Every year photographers launch personal projects. Some of the projects will have tremendous impact by artistically contributing to our world. Naturally, many of the projects need funding and now, more than ever, the photo community is pitching in to ensure that the projects are seen by a greater audience.
For the past year we have been subjected to constant political bombardment. With the U.S. presidential election right around the corner, there is finally, thankfully, an end in sight. Like every presidential election, artists are using their talents to sway voters to the left or to the right.
Photographers are often perplexed by the variety of clients they encounter each day. Even with a target market identified, it seems that no two patrons are the same. Though with time and patience, photographers can begin to categorize clients.
Affectionately known as the Land of Fire and Ice, Iceland has become a widely popular photography hotspot. It seems like everywhere you turn, there are photographers and videographers talking, fantasizing, planning, and shooting all things Iceland.
When it comes to price, everything we think we know is an illusion. Consumers assume that paying handsomely for something magically increases the product’s quality. We can acknowledge that there is a logical fallacy in this thinking.
You get what you pay for. In most cases, this saying rings true. However, there is another narrative playing out in the photographic world. This other, rather untold story has a central character getting much, much more than what they pay for. When it comes to portrait photography, clients are reaping rewards from photographers who are unwilling or too fearful to raise their prices.
For most, light painting photography is out of reach. Usually requiring a DSLR setup, most photographers don’t want to spend the time, energy, or coin to create dynamic images painted with light. But, for those who love the idea of using concentrated light to add flare to their images with little to no effort, Pablo is here.
The United Nations High Commission for Refugees (UNHCR) has just released a campaign short based on the work of photographer Brian Sokol.
For photographers Frank Diaz and Deb Young, success is manifesting in many ways; features in industry publications, awards, and gallery representation. By setting their egos aside and collectively using their talents to create an ever growing body of work, the duo’s International Collaboration Project (ICP) continues to gain steam.
It isn’t every day that a massive commercial client gives the freedom to artistically design a product launch. But freedom and a great amount of trust is exactly what Infiniti Motors Middle East gave Patrick Rochon for their new Q30 reveal.
The concept of permanence is flawed. Nothing can keep its state, unchanged indefinitely. What is young and vibrant will eventually wither and fade. I never fully grasped this simple truth until my father lay dying in the next room. While he would always be my father, I realized my dad wasn’t as permanent as I once thought.
Most of us are familiar with Drew Geraci’s work even if we don't recognize his name. Geraci is the owner of District 7 Media and is the man behind the time-lapse material seen in the opening sequences of Netflix’s House of Cards, PBS's Frontline, and three NFL's Superbowls.
