As high quality RGB Led light panels become cheaper and more compact, more and more photographers and videographers are finding just how useful these little lights can be. In this video, I compare the new Falcon Eyes Pocketlite F7 light to my favorite RGB light panel as we explore a few unique lighting setups any photographer can create on the fly.
UPDATE: Results from our reader's poll can be found here! Last week we released our head to head competition review between the Sony A7RII, the Nikon D810, and the Canon 5DsR ultra high megapixel cameras. Our test put all three cameras up against each other and compared their performance in terms of ergonomics, HD video, auto focus, ISO performance, Dynamic range, and overall image quality when used in the studio. Unfortunately a bunch of Sony users complained that our final studio test wasn't up to snuff, so we did what any respectable review site would do and brought back baby turtle. The new results might shock you.
As a portrait photographer, I am always trying to make people feel comfortable in front of my camera so I can capture a real emotion from them. But what if I was able to make people feel so uncomfortable in front of the camera that I could guarantee an interesting portrait every time? This is the idea behind my latest series: The Stun Gun Photoshoot. I've edited two different videos as well as a behind the scenes in the full post below.
Without a doubt, one of the most popular and useful pieces of gear a photographer can own is the 70-200mm f/2.8 telephoto lens. This lens is so amazing that it has become a staple for photographers shooting wildlife, portraits, headshots, sports, weddings, events, and even landscape photography. With Nikon and Tamron both recently updating their version of this lens, we thought it would be a great time to review them side by side and definitively name one as the "best bang for the buck."
One way to spice up your photography is to add gels to your lights so you can produce colorful and edgy looking imagery. Adding wild colors to your photos can offer a lot of creativity but gels can also be used in a much more subtle fashion to slightly alter the color of your background and sky. In today's video I want to share two simple techniques I use to help make my backgrounds on location look more interesting.
If there is one thing photographers are obsessed with it is lens bokeh. Even if you shoot landscapes or interiors at f/22, your mouth will surely drop the second someone pulls out a fast f/1.2 lens from their bag. One of the most sought after ultra-fast primes in the Nikon lineup is their manual focus 50mm f/1.2 lens. Can this 35-year-old design compete or even beat Nikon's newest 50mm f/1.4 lens in a studio setting? Today we find out.
No matter if you photograph headshots, weddings, portraits, or sports, one of the most important skills you can have as a photographer is picking out interesting yet non-distracting backgrounds. Many photographers prefer shooting with fast prime lenses but in today's short photography tutorial, I'm going to show you why I prefer the power and versatility of a telephoto lens.
Are you in need of a powerful, versatile, and compact RGB LED light that won't break the bank? I was and this might now be my favorite hot light for shooting on location.
One of the most useful lenses any photographer can own is an ultra wide-angle zoom lens. One of my favorite zooms in this category is the Tamron 15-30mm f/2.8 lens. Tamron recently released the upgraded G2 version of their already great SP model and I wanted to see if this redesigned lens was worth the upgrade.
The lust for better photo gear is something every photographer struggles with. In our photography industry, many people swear by the quality of light of this brand verses that brand, but in the end isn't light just light? In this video I create a classic beauty lighting setup with $10,000 worth of lighting equipment and then replicate that same setup with only $425 worth of lighting equipment. Will they look the same? This is the Rich Photographer vs Poor Photographer lighting test.
Last week Fstoppers and Peter Hurley hosted a free Illuminating the Face release party on Spreecast (view it here if you missed it). Since I had learned so much from Peter's tutorial I figured it would be exciting to use some of his studio lighting techniques for my own webcam session. What I didn't expect was all the emails, tweets, and live questions concerning my lighting setup. So in this post I'm going to share my lighting setup with everyone so you can reproduce it with your video sessions.
The inverse square law is one of the most important yet misunderstood concepts in photography. On the surface, it basically says that the intensity of a light source will decrease as you move the light away from your subject, but how does that apply to the highlights and shadows in a portrait? In this small excerpt from the "Illuminating the Face" tutorial, Peter Hurley breaks down both the math and the practical application of the inverse square law.
Building a shooting space in your home can be difficult to say the least. For most photographers, a home studio is never large enough and every inch of space becomes a commodity. In this video we show you perhaps the easiest and cleanest way to hang seamless paper in your studio space.
One of the worst gut wrenching feelings any content producer can face is opening up a memory card only to find that a file is corrupt or missing altogether. Recently we sold most of our Nikon gear and switched over to the new Panasonic GH5 cameras because of their better video features, superior image stabilization, and overall smaller size. Unfortunately we have found that unlike our Nikon cameras, the GH5 can corrupt files pretty easily if you are using their battery grip. In this video, I show you how these files can easily corrupt as well as a few software options you can use to recover any files corrupted during a loss of power.
For our New Year's Resolution, Lee and I decided to attempt to post 30 new videos to our YouTube channel throughout the entire month of January. We were not only curious if we could find the drive and motivation to complete such a feat, but we also were curious what sort of traffic, advertising income, and excitement it would bring to Fstoppers.com. Here is what we found out.
