Composition is something that can be slightly overlooked in digital photography. With the ability to take hundreds or thousands of images on a single memory card and cropping achieved so simply in Lightroom, photographers have become lazy. There are certain situations, however, where composition can make or break a photo. While every genre of photography can benefit from good composition, photojournalism may be the realm that sees the largest impact. In his series "Counterflow," Photographer Mauro Martins exemplifies just that.
In this video essay, Evan Puschak aka The Nerdwriter explains some of the techniques Ansel Adams used to achieve his technical and esthetic mastery. Using visualization and some other relatively easy to learn techniques, Adams learned to bring what he saw in his mind's eye to his photographs (yes, I said "easy to learn," but hard to master). It was Adams' commitment to taking photographs, with intent, that made him a master artist and led him to develop the tools he needed to bring his images to fruition.
New York City born photographer/artist Roger Ballen spent the better part of the last four decades in Johannesburg, South Africa. In that time he has produced a body of work that has been described as a fictionalized visual dialogued between individuals, their architectural space, found objects, and domesticated animals. His approach has been hailed as among the most unusual and exciting developments in contemporary photography.
Zen photography comes naturally with an empty mind. It’s both waiting for a moment where light, shape, and dynamics fall into place, and being devoid of planning in advance. Instead of checking the weather online before a shoot, you just venture out and essentially wing it. It’s all about being in the moment. As a landscape photographer, I want to share the ways of this minimalist sub-genre.
Black and white photography may well be the ultimate classical expression of the art form, after all it is how photography started. It's still a continually popular aesthetic, even now well into the digital age. However, black and white images, in my opinion, should be simply more than the removal of color. Thankfully many thousands of photographers and designers agree with that, and the usage of black and white conversion methods and approaches is prevalent in the post production world.
Warning: treacherous waters are ahead. A dark, cold place where only the brave dare to explore. Recent video projects by photographer and cinematographer Sven Dreesbach create a feeling of icy-cold tension, contrasted by a sense of meditative pleasure. It's a vibe that is best soaked in rather than pontificated upon by some internet writer. Oh, and he did it all on iPhones.
Nothing makes for a great photo like an equally impressive moment. Whether it’s an outpouring of jubilation, a solemn, tearful lament, or the grasping of victory, a one-of-a-kind moment is a photographer’s best friend. So, why not make some great moments for yourself, even if it pains you (or some of your friends) to do so? Enter Photographers Ofir Abe and Ben Saar.
We fell head-over-heels when we saw CineStill’s 35mm 800T film, repackaged from Kodak cinema film. Beautiful golden skin tones, cool shadows, and that ever-difficult-to-explain magic glow, brought the beauty of true filmmaking to the still format. It’s been a long wait since the 35mm format was introduced in 2012, but today, CineStill launches their high-speed, tungsten-balanced cinema film in the 120 format.
Over a year ago, after having discovered his work a year before that, I felt it necessary to introduce Fstoppers' readers to photographer K. R. Whitley, the world traveling wilderness/landscape and urbex artist. Since then, Whitley has traveled even more and expanded his work in some bold, new directions. I brazenly invited him to an interview at my house, and thankfully he agreed.
I have been following and reporting on Vincent Laforet's "AIR" series since its first round was released. I came across an early printing of the book itself in the waiting area of San Francisco's Storehouse startup while I was about to take on another interview. I knew Storehouse and Laforet had a good working relationship, and I knew the images so well. But I didn't have time to look inside -- not that I felt I had to, however, since I knew the work inside and out. So when Laforet offered me a copy of the book to review, I simply had to say, "Of course," even if it was with mixed feelings. What could I, objectively speaking, really get out of it? Hadn't I seen it all?
Food is a part of our everyday lives and yet something a lot of people take for granted. How often do you stop and look at food, noticing how produce changes throughout the seasons? Not many of us do, unless you are a food photographer or have a chef in the family. Artists Caitlin Levin and Henry Hargreaves got up close and personal on their most recent collaboration, "Food Scans," cutting up produce to reveal its patterns and scanning them to create beautiful, intricate imagery.
As a part of the promotion for Photo London 2016, the exhibition team has put together a video with five fine art photographers who are interviewed about their love of photography. This short shows off some of their captivating work and really brings to light how many unique reasons there are to love the craft of taking photos.
Photography can easily be mistaken as a pastime or a profession where the greatest success is reserved for those with the eagle eyes, near super-human visual acuity, and a painfully sensitive awareness of the gradients of color around them. But the Seeing With Photography Collective flies in the face of such notions, and it’s a beautiful thing. A recently released documentary video shows the group collaborating and sharing their unique portraits, and it’s a must see.