If there was a camera that really got people talking in 2013, it was the Sony a7 and a7R. Hailed as a “game changer” and “camera of the year” by both PDN and PopPhoto, it’s gotten a lot of attention. A full frame, powerful and purportedly pro-level mirrorless compact, what’s not to love? Many Sony fans were quick to hail it as the beginning of the end for the DSLR, and even many DSLR shooters seemed ready to join them. I’ve been shooting with the a7R for a few weeks now, and it’s time I laid down my personal verdict on this camera.
If you read my initial impressions of Sony’s flagship interchangeable lens compact camera (ILC), you read that I was pleasantly surprised with the camera. I like the ergonomics, I like the placement of the buttons, and I liked the feeling of shooting with the camera. But those impressions were made before I attempted real shooting with the camera. So after a few weeks with it, I have a more complete picture of where the a7R would fit in my life.
My original positive feelings towards the buttons and knobs on the a7r remain, as I think the placement of everything was extremely smart. I really do love how I can do basically everything I do when shooting without having to bring up a menu. Ever. I can’t even say that about working with the Canon 6D or 70D. They force me into a menu at some point. Not with the Sony a7R. I can access shutter speed, aperture, ISO, white balance, change the center of focus, adjust the camera’s light meter, swap between manual and auto focus and record video all quickly and relatively easily. Sony did have the rather annoying habit of making anything involving moving a digital reticle require the use of two knobs (slide one for up/down, the other for left/right) instead of just using the back multi-directional pad, but this is minor and can probably be adjusted in the custom settings (at least I hope it can, but after several minutes fumbling through menu settings I gave up).
While we are talking the physical aspects of the camera, I want to take a moment to talk about Sony’s insistence that the tilt-up screen is better than a flip out screen (I mean, they have to believe it’s better if they keep putting it on every camera they make, right?). It’s not better Sony. It’s effectively worse than a flip out screen in every way. Name one thing the tilt up screen does that a flip out can’t.
…
Right. Nothing. Need to see from above? Flip out screen rotates, tilt screen tilts. Below? Same. What if the camera is up against a wall and you need to see the screen? Whoops. Tilt up screen doesn’t handle that, but flip out does. I can see a tilt out screen from any angle, but the tilt up screen only if I’m always behind the camera. Let me tell you, shooting any architectural photography would be much easier with a flip out screen. In short, the tilt up doesn’t solve any problems.
I also wish the a7 had a touch screen. Oh well.
The menu system is just as easy, if not easier to use, as a Nikon or Canon one, if you want to compare. I could pretty easily find whatever I was looking for and toggle quickly.
Though you will very rarely manual focus with this camera when shooting stills, you still might want to in some situations and you will of course want to in video (you do rack focus when you shoot video right? RIGHT? Good.). As soon as you start moving the focus ring, the a7 automatically digitally zooms to the center point you have determined so you can focus carefully and accurately every time. It’s like on a Canon when you hit the plus buttons in live view to make sure your focus is tack sharp, but it does this every time. I dig it. If you don’t like it, it’s easily disabled in the menu settings.
This camera can be straight fun to shoot with when you’re on the go. It’s a feeling that can be found in many of the ILCs on the market. It feels like a big DSLR that I have come to love over the years, but smaller and more manageable. I have found that over the years I shoot less and less for fun. It’s just become a hassle to bring a camera along, and when I rely on my phone I end up being disappointed with my images a large majority of the time. With the Sony a7R, I can much more easily rationalize bringing the camera with me even when I’m not sure if I will even need it or use it. It fits in a backpack, a satchel or a purse easily. The camera really makes me want to shoot for fun again, and that right there has inherent value to me.
I do want to point out that though the camera is indeed compact, it is by no means lightweight. It’s actually surprisingly hefty. This can be seen as both a good and bad thing. On one hand, that heft feels strong, sturdy and reliable. I’ve never been afraid of breaking this camera. On the other hand, there is no ignoring that it’s heavy. It’s a wholly different experience than, say, the EOS M. You’re well aware it’s coming along with you.
The number one selling point of this camera was the full frame sensor, and Sony absolutely did not let me down here. Images taken on this camera look truly breathtaking. The sensor is a monster when it comes to dynamic range, and the amount of detail it picks up in the shadows is magnificent. Let me show you. Below, the first images in each set are as they were shot. The second after I pushed the shadows in post:
I would never do this kind of shadow-bumping normally, but it shows you how beautifully sensitive the sensor is. It puts a big smile on my face. I took the camera to a museum and shot at ISO 600 to 1600 and was able to get some really nice images.
And a 100% crop of that last image:
The a7R is capable of producing exceptionally good video, and it’s an aspect of this camera I can really see myself loving. Because it’s so small, it’s an excellent b-roll camera when following a subject for a documentary-like situation. I was on set, climbing stairs and jumping c-stands to follow my subject, and it was MUCH easier than shooting with a DSLR. However, the stabilization of the lens is a much-desired feature. I only had the 35mm f/2.8 Zeiss for this review, and it offers no stabilization features at all. It’s pretty noticeable in the footage. If Tamron built me a nice wide, fast VC lens for Sony E-Mount, I would be one happy camper with the perfect run-and-gun setup.
