Recently I got my hands on the new Fujifilm GFX 100 medium format camera and thought it would be fun to create a free fashion photography tutorial showing my entire workflow. The goal of this shoot was to create a bunch of different looking styled shoots using natural light in combination with a few strobes.
One of the most useful lenses any photographer can own is an ultra wide-angle zoom lens. One of my favorite zooms in this category is the Tamron 15-30mm f/2.8 lens. Tamron recently released the upgraded G2 version of their already great SP model and I wanted to see if this redesigned lens was worth the upgrade.
This is some rather sad news I have to bring everyone. At the moment there are only 500 FlashDisc units left in our Amazon UK store and we will not be replenishing them once they are sold out. We are currently sold out of the FlashDisc in the US (more coming in the next 2 weeks), but because of logistics and the amount of administrative work it takes selling a product in another country, we will not be replenishing our Amazon UK store once inventory is sold out.
Without a doubt, one of the most popular and useful pieces of gear a photographer can own is the 70-200mm f/2.8 telephoto lens. This lens is so amazing that it has become a staple for photographers shooting wildlife, portraits, headshots, sports, weddings, events, and even landscape photography. With Nikon and Tamron both recently updating their version of this lens, we thought it would be a great time to review them side by side and definitively name one as the "best bang for the buck."
No matter if you photograph headshots, weddings, portraits, or sports, one of the most important skills you can have as a photographer is picking out interesting yet non-distracting backgrounds. Many photographers prefer shooting with fast prime lenses but in today's short photography tutorial, I'm going to show you why I prefer the power and versatility of a telephoto lens.
One way to spice up your photography is to add gels to your lights so you can produce colorful and edgy looking imagery. Adding wild colors to your photos can offer a lot of creativity but gels can also be used in a much more subtle fashion to slightly alter the color of your background and sky. In today's video I want to share two simple techniques I use to help make my backgrounds on location look more interesting.
The lust for better photo gear is something every photographer struggles with. In our photography industry, many people swear by the quality of light of this brand verses that brand, but in the end isn't light just light? In this video I create a classic beauty lighting setup with $10,000 worth of lighting equipment and then replicate that same setup with only $425 worth of lighting equipment. Will they look the same? This is the Rich Photographer vs Poor Photographer lighting test.
If there is one thing photographers are obsessed with it is lens bokeh. Even if you shoot landscapes or interiors at f/22, your mouth will surely drop the second someone pulls out a fast f/1.2 lens from their bag. One of the most sought after ultra-fast primes in the Nikon lineup is their manual focus 50mm f/1.2 lens. Can this 35-year-old design compete or even beat Nikon's newest 50mm f/1.4 lens in a studio setting? Today we find out.
Are you in need of a powerful, versatile, and compact RGB LED light that won't break the bank? I was and this might now be my favorite hot light for shooting on location.
As someone who produces a lot of timelapses and video content for YouTube, nothing excites me more than testing out a new piece of gear. So, when edelkrone asked me to review their latest motorized slider and panning head unit, I jumped at the opportunity to see what this kit could do.
Every couple months or so, I find myself in a conversation about the state of photography. There is no doubt technology is pushing our field farther and faster than ever before, but is this technology actually killing photography?
When it comes to shaping the light sources photographers use, there are a lot of modifiers available. Each lighting modifier has it's own characteristics which can make it difficult to determine the best light for your project. Karl Taylor has produced one of the best videos I've ever seen showing exactly how the light fall off, contrast, and specularity differs between the parabolic reflectors, beauty dish, and large octabox softbox.
One of the worst gut wrenching feelings any content producer can face is opening up a memory card only to find that a file is corrupt or missing altogether. Recently we sold most of our Nikon gear and switched over to the new Panasonic GH5 cameras because of their better video features, superior image stabilization, and overall smaller size. Unfortunately we have found that unlike our Nikon cameras, the GH5 can corrupt files pretty easily if you are using their battery grip. In this video, I show you how these files can easily corrupt as well as a few software options you can use to recover any files corrupted during a loss of power.
Whether you are a photographer or videographer, more and more content creators are adding constant lights as their go-to lighting setups. Quasar Science recently released their 30-watt T8 bulbs with raving reviews, and today, I explore six useful lighting setups you can build with four lights under $80 each.
Getting accurate Autofocus must be one of the most frustrating things an event or wedding photographer deals with on a daily basis. How many times have you been in the right place at the right time, taken a photo at the absolute peak of the action, and then found yourself cursing under your breath when you review the image only to find it wasn't in focus? This used to happen to me a lot at weddings, and I still see many of my assistants struggling with autofocus in extremely low light situations. Luckily there is a very simple solution that works everytime.
