Fine Art

Leonard Nimoy passed away this week at the age of 83. His long career and legacy will always be remembered in his portrayal of the iconic character "Spock" from the 1966 TV series Star Trek. With numerous film spin-offs and a resurgence to the 2009 blockbuster Star Trek as the half-emotionless Vulcan he was just as relevant today as he was 40 years ago. Though his film career was beyond fulfilling in its own right, his photography work is what will also stay with us for years to come.

Perhaps the benchmark of “making it” in this business is to earn an assignment that would cause all but those with the strongest moral character to push both ethical and legal boundaries if an opportunity to supplant the rightful hire were to present itself. Bicoastal photographer Navid Baraty is one such photographer that might draw out said envy from his peers with the most recent addition to his client list.

From the perspective of highway overpasses, photographer Alejandro Cartagena has documented the daily commute of Mexican workers in his photo series, "Carpoolers." Setting out during morning rush hour, Cartagena photographs the weary travelers laying in truck beds amongst the tools of their trade. The result of this overhead perspective photo series is a delightfully simple and revealing glimpse into the daily life of these hard-working travelers.

What if God was one of us? What would that look like? Dina Goldstein's "Gods of Suburbia" is a series comprised of visually arresting images of everyday situations, only with gods as the main subjects. Gods of Suburbia offers an iconoclastic interpretation of how ancient belief systems fit with technology, science and secularism, the three main pillars of modernity. She spent two years creating her third large-scale series with a tiny budget, and every obstacle you can think of. But through creativity and tenacity, she was able to bring the project to fruition.

Dutch street photographer Hans Eijkelboom recently celebrated the release of his book, "People of the Twenty-First Century," published by PHAIDON. Featuring 6,000 photographs, the book serves as a comprehensive catalog of what people wear and what they're "into" over a span of over twenty years. Stylistically, the series can easily be likened to that of Bill Cunningham's "On the Street" fashion column in the New York Times, but somehow manages to comment more on culture than fashion.

Peter Lik must be one very happy camper. Earlier we broke the news of the sale of the “Phantom”, a black and white image of Arizona’s Antelope Canyon, sold for a record breaking $6.5m, making it the most expensive photograph ever sold. A massive internal discussion amongst Fstoppers writers took place shortly thereafter, arguing whether any photograph was actually worth that much money.

I’ve just read a comment from a photographer who said it’s time to stop shooting in black and white. He claimed we don’t see the world in black and white and it was something only done in the past due to the limitations at the time and it’s time to move on. Here’s a number of reasons why I think it’s critical to shoot black and white from time to time, and how it can help nurture your photographic eye.