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Patrick Hall Photography Tutorials

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About Patrick Hall

Patrick Hall is a founder of Fstoppers.com and a photographer based out of Charleston, South Carolina.

Popular Articles from Patrick Hall

Final Chance to Buy the Fstoppers Flash Disc Light Modifer in Europe

This is some rather sad news I have to bring everyone. At the moment there are only 500 FlashDisc units left in our Amazon UK store and we will not be replenishing them once they are sold out. We are currently sold out of the FlashDisc in the US (more coming in the next 2 weeks), but because of logistics and the amount of administrative work it takes selling a product in another country, we will not be replenishing our Amazon UK store once inventory is sold out.

Tamron vs. Nikon: Which 70-200mm f/2.8 Telephoto Lens Is Best for the Money?

Without a doubt, one of the most popular and useful pieces of gear a photographer can own is the 70-200mm f/2.8 telephoto lens. This lens is so amazing that it has become a staple for photographers shooting wildlife, portraits, headshots, sports, weddings, events, and even landscape photography. With Nikon and Tamron both recently updating their version of this lens, we thought it would be a great time to review them side by side and definitively name one as the "best bang for the buck."

How to Use CTO and CTB Gels to Change the Color of Your Background

One way to spice up your photography is to add gels to your lights so you can produce colorful and edgy looking imagery. Adding wild colors to your photos can offer a lot of creativity but gels can also be used in a much more subtle fashion to slightly alter the color of your background and sky. In today's video I want to share two simple techniques I use to help make my backgrounds on location look more interesting.

Can You Tell The Difference Between $10,000 and $425 Photography Lighting?

The lust for better photo gear is something every photographer struggles with. In our photography industry, many people swear by the quality of light of this brand verses that brand, but in the end isn't light just light? In this video I create a classic beauty lighting setup with $10,000 worth of lighting equipment and then replicate that same setup with only $425 worth of lighting equipment. Will they look the same? This is the Rich Photographer vs Poor Photographer lighting test.

Is the Nikon 50mm f/1.2 Nikkor Lens Better Than the f/1.4 Lens?

If there is one thing photographers are obsessed with it is lens bokeh. Even if you shoot landscapes or interiors at f/22, your mouth will surely drop the second someone pulls out a fast f/1.2 lens from their bag. One of the most sought after ultra-fast primes in the Nikon lineup is their manual focus 50mm f/1.2 lens. Can this 35-year-old design compete or even beat Nikon's newest 50mm f/1.4 lens in a studio setting? Today we find out.

What Is The Difference Between a Parabolic Reflector, a Beauty Dish, and an Octobox?

When it comes to shaping the light sources photographers use, there are a lot of modifiers available. Each lighting modifier has it's own characteristics which can make it difficult to determine the best light for your project. Karl Taylor has produced one of the best videos I've ever seen showing exactly how the light fall off, contrast, and specularity differs between the parabolic reflectors, beauty dish, and large octabox softbox.

How To Recover Corrupt Panasonic GH4 and GH5 .mdt Files

One of the worst gut wrenching feelings any content producer can face is opening up a memory card only to find that a file is corrupt or missing altogether. Recently we sold most of our Nikon gear and switched over to the new Panasonic GH5 cameras because of their better video features, superior image stabilization, and overall smaller size. Unfortunately we have found that unlike our Nikon cameras, the GH5 can corrupt files pretty easily if you are using their battery grip. In this video, I show you how these files can easily corrupt as well as a few software options you can use to recover any files corrupted during a loss of power.

How to Achieve Fast Autofocus In Low Light Situations

Getting accurate Autofocus must be one of the most frustrating things an event or wedding photographer deals with on a daily basis. How many times have you been in the right place at the right time, taken a photo at the absolute peak of the action, and then found yourself cursing under your breath when you review the image only to find it wasn't in focus? This used to happen to me a lot at weddings, and I still see many of my assistants struggling with autofocus in extremely low light situations. Luckily there is a very simple solution that works everytime.