Concerts and events can either be exciting and fun or quite challenging for us photographers due to the low-lit environment and having to share the space with other photographers, all while being crammed into a tight space. Luckily, a little bit of planning and preparation can go a long way to avoid any disasters while shooting.
Light. We see it all around us as billions of photons pass right by us, bouncing against objects like "Punch-Me-Clowns." As photographers, we're obsessed and spend our lives figuring out how to manipulate them, and it could be an exhausting task to pursue, but that's about to change.
With the holiday season in full swing during December, I decided to put my camera down and focus on coming up with new ideas and concepts rather than just shooting straight away. Being a big fan of Felix Hernandez Rodriguez and the miniatures he brings to life through his photography, I decided to build my own set and photograph it.
Adjustment Layers are probably one of the most useful, and most used tools in Photoshop. It's one of the best ways to keep a non-destructive editing workflow in place and offers additional features such as blending modes to add exciting effects to your images. With all this in mind, why don't we see how we can use it to make our Instagram images stand out more?
When it comes to photography and storing photos on your personal computer, most of us experienced the pain and heartache when you lose some or in worst cases, all the images you've ever taken. It's undoubtedly one of the most unpleasant things we've all had to deal with in our career as photographers and probably the number one cause of heart failure for photographers.
On an early Friday morning, I receive a call from Dominik Scheffel, the inventor of the app cinnac to discuss the features of the app and how it would benefit photographers like myself.
One thing I've found to be of paramount importance to any form of video, cinematic or otherwise, is the quality of your sound. Your movie can have beautiful visuals but if the audio is of poor quality it has the potential to turn away viewers. I started vlogging a few months back and discovered just how important sound was when it came to producing my videos on YouTube.
What is it about landscape photography that draws us back into nature? Is it waiting for the perfect light to hit the mountains overlooking a vast, green valley? Is it sitting on a rocky shore, listening to and witnessing the sheer power of Mother Nature's waves crash against the rocky shore? Is it the calmness of a misty pine forest at dawn, waiting for the sunrise and hear
From coating your lenses with Vaseline to creating pinhole cameras, we all love experimenting with camera and lens hacks from time to time.
Since I discovered movies made by Edgar Wright and movies such as Alfred Hitchcock's "Rope," Alejandro Iñárritu's "Birdman" and "The Watchtower of Turkey" by Leonardo Dalessandri, I've always been fascinated by the way the footage just seems to flow into one another, and no usual cuts are visible.
Remember the time you first discovered photography? That day of unboxing your first camera and going out into the backyard and photographing just about anything you come across. That perilous voyage you embarked on, trying to get that bee perfectly in focus as it hovers above the flower or the macro image of the tree bark shot in shallow depth of field. The first sunset you shot.
I absolutely love shooting commercial work in the studio. Who doesn't? Shooting in a studio environment allows the photographer full control over the lighting and the subject.
We all love a good composite, don't we? C'mon! You're probably going "No! They're all fake. It's all Photoshop, therefore it should be easy and shouldn't be a genre of photography at all! While some bad composites do exist, why not look at the other side of Dali's surrealistic, time-melting deserts and analyze the way it makes you feel when you study these types of images?
I often think back to what it must've been like being a photographer before the birth of the Internet, the social media craze, and the hunt for likes, shares, and follows. Photography was less convoluted before the dawn of the digital age, with specialist magazines and museum and art gallery submissions showcasing only the cream of the crop.
Over the years of using my personal set of studio lights, I've found I've become increasingly frustrated with the growing cost of equipment such as softboxes and scrims. While these are necessary when shooting in a studio, I couldn't justify spending all that money for a massive softbox when it's actually quite easy to build one yourself.
Since moving into my new house about a month ago, I've been thinking more and more about creating my own studio setup using as little resources as possible. As much as I'd love to own a huge Profoto Octa in my house, it's just not always possible. So why not build your own lighting rigs using equipment readily available at your nearest hardware store?
If you're like me and love spending time both shooting and editing your images, why not get creative and refresh those deep-etching Photoshop skills when you've got a few hours in between projects? Composites look really neat, but there's a lot of work and patience that goes into it behind the scenes and if done correctly, it would look amazing and really take your conceptual photography t
Now I know there have been countless articles posted about why retouching is important, or why it’s downright frowned upon. But imagine, as a photographer, being able to free up so much more time by outsourcing the editing to a trusted retoucher.
Remember that feeling you had as a child, every time you pass a toy shop window and you could see your favorite toy? You pass that window, and your favorite toy sits there, waiting for you to play with it regardless of all the other forgotten toys you have waiting for you back home. All you can do is just imagine the fun you could have with it every day.
As a young, rebellious teenager in love with music and films, I discovered my love of photography when I was handed an old Olympus film camera and I have since fallen deeply in love with the art of photography.
For the last decade I’ve been sticking to my guns, shooting on a Canon 5D Mark II with a small selection of lenses. This camera has been the love of my life for so long even my family and friends get jealous.
As a full-time freelance photographer, we often ask ourselves why we should work for free, especially at the start of our careers. Are we being taken for a ride, or is it worth investing in our client for possible future returns?
One thing I’m sure all band photographers, like myself, question all the time, is the necessity for the Three Song Rule limit at live concerts. Is it still as necessary as promoters and agents make it out to be, or is just because it’s become the norm over years?
What if you woke up one morning and found yourself unable to come up with any good ideas on what to shoot next? You spend the entire day scouring the web, reading books, or talking to people and yet you still can’t come up with anything good? You’re so desperate, in the end, you just grab the camera and start shooting, but nothing good comes from it.
I absolutely love post production as a photographer. For me, a job is 50% photography and 50% retouching. One compliments the other. I get just as excited photographing my images as I get to retouch them. And when I captured a lightning storm in Cape Town a few weeks back, it was no different.
I love visiting the countryside. It's a great way to unwind, relax, and forget about the daily office hustle, the traffic, and whatever else is synonymous with a suburban lifestyle. As a photographer, the first thing I pack is my camera bag in the hopes that I'll get a chance to capture some landscape shots. What I did not expect is to get more than I bargained for.
Digital photography, especially concerning smartphones, is taking the world by storm these days. It's become the norm to see people whip out their phones when something dreadful happens in public, or when they want to photograph that special moment with their friends while cruising down the freeway at some awful speed.
Imagine living in the 1900s as a professional photographer. People were overdressed, kids were running around the streets, not with knives or guns, but with sticks, chasing something crudely resembling a wheel.
