Photographer Suzanne Heintz has spent the past fourteen years “playing house” with two mannequins-her fictitious husband “Chauncey” and their daughter "Mary Margaret". Her fantastically elaborate “Life Once Removed” series, featured previously on Fstoppers, stemmed from a frustration with the stigma she faced as a single adult woman. A continuation of Heintz’ series, “The Vows” was recently released, and features Heintz and Chauncey renewing their vows in a satirical-but very real- ceremony.

The Whitney Biennial only happens every two years, yet it is perhaps the most prominent and fundamental celebration of American contemporary art in the world. Featuring works from over 100 American artists, this rarer-than-a-lunar-eclipse event is a must-see if you're in NYC -- and it ends May 25th. Don't think fine art can help your photography? Think again...

Have you ever wondered what could separate your photography business from the competition, especially in crowded markets like engagement, wedding, and newborn photography? The Fine Art Album from Zno could be your unique selling point to make your business stand out.

Photo festivals are a great way to show work outside of where you live. Many of them, such as Arles or Photo 2022, have open calls to pitch work. Since these festivals often show early career artists with established names, they offer deeper insight into current ways within photography.

As a medium, photography is all about sight. If you can’t see it, you can’t really take a photograph of it. The alternative is, of course, things like art, music, or prose where you don’t need to see something to make something about it.

I took a look at Radiant Photo when it first came out in September. I found it a capable editor, aimed mostly using AI to improve your color and the overall look of shadows, highlights, and other image parameters. It uses a pixel-by-pixel approach, which the developers claim gives you more creative control of the final result.

Can photography change the world? Iranian artist and journalist Farnaz Damnabi's new exhibit, "UNVEILED," set to open at 29 ARTS IN PROGRESS, would seem to suggest yes, at least in part. I don't think it's a surprise to anyone that shifts in power structures can be turbulent. Even minor revisions in social identities can lead to conflict. Damnabi's exhibit is a document of the transformations in the identity, visibility, and recognition of women as equal and free participants in Iran, an unveiling of a new Iran, if you will.

Monument Valley from Philip Bloom on Vimeo.

As a photographer who works primarily within an art context, I often find myself seeking opportunities to share my work. In saying that, I would imagine being able to convincingly write and communicate about your work is a skill all photographers might find useful.

Behind the Nude: Thorsten Jankowski - "Magnesia" from Bryon Paul McCartney on Vimeo.

Frank Lee blends mundane domestic visuals against the backdrop of equally repetitive sounds to create not mere actuality, but reality.

Circumstance 5 from Peggy Peralta on Vimeo.

Space Chimp from Leo Burnett on Vimeo.

Have you ever found yourself with many snapshots of buildings and architectural features of a city you visited while traveling? Perhaps you looked at these photos thinking they're just ordinary snapshots. What if there were a way you could transform these photos into architectural fine art pieces using Photoshop?

Several years ago, I got a call one morning from the head ranger at Bighorn National Forest in Wyoming. He was inquiring if I would be interested in participating in Bighorn National Forest’s initial Artist in Residence program. That was during the COVID shutdown, and my state was really locked down—we couldn't even go camping in a state park! So, yes, absolutely yes.

More is sometimes less. High dynamic range can be great for bringing out the details in your photographs’ shadows and highlights, but it can also make them look rather flat, clinical, and lifeless. If you want to give your images impact and emotional depth, consider trying high contrast instead.