I have an update on my love of that sensor click: yes, it’s a gloriously heavy sound, but that comes at the expense of the camera’s stability. That shutter hits with what feels like enormous pressure in such a small body. You can feel the camera shuddering with each click of the shutter. Shooting under 1/100 of a second shutter speed is a risk. Maybe it’s one example where smaller isn’t better. It’s normally enough that I have to worry about my own arms when attempting to capture a moment that will likely never repeat itself, but to have to really consider the camera as well goes against one of my rules with devices: a tool should never get in its own way. It is this problem that makes me wary to recommend this small camera for street photography. Often that kind of work not only happens in an instant, but while moving. I just don’t see this camera able to handle that, which is a shame because I imagine the small profile of the camera was a big plus to street shooters. One other thing to keep in mind is it is impossible to hide the sound of the shutter click. Subjects on the street will be acutely aware you’re there, and if any of your experiences are like some of mine, this can often be a very bad thing (I was shooting in Ireland once and a man chased me several hundred feet for even thinking about using my camera around him).
Something else to remember about the a7R is there is no way to turn off the back display. Even if you choose to only have the OLED show in the viewfinder, the back still is showing settings. I found this choice to not have a display shut off bizarre, as the constant LCD burns battery life very quickly. If you get this camera, you’re going to want to get a spare battery.
My least favorite part of this camera was the completely inconsistent and, often, downright awful low light autofocus. Like nearly all (or probably all) mirrorless cameras, there is an AF-assist beam that lives on the front of the camera that turns on and illuminates a subject to help the sensor pick out where it needs to focus. This would be cool and all if the one on the a7 wasn’t blindingly bright orange and intrusive. It’s not possible to shoot people naturally with this assist beam, simply put. It throws out any calm a subject has managed to obtain in a shoot, or blows your cover if you're trying to catch a living moment. I like to get people prepared to be photographed slowly, but the AF-assist beam is like a big reset button that undoes everything I’ve done to that point to get them in the zone. If you were at an event or wedding reception, every candid shot would be ruined by the beam. So I turn it off, as I hope all of you do. But without that beam, the AF is horrific in low light.
The contrast detection of the sensor is downright terrible. If you look at the photos I took of the Fotopro tripod, the light is pretty substantial and is considered some of the best in which to shoot portraiture outside: golden hour. However, focusing on the tripod in this light was a struggle. In several cases I almost gave up because the autofocus wouldn’t find any point on the subject at all and would just rack in and out. If you’ve ever experienced this with any camera or lens, you know how irritating it can be. It ruins the photographic experience.
Another irritation was the camera’s operating system: it can be really fast in some places, and painfully slow in others. The camera is slow to start up and even slower to look through images and video you’ve shot. Changing settings and accessing anything in the menu system is pretty fast, but that only makes the sluggish delay found elsewhere more apparent. This is not a big issue to me, as I believe Sony can fix the problems with a firmware update.
What I liked:
Absolutely stunning, gorgeous full frame sensor
Dynamic range
Layout of buttons
Menu layout
Video quality
What could use improvement:
Obtrusive shutter (loud and hard-hitting)
AF-assist beam is distractingly and disarmingly bright
Bad contrast-detection auto focus, generally sub-par autofocus in low light without AF-assist beam
Battery life
Tilt-screen design leaves much to be desired
Pricing points to pro market, but camera seems caught in an identity crisis
Painfully small, low-diversity of higher quality E-mount lenes
It’s hard to look at this camera and hate it. I loved shooting with it. But I don’t know who this camera is really for, a similar issue we had with the Nikon Df. It’s priced out of the range of enthusiasts, the market that has been attracted to ILCs. Sure, pros can buy it, but the limited optics options for the E-mount system (limited when compared to Nikon and Canon) makes it hard for a non-Sony shooter to make the jump and actually use this camera at a pro level. If you’re already a Sony shooter, it’s an easier sell for sure. But Sony needs to be attracting new customers, not pandering to the ones already crazy about them (and Sony fans are indeed vehemently in love with Sony).
Is the a7R a game changer? It absolutely is. But hold the phone, I never said it won that game. Sure, it’s an excellent camera. It has some fantastic features, the dynamic range is outstanding and the generally usability is excellent, but there is still much to improve upon. The shutter that I was at first enamored with is the source of much dissatisfaction, causing noticeable vibration at anything less than 1/100 of a second shutter speed. The OS is snappy in places, but painfully sluggish in others. The speed and accuracy of changing settings made the wait to simply turn on the camera or view playback of images and video seem that much more bogged down and noticeable. The low light autofocus was mediocre at best and horrific at worst, and mix that with the aforementioned shutter vibration, and the camera is not great for shooting in anything other than ideal light.
So after all that, how is it still a game changer? Despite the fact it’s not the camera I want it to be, it is a camera that proved a point: full frame compact is not a dream. With solid firmware updates, a dedication to expanding their optical selection and continued effort to improve their mirrorless low light auto focus sensor, Sony is on the path to a truly magnificent camera.
But they aren’t there yet.
The a7R is available from B&H for $2,298. All images shot on the Zeiss Sonnar 35mm f/2.8.
I haven't seen any profession wedding photographer using this camera on location. Are they still prefer using the DSLR like the Canon 5DM3.......if this camera is light weight and good quality, why don't they use it ?
Probably a lack of E-Mount fast prime glass combined with autofocus issues. Those were deal-breakers for me at least. This camera is close but not quite there to turn folks over from systems, like Canon and Nikon, that are already working well.
I hear people saying that Mirrorless has the fastest autofocus than our profesisonal DSLR. Not sure if that is true. I have the 5DM3 and 1DX, I thought mine was already fast lol.
It really depends on which mirrorless you're talking about- they are not all made equal. Fuji's is a lot faster and more accurate than Sony's. You would have to work pretty hard to convince me that any mirrorless is faster than a 1DX though.