everything just simply falls in the right place?
Today I take a trip down memory lane to identify a few of the television commercials that, for me, have exceeded the level of infomercial pitch to touch the mantle of enveloping art. As with any "tops of all time list," these are thoughts are completely subjective, but I'll do my best to explain my thinking behind each choice and hopefully, my list will inspire you to start thinking of your own.
Photography agents are nothing new. They've been around for a long time, but since the advent of social media they seem like something we are all a lot more aware of; anyone who's anyone has an agent, right? However, there are a few misconceptions out there as to what an agent offers.
On a multi-day assignment in Portland last week, I took advantage of my day off between assignments to experiment with the Sony a7R III and try it out in my normal workflow.
Two years ago I featured a macro videographer who was creating incredible visuals using chemicals and substances. Roman De Giuli has done it again, this time for the Winter Olympics.
While I was initially slow to adopt the notion of being literally tied to an external machine while I went full throttle through my photo shoots, I’ve found the process not only beneficial, but absolutely essential.
Frantic sporting action set on an urban backdrop? Check. Inventive, slick production while not taking itself too seriously? Check. Superstar cameos? Check. You’ve guessed it, it’s the latest Nike commercial. But is “Nothing Beats a Londoner” their best ever?
SmugMug just recently released its 16th film and this time they're featuring mountain sports photographer Blake Jorgenson, with a glimpse into his relentless pursuit of capturing the perfect moment in extreme conditions.
You book a commercial job and the client wants a beautiful face to grace their next ad. The client relies on you, the photographer to help with the process of hiring the model. The crew you hire rely on you to select the right candidate for their needs. That's great, right? Get the most radiant face, possibly the one with the highest social media numbers for that extra bump and you're set! Is that how it works?
Lifestyle photography means different things to different types of photographers. Some might say photojournalism is the truest form of lifestyle photography. A portrait or wedding photographer would describe it as putting their subjects in real life situations and capturing almost candid moments. I shoot commercial and editorial work so more often than not I create scenes using models and props that feel like real life events but weren't. No matter how you look at it though, lifestyle photography is about telling stories.
In the grand tradition of turning lemons into lemonade, I thought I would share with you a quick story about how a less than desirable situation for me this weekend turned into a chance to improve my business and my approach.
When it comes to studio product photography, we use a lot of tools in the studio. Sure, there’s the obvious: cameras, lenses, and lights. But today I want to talk about one of those little indispensable tools that can really make all the difference on set. If there’s one thing that I’ve learned over the years of working in a studio environment, it’s that you can never have enough clamps! There’s always something that you need to hold in place, or simply rig.
I recently had the opportunity to catch up with a photographer I follow who shared his wonderful story with me about how he got where he is today. A lot of us have been told we take great photos somewhere along the way and dreamed of making a living off simply taking good photos. This doesn't really happen in the real world since you actually need a niche of some sort. If you happen to live by some of the most amazing houses in the world, luxury real estate is one of those niches that can make the dream a reality.
With the advent of digital cameras, drones, the Internet, and social media, video has become much more a part of every facet of advertising and our general content consumption. Even Fstoppers began by sharing behind-the-scenes videos of photographers at work to inspire and educate people all around the world. Everywhere you look, now, video is always present. Today's behind-the-scenes video comes to you from Parker Walbeck, the guy responsible for flying the LG V30 on top of a Red Weapon to compare the video output. In this video, he takes us on a real-estate video shoot and walks us through his gear and process.
