Is the Fujifilm X100VI the Ultimate Everyday Camera?

Compact cameras with fixed lenses continue to appeal to enthusiasts who value simplicity and portability. The Fujifilm X100VI is the latest in this iconic line, combining a retro aesthetic with modern performance.

Coming to you from Craig Roberts of e6 Vlogs, this fantastic video explores the X100VI’s strengths and a few quirks. The camera's 40.2-megapixel APS-C sensor provides exceptional image quality and the ability to crop in-camera to mimic a 50mm focal length without sacrificing too much detail. The fixed 23mm lens (35mm equivalent) is sharp and versatile, though Roberts notes minor softness at wider apertures during close focusing. The built-in ND filter and 1/180,000-second electronic shutter are particularly useful for shooting in bright conditions.

One of the X100VI’s standout features is its 5-axis in-body image stabilization, which aids handheld shooting at slower shutter speeds. The camera also offers a hybrid viewfinder, a combination of an optical viewfinder and a high-resolution 3.69-million-dot OLED electronic viewfinder. The 1.62-million-dot tilting touchscreen LCD adds flexibility for creative angles. However, the small battery life and lack of a second memory card slot might limit its appeal for extended shoots.

Key Spec

  • Sensor: 40.2MP APS-C CMOS
  • Lens: Fixed 23mm f/2 (35mm equivalent)
  • ISO Range: Photo: 125–12,800 (Expandable: 64–51,200); Video: 125–12,800 (Expandable: 25,600)
  • Shutter Speed: Mechanical: 1/4000–15 min; Electronic: 1/180,000–15 min
  • Video: DCI 4K up to 59.94 fps, 1080p up to 240 fps
  • Image Stabilization: 5-axis sensor-shift
  • Viewfinder: Optical and 3.69-million-dot OLED EVF
  • Display: 3-inch tilting touchscreen (1.62 million dots)
  • Build: Weather-resistant, weighs 1.1 lb (with battery)

Roberts shares that the camera’s simplicity makes it enjoyable to use, but there are areas for improvement. The exposure compensation dial is stiff, while the front and rear dials turn too easily. Focus performance, while reliable, is occasionally noisy due to the lens mechanics. He also mentions a preference for a thumb grip for better ergonomics, which isn’t included by default.

While the X100VI excels at stills, its video capabilities are impressive too, with support for 4:2:2 10-bit external recording via HDMI and slow-motion modes in Full HD. However, Roberts sees it as a supplementary video tool rather than a primary choice for filmmakers.

The X100VI feels like a bridge between the compact X100 series and Fujifilm’s interchangeable lens systems. Its blend of performance and style makes it ideal for those seeking an everyday camera that doesn’t compromise on image quality. Check out the video above for the full rundown from Roberts.

Alex Cooke's picture

Alex Cooke is a Cleveland-based portrait, events, and landscape photographer. He holds an M.S. in Applied Mathematics and a doctorate in Music Composition. He is also an avid equestrian.

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1 Comment

I dunno. There are a lot of other kits the same size or close to it that offer other benefits. Panasonic GX9 and Olympus EM-10 with 20/1.7 offer similar size plus ability to use other lenses. And, for street candids, the GX9's tilting EVF is nifty. Sony a7C II or a7CR are a bit bulkier and heavier with a 35/2.8, but they offer much higher resolution. Ricoh's GR IIIx is more easily pocketable.

https://camerasize.com/compact/#819,919,770.933,911.667,ha,t

Also, looking at DPReview's test images, the X100VI doesn't seem to resolve any more than these, even the 20MP GX9, despite having the highest-resolution (40MP) sensor.

https://www.dpreview.com/reviews/image-comparison?attr18=daylight&attr13...

(I chose a7IV to represent a7CII's output, as DPR doesn't have the latter and the sensors are the same.